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The Kathasaritsagara is a combination of simultaneously innocent
and sophisticated folk stories bringing forth both common sense and
highly sophisticated Sanskrit writing. It paints a vivid picture of
a most particular part of India at one moment in history, and yet
it tells stories that are the Indian variants – often the Indian
sources – of stories told around the world. Arisha Sattar’s
translations bring these stories to life in a modern way, while
retaining their ancient meanings.
One of India's greatest epics, the Ramayana pervades the country's
moral and cultural consciousness. For generations it has served as
a bedtime story for Indian children, while at the same time
engaging the interest of philosophers and theologians. Believed to
have been composed by Valmiki sometime between the eighth and sixth
centuries BC, the Ramayana tells the tragic and magical story of
Rama, the prince of Ayodhya, an incarnation of Lord Visnu, born to
rid the earth of the terrible demon Ravana. An idealized heroic
tale ending with the inevitable triumph of good over evil, the
Ramayana is also an intensely personal story of family
relationships, love and loss, duty and honor, of harem intrigue,
petty jealousies, and destructive ambitions. All this played out in
a universe populated by larger-than-life humans, gods and celestial
beings, wondrous animals and terrifying demons. With her
magnificent translation and superb introduction, Arshia Sattar has
successfully bridged both time and space to bring this ancient
classic to modern English readers.
The last and most intriguing book of the Ramayana, the Uttara Kanda
is rendered here by noted Sanskrit scholar Arshia Sattar in vivid,
sensuous detail. First composed around 500 BCE, it tells the story
of an unjustly exiled prince, the abduction of his wife from the
forest by a ten-headed demon king, his alliance with a band of
magical monkeys, and the internal and external battles he must
fight to win back his wife and keep her. India's great Sanskrit
epic brings to readers the classic dilemmas every individual faces:
love versus duty, destiny and free will, the public and the private
self, the pull of family, and the right to personal happiness.
These universal problems are layered with the quintessentially
Indian ideas of karma (action) and dharma (duty).The book explores
what it means to be human in a complex and demanding world,
considering the parameters and contexts in which we make the
decisions that will determine the color and tenor of our lives, the
choices that make us who we are. It also offers a great, albeit
tragic, love story-a story of the demands and pressures of love and
how we might fail those that we love most. Accompanied by Sattar's
thoughtful essays weighing the moral complexity of this most
enduring of epics, this translation crystallizes her deep and
intimate knowledge of the Ramayana in a way that is utterly
compelling.
The last and most intriguing book of the Ramayana, the Uttara Kanda
is rendered here by noted Sanskrit scholar Arshia Sattar in vivid,
sensuous detail. First composed around 500 BCE, it tells the story
of an unjustly exiled prince, the abduction of his wife from the
forest by a ten-headed demon king, his alliance with a band of
magical monkeys, and the internal and external battles he must
fight to win back his wife and keep her. India's great Sanskrit
epic brings to readers the classic dilemmas every individual faces:
love versus duty, destiny and free will, the public and the private
self, the pull of family, and the right to personal happiness.
These universal problems are layered with the quintessentially
Indian ideas of karma (action) and dharma (duty).The book explores
what it means to be human in a complex and demanding world,
considering the parameters and contexts in which we make the
decisions that will determine the color and tenor of our lives, the
choices that make us who we are. It also offers a great, albeit
tragic, love story-a story of the demands and pressures of love and
how we might fail those that we love most. Accompanied by Sattar's
thoughtful essays weighing the moral complexity of this most
enduring of epics, this translation crystallizes her deep and
intimate knowledge of the Ramayana in a way that is utterly
compelling.
One of India's greatest epics, the Ramayana pervades the country's
moral and cultural consciousness. For generations it has served as
a bedtime story for Indian children, while at the same time
engaging the interest of philosophers and theologians. Believed to
have been composed by Valmiki sometime between the eighth and sixth
centuries BC, the Ramayana tells the tragic and magical story of
Rama, the prince of Ayodhya, an incarnation of Lord Visnu, born to
rid the earth of the terrible demon Ravana. An idealized heroic
tale ending with the inevitable triumph of good over evil, the
Ramayana is also an intensely personal story of family
relationships, love and loss, duty and honor, of harem intrigue,
petty jealousies, and destructive ambitions. All this played out in
a universe populated by larger-than-life humans, gods and celestial
beings, wondrous animals and terrifying demons. With her
magnificent translation and superb introduction, Arshia Sattar has
successfully bridged both time and space to bring this ancient
classic to modern English readers.
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