(Music Sales America). Now you can sing and play your favorite Simon & Garfunkel hits on guitar in no time with just a handful of simple, easy chords for each song. All the songs have been specially arranged by Rikky Rooksby in the original keys from the actual hit recordings. Includes Bridge Over Troubled Water * A Hazy Shade of Winter * Mrs Robinson * plus many more.

(Piano Solo Personality). 15 songs from this iconic duo arranged in piano solo notation: America * The Boxer * Bridge over Troubled Water * Cecilia * The 59th Street Bridge Song (Feelin' Groovy) * For Emily, Whenever I May Find Her * A Hazy Shade of Winter * Homeward Bound * I Am a Rock * Mrs. Robinson * My Little Town * The Only Living Boy in New York * Scarborough Fair/Canticle * The Sound of Silence * Wednesday Morning 3 A.M. (Simon).

(Music Sales America). The music and lyrics to 14 of Simon and Garfunkel's best songs. Includes: The Boxer * Mrs Robinson * Bridge Over Troubled Water * Sound of Silence * and more.

(Music Sales America). This fabulous collection contains 18 of their best known numbers including: Bridge Over Troubled Water * The Sound Of Silence * Mrs. Robinson * A Hazy Shade of Winter * America * Cecilia * At the Zoo * 59th Street Bridge Song (Feeling Groovey) * and more. These are authentic and accurate piano and vocal arrangements with guitar chord boxes and full lyrics, taken from the original recordings.

From journalist and Grammy(R)-nominated music producer Leo Sacks, and New York Times chief popular music critic Jon Pareles, Keeping Time places Hunstein's photos in the context of musical and social change, adding an untold chapter to the cultural history Don Hunstein's images of music's most influential artists are unforgettable. As Columbia Records' staff photographer for more than four decades, Hunstein earned the trust and confidence of the most celebrated singers, songwriters, composers, and musicians of our time, including Bob Dylan, Miles Davis, Johnny Cash, Simon & Garfunkel, Aretha Franklin, Leonard Bernstein, Dave Brubeck, Tony Bennett, and Thelonious Monk, to name a few. Hunstein photographed these greats with noticeable informality, demonstrating a perpetual ease with his subjects. With his relaxed approach, he was able to glean private moments from public lives filled with fascinating, telling, and intimate details. Logging his daily assignments, Hunstein created an archive of profound images that parallel the soundtracks to our lives. To this day, his work exists as a unique record chronicling the creative efforts and energies of the world's greatest musicians. Edited by journalist and Grammy(R)-nominated music producer Leo Sacks and with text by New York Times chief popular music critic Jon Pareles, Keeping Time places Hunstein's photos in the context of musical and social change, adding an untold chapter to the cultural history of the second half of the twentieth century.

It's a scandal that Sony Music's American catalog only offers a late '80s vintage compilation of Art Garfunkel's music, limited to 12 songs and indifferently mastered even by the standards of the time; meanwhile, Sony's British catalog has released this 20-song collection which, though it's not perfect, does offer upgraded sound along with a solid cross-section of Garfunkel's best work across 25 years of solo music-making. There are holes, to be sure, and not every track off of the U.S. best-of is represented -- where are "All I Know" and "Two Sleepy People," to name but two? -- but at least it's a step in the right direction for an artist who is deserving of the respect implicit in an ambitious release of this kind. Though the absent songs are, indeed, very much missed, the clean, bright mastering of "I Believe," "Disney Girls," "She Moved Through the Fair," "Watermark," "Break Away," "Miss You Nights," and "Crying in the Rain" makes this worth picking up, at least until Sony Music gets around to upgrading its American catalog. The clarity and crispness, and the vivid textures bring out a greater, silky purity in Garfunkel's voice than has ever before been evident on CD, and a presence to the accompaniment that leaves one more impressed than ever with these tracks as an art form in themselves, very much like Simon & Garfunkel's post-1965 productions. There is no annotation to speak of, but the quality of the audio justifies this disc -- if someone were to come up with a double-CD set that combined the non-overlapping tracks from this, Up 'Til Now, and the U.S. best-of in this quality, that would be the only Garfunkel package anyone needed. ~ Bruce Eder