Elizabeth David was born into a upper-class family and pursued a rebellious and bohemian life as a student of art and then an actress in Paris, before running off with a married man to Greece and then settling in Cairo, where she worked for the British government. After the Second World War, she returned to England, where she was shocked by poor food into writing first articles, then books on Meditteranean cooking. "A Book of Mediterranean Food" was published in 1950, inspiring a cookery revolution, bringing new flavours and ingredients to the drab, post-war British diet. Over the next few years, David was to become a major influence on British cooking, yet her classic cookery books show little of the colourful personality behind the public persona. Artermis Cooper, in this refreshing biography, reveals an adventurous and uncompromising personality - a woman with a passion for food, life and men. This is the whole story: of her strong friendships, her failed marriage, tempestuous affairs and the greatest love of her life, told with extensive refererence to David's private papers and letters.

'In this wonderful and creative book, Cooper has brought David to life... she not only writes like an angel, but has done her research with great skill and obvious enjoyment.' Derek Cooper, "Sunday Times"

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'Engagingly well-written, thoroughly researched and documented. One of the delights of Artemis Cooper's book is that it makes you go back, time and again, to the source. And suddenly I will find that I have whiled away the afternoon re-reading, for the sheer pleasure of it, half of "Spices" or "An Omlette and a Glass of Wine."' Frances Bissell, "The Times"

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'Fluent, engaging and astonishingly readable.' Clarissa Dickson Wright, "Mail on Sunday"

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'Artemis Cooper is skilled and wise enough to handle the contradictory sides of David's character without being either censorious or sensational.' Arabella Boxer, "The Times Literary Supplement"

A remarkable historical account of the chaos and uncertainty that followed the liberation of Paris in August, 1944 'A beautifully written book about a vast tapestry of military, political and social upheaval. Remarkably well-researched, wise, balanced, very funny at times' Dirk Bogarde ______________ Post-liberation Paris: an epoch charged with political and conflicting emotions. Liberation was greeted with joy but marked by recriminations and the trauma of purges. The feverish intellectual arguments of the young took place amidst the mundane reality of hunger and fuel shortages. This is a thrilling, unsurpassed account of the drama and upheaval of one of history's most fascinating eras. ______________ 'A dashing, multi-dimensional story. This book covers all aspects of life - diplomacy, strategy, rationing, politics and politicking (from Churchill, Petain's and de Gaulle's point of view), the international theatricals and the tourist invasion, blitzkrieg and Ritzkrieg' Olivier Todd, Sunday Times 'Absorbing . . . a rich, many-layered account, selecting from official documents, private archives, memoirs and histories with a wonderful lightness of touch, so that the most complex events become clear' Jenny Uglow, Independent on Sunday

Patrick Leigh Fermor (1915-2011) was a war hero whose exploits in Crete are legendary, and above all he is widely acclaimed as the greatest travel writer of our times, notably for his books about his walk across pre-war Europe, A Time of Gifts and Between the Woods and the Water; he was a self-educated polymath, a lover of Greece and the best company in the world.

Artemis Cooper has drawn on years of interviews and conversations with Paddy and his closest friends as well as having complete access to his archives.

Her beautifully crafted biography portrays a man of extraordinary gifts - no one wore their learning so playfully, nor inspired such passionate friendship.

When Allied troops fought their way into Paris on August 25, 1944, they were greeted by the wildest scenes of joy Europe had ever witnessed. The following day, over a million people thronged the streets in a delirious atmosphere of freedom to watch General de Gaulle's triumphant march from the Arc de Triomphe to Notre Dame. There was a black edge to the exuberance, though. Hatreds from the Vichy era led to the settling of scores in a chaos of often wild justice. The period that followed was full of contrast and contradiction: Picasso, a multimillionaire, became the Communist Party's star recruit; an infatuation with American popular culture thrived amid virulent anti-Americanism; black marketeers grew rich on the misery of the population; literary and social life revived miraculously amid the poverty and dilapidation; Christian Dior revolutionized fashion with the extravagant use of material, and working-class women tore the clothes in outrage from one of his models. Arthur Miller observed of Paris, emotionally scarred by the Occupation, that "the moral, the literary, and the political were the same". Paris was the focal point in the opening stages of the Cold War, and in the new era of the atom bomb. Existentialists and Communists arguing in cafes sensed that history had entered a decisive phase. At a time when rumor was as powerful as fact, word of plots and counterplots proliferated, and France came to the brink of civil war. Paris After the Liberation is the first work to do justice to this extraordinary period. It is a landmark achievement, a brilliant fusion of politics, literary life, society, theater, fashion, and art woven into a rich and intimate account brimming withrevelation. Acclaimed historians Antony Beevor and Artemis Cooper (the granddaughter of England's first postwar ambassador to France) have drawn on an astonishing array of sources: unpublished diaries, letters, and photographs; interviews with many of the period's leading figures; and important material from archives in Paris, the United States, London, and Moscow, whose newly opened state papers have provided a wealth of completely fresh information, much of it startling. Paris After the Liberation brings to life a pivotal moment of world history, suffusing it with wit, anecdote, and brio. It is a brilliant and thoroughly enjoyable work of synthesis, a fitting celebration of the fiftieth anniversary of the liberation of Paris.

For troops in the desert, Cairo meant fleshpots or brass hats. For well-connected officers, it meant polo at the Gezira Club and drinks at Shepheard's. For the irregular warriors, Cairo was a city to throw legendary parties before the next mission behind enemy lines. For countless refugees, it was a stopping place in the long struggle home. The political scene was dominated by the British Ambassador Sir Miles Lampson. In February 1942 he surrounded the Abdin Palace with tanks and attempted to depose King Farouk. Five months later it looked as if the British would be thrown out of Egypt for good. Rommel's forces were only sixty miles from Alexandria - but the Germans were pushed back and Cairo life went on. Meanwhile, in the Egyptian Army, a handful of young officers were thinking dangerous thoughts.

Elizabeth Jane Howard (1923-2014) wrote brilliant novels about what love can do to people, but in her own life the lasting relationship she sought so ardently always eluded her. She grew up yearning to be an actress; but when that ambition was thwarted by marriage and the war, she turned to fiction. Her first novel, The Beautiful Visit, won the John Llewellyn Rhys prize - she went on to write fourteen more, of which the best-loved were the five volumes of The Cazalet Chronicle. Following her divorce from her first husband, the celebrated naturalist Peter Scott, Jane embarked on a string of high-profile affairs with Cecil Day-Lewis, Arthur Koestler and Laurie Lee, which turned her into a literary femme fatale. Yet the image of a sophisticated woman hid a romantic innocence which clouded her emotional judgement. She was nearing the end of a disastrous second marriage when she met Kingsley Amis, and for a few years they were a brilliant and glamorous couple - until that marriage too disintegrated. She settled in Suffolk where she wrote and entertained friends, but her turbulent love life was not over yet. In her early seventies Jane fell for a conman. His unmasking was the final disillusion, and inspired one of her most powerful novels, Falling. Artemis Cooper interviewed Jane several times in Suffolk. She also talked extensively to her family, friends and contemporaries, and had access to all her papers. Her biography explores a woman trying to make sense of her life through her writing, as well as illuminating the literary world in which she lived.