The epic successor to one of the most important books of the century: at once a retelling of global history, a scathing critique of contemporary politics, and a bold proposal for a new and fairer economic system.

Thomas Piketty’s bestselling Capital in the Twenty-First Century galvanized global debate about inequality. In this audacious follow-up, Piketty challenges us to revolutionize how we think about politics, ideology, and history. He exposes the ideas that have sustained inequality for the past millennium, reveals why the shallow politics of right and left are failing us today, and outlines the structure of a fairer economic system.

Our economy, Piketty observes, is not a natural fact. Markets, profits, and capital are all historical constructs that depend on choices. Piketty explores the material and ideological interactions of conflicting social groups that have given us slavery, serfdom, colonialism, communism, and hypercapitalism, shaping the lives of billions. He concludes that the great driver of human progress over the centuries has been the struggle for equality and education and not, as often argued, the assertion of property rights or the pursuit of stability. The new era of extreme inequality that has derailed that progress since the 1980s, he shows, is partly a reaction against communism, but it is also the fruit of ignorance, intellectual specialization, and our drift toward the dead-end politics of identity.

Once we understand this, we can begin to envision a more balanced approach to economics and politics. Piketty argues for a new “participatory” socialism, a system founded on an ideology of equality, social property, education, and the sharing of knowledge and power. Capital and Ideology is destined to be one of the indispensable books of our time, a work that will not only help us understand the world, but that will change it.

The media are in crisis. Confronted by growing competition and sagging advertising revenue, news operations in print, on radio and TV, and even online are struggling to reinvent themselves. Many have gone under. For too many others, the answer has been to lay off reporters, join conglomerates, and lean more heavily on generic content. The result: in a world awash with information, news organizations provide citizens with less and less in-depth reporting and a narrowing range of viewpoints. If democracy requires an informed citizenry, this trend spells trouble. Julia Cage explains the economics and history of the media crisis in Europe and America, and she presents a bold solution. The answer, she says, is a new business model: a nonprofit media organization, midway between a foundation and a joint stock company. Cage shows how this model would enable the media to operate independent of outside shareholders, advertisers, and government, relying instead on readers, employees, and innovative methods of financing, including crowdfunding. Cage's prototype is designed to offer new ways to share and transmit power. It meets the challenges of the digital revolution and the realities of the twenty-first century, inspired by a central idea: that news, like education, is a public good. Saving the Media will be a key document in a debate whose stakes are nothing less crucial than the vitality of democracy.

A New York Times #1 Bestseller An Amazon #1 Bestseller A Wall Street Journal #1 Bestseller A USA Today Bestseller A Sunday Times Bestseller A Guardian Best Book of the 21st Century Winner of the Financial Times and McKinsey Business Book of the Year Award Winner of the British Academy Medal Finalist, National Book Critics Circle Award "It seems safe to say that Capital in the Twenty-First Century, the magnum opus of the French economist Thomas Piketty, will be the most important economics book of the year-and maybe of the decade." -Paul Krugman, New York Times "The book aims to revolutionize the way people think about the economic history of the past two centuries. It may well manage the feat." -The Economist "Piketty's Capital in the Twenty-First Century is an intellectual tour de force, a triumph of economic history over the theoretical, mathematical modeling that has come to dominate the economics profession in recent years." -Steven Pearlstein, Washington Post "Piketty has written an extraordinarily important book...In its scale and sweep it brings us back to the founders of political economy." -Martin Wolf, Financial Times "A sweeping account of rising inequality...Piketty has written a book that nobody interested in a defining issue of our era can afford to ignore." -John Cassidy, New Yorker "Stands a fair chance of becoming the most influential work of economics yet published in our young century. It is the most important study of inequality in over fifty years." -Timothy Shenk, The Nation

Thomas Piketty-whose Capital in the Twenty-First Century pushed inequality to the forefront of public debate-wrote The Economics of Inequality as an introduction to the conceptual and factual background necessary for interpreting changes in economic inequality over time. This concise text has established itself as an indispensable guide for students and general readers in France, where it has been regularly updated and revised. Translated by Arthur Goldhammer, The Economics of Inequality now appears in English for the first time. Piketty begins by explaining how inequality evolves and how economists measure it. In subsequent chapters, he explores variances in income and ownership of capital and the variety of policies used to reduce these gaps. Along the way, with characteristic clarity and precision, he introduces key ideas about the relationship between labor and capital, the effects of different systems of taxation, the distinction between "historical" and "political" time, the impact of education and technological change, the nature of capital markets, the role of unions, and apparent tensions between the pursuit of efficiency and the pursuit of fairness. Succinct, accessible, and authoritative, this is the ideal place to start for those who want to understand the fundamental issues at the heart of one of the most pressing concerns in contemporary economics and politics.

More than fifty years after Algerian independence, Albert Camus "Algerian Chronicles" appears here in English for the first time. Published in France in 1958, the same year the Algerian War brought about the collapse of the Fourth French Republic, it is one of Camus most political works an exploration of his commitments to Algeria. Dismissed or disdained at publication, today "Algerian Chronicles, " with its prescient analysis of the dead end of terrorism, enjoys a new life in Arthur Goldhammer s elegant translation.

Believe me when I tell you that Algeria is where I hurt at this moment, Camus, who was the most visible symbol of France s troubled relationship with Algeria, writes, as others feel pain in their lungs. Gathered here are Camus strongest statements on Algeria from the 1930s through the 1950s, revised and supplemented by the author for publication in book form.

In her introduction, Alice Kaplan illuminates the dilemma faced by Camus: he was committed to the defense of those who suffered colonial injustices, yet was unable to support Algerian national sovereignty apart from France. An appendix of lesser-known texts that did not appear in the French edition complements the picture of a moralist who posed questions about violence and counter-violence, national identity, terrorism, and justice that continue to illuminate our contemporary world."

This new translation of an undisputed classic aims to be both accurate and readable. Tocqueville's subtlety of style and profundity of thought offer a challenge to readers as well as to translators. As both a Tocqueville scholar and an award-winning translator, Arthur Goldhammer is uniquely qualified for the task. In his Introduction, Jon Elster draws on his recent work to lay out the structure of Tocqueville's argument. Readers will appreciate The Ancien Regime and the French Revolution for its sense of irony as well as tragedy, for its deep insights into political psychology, and for its impassioned defense of liberty."

A New York Times #1 Bestseller An Amazon #1 Bestseller A Wall Street Journal #1 Bestseller A USA Today Bestseller A Sunday Times Bestseller A Guardian Best Book of the 21st Century Winner of the Financial Times and McKinsey Business Book of the Year Award Winner of the British Academy Medal Finalist, National Book Critics Circle Award What are the grand dynamics that drive the accumulation and distribution of capital? Questions about the long-term evolution of inequality, the concentration of wealth, and the prospects for economic growth lie at the heart of political economy. But satisfactory answers have been hard to find for lack of adequate data and clear guiding theories. In Capital in the Twenty-First Century, Thomas Piketty analyzes a unique collection of data from twenty countries, ranging as far back as the eighteenth century, to uncover key economic and social patterns. His findings will transform debate and set the agenda for the next generation of thought about wealth and inequality. Piketty shows that modern economic growth and the diffusion of knowledge have allowed us to avoid inequalities on the apocalyptic scale predicted by Karl Marx. But we have not modified the deep structures of capital and inequality as much as we thought in the optimistic decades following World War II. The main driver of inequality-the tendency of returns on capital to exceed the rate of economic growth-today threatens to generate extreme inequalities that stir discontent and undermine democratic values. But economic trends are not acts of God. Political action has curbed dangerous inequalities in the past, Piketty says, and may do so again. A work of extraordinary ambition, originality, and rigor, Capital in the Twenty-First Century reorients our understanding of economic history and confronts us with sobering lessons for today.

It's a commonplace that citizens in Western democracies are disaffected with their political leaders and traditional democratic institutions. But in "Democratic Legitimacy," Pierre Rosanvallon, one of today's leading political thinkers, argues that this crisis of confidence is partly a crisis of understanding. He makes the case that the sources of democratic legitimacy have shifted and multiplied over the past thirty years and that we need to comprehend and make better use of these new sources of legitimacy in order to strengthen our political self-belief and commitment to democracy.

Drawing on examples from France and the United States, Rosanvallon notes that there has been a major expansion of independent commissions, NGOs, regulatory authorities, and watchdogs in recent decades. At the same time, constitutional courts have become more willing and able to challenge legislatures. These institutional developments, which serve the democratic values of impartiality and reflexivity, have been accompanied by a new attentiveness to what Rosanvallon calls the value of proximity, as governing structures have sought to find new spaces for minorities, the particular, and the local. To improve our democracies, we need to use these new sources of legitimacy more effectively and we need to incorporate them into our accounts of democratic government.

An original contribution to the vigorous international debate about democratic authority and legitimacy, this promises to be one of Rosanvallon's most important books.

This new translation of an undisputed classic aims to be both accurate and readable. Tocqueville's subtlety of style and profundity of thought offer a challenge to readers as well as to translators. As both a Tocqueville scholar and an award-winning translator, Arthur Goldhammer is uniquely qualified for the task. In his Introduction, Jon Elster draws on his recent work to lay out the structure of Tocqueville's argument. Readers will appreciate The Ancien Regime and the French Revolution for its sense of irony as well as tragedy, for its deep insights into political psychology, and for its impassioned defense of liberty.

Democracy is established as a generally uncontested ideal, while regimes inspired by this form of government fall under constant criticism. Hence, the steady erosion of confidence in representatives that has become one of the major political issues of our time. Amidst these challenges, the paradox remains that while citizens are less likely to make the trip to the ballot box, the world is far from entering a phase of general political apathy. Demonstrations and activism abound in the streets, in cities across the globe and on the internet. Pierre Rosanvallon analyses the mechanisms used to register a citizen's expression of confidence or distrust, and then focuses on the role that distrust plays in democracy from both a historical and theoretical perspective. This radical shift in perspective uncovers a series of practices - surveillance, prevention, and judgement - through which society corrects and exerts pressure.

Democracy is established as a generally uncontested ideal, while regimes inspired by this form of government fall under constant criticism. Hence, the steady erosion of confidence in representatives that has become one of the major political issues of our time. Amidst these challenges, the paradox remains that while citizens are less likely to make the trip to the ballot box, the world is far from entering a phase of general political apathy. Demonstrations and activism abound in the streets, in cities across the globe and on the internet. Pierre Rosanvallon analyses the mechanisms used to register a citizen's expression of confidence or distrust, and then focuses on the role that distrust plays in democracy from both a historical and theoretical perspective. This radical shift in perspective uncovers a series of practices - surveillance, prevention, and judgement - through which society corrects and exerts pressure.

With its sweeping digressions into the past and reflections on the nature of memory, Proust's oceanic novel In Search of Lost Time looms over twentieth-century literature as one of the greatest, yet most endlessly challenging, literary experiences. Influencing writers like Virginia Woolf and James Joyce, and even anticipating Albert Einstein in its philosophical explorations of space and time, In Search of Lost Time is a monumental achievement and reading it is a rite of passage for any serious lover of literature. Now, in what renowned translator Arthur Goldhammer says might be "likened to a piano reduction of an orchestral score," the French illustrator Stephane Heuet re-presents Proust in graphic form for anyone who has always dreamed of reading him but was put off by the sheer magnitude of the undertaking. This New York Times best-selling graphic adaptation reveals the fundamental architecture of Proust's work while displaying a remarkable fidelity to his language as well as the novel's themes of time, art, and the elusiveness of memory. As Goldhammer writes in his introduction, "The reader new to Proust must attend closely, even in this compressed rendering, to the novel's circling rhythms and abrupt cross-cuts between different places and times. But this necessary attentiveness is abetted and facilitated by the compactness of the graphic format." In this first volume, Swann's Way, the narrator Marcel, an aspiring writer, recalls his childhood when-in a now-immortal moment in literature-the taste of a madeleine cake dipped in tea unleashes a torrent of memories about his family's country home in the town of Combray. Here, Heuet and Goldhammer use Proust's own famously rich and labyrinthine sentences and discerning observations to render Combray like never before. From the water lilies of the Vivonne to the steeple and stained glass of the town church, Proust's language provides the blueprint for Heuet's illustrations. Heuet and Goldhammer also capture Proust's humor, wit, and sometimes scathing portrayals of Combray's many memorable inhabitants, like the lovelorn Charles Swann and the object of his affection and torment, Odette de Crecy; Swann's daughter, Gilberte; local aristocrat the Duchesse de Guermantes; the narrator's uncle Adolphe; and the hypochondriac Aunt Leonie. Including a Proust family tree, a glossary of terms, and a map of Paris, this graphic adaptation is a surprising and useful companion piece to Proust's masterpiece for both the initiated and those seeking an introduction.

Francois Delaporte's Chagas Disease chronicles Brazilian medicine's encounter with a disease, an insect, and a history of discovery. Between 1909 and 1911, Carlos Chagas described an infection (pathogenic trypanosome), its intermediate host, and the illness that he believed it caused, parasitic thyroiditis. Chagas's work did not lack significance: the disease that came to share his name would be one of Latin America's most serious endemic diseases. However, the clinical identification of the disease through "Romana's sign" (a palpebral edema or swelling of the eyelid) some decades later marked a transformation in the general medical knowledge of the disease and its basis altogether. Not only was the disease entity that Chagas had described shown to be a nosological illusion, but twenty-five years of scientific controversy turned out to have been based on a misunderstanding. The continued use of the term "Chagas's Disease" even after Cecilio Romana's discovery thus refers to a fundamental ambiguity. Delaporte dispels this ambiguity by re-examining the various discoveries, dead ends, controversies, and major epistemological transformations that marked the history of the disease--a history that begins with the creation of the Oswaldo Cruz Institute in Rio de Janeiro and ends in the forests of Santa Fe in northern Argentina. Delaporte's study shows how an epistemological focus can add depth to the history of medicine and complexity to accounts of scientific discovery.

The fear of oblivion obsessed medieval and early modern Europe. Stone, wood, cloth, parchment, and paper all provided media onto which writing was inscribed as a way to ward off loss. And the task was not easy in a world in which writing could be destroyed, manuscripts lost, or books menaced with destruction. Paradoxically, the successful spread of printing posed another danger, namely, that an uncontrollable proliferation of textual materials, of matter without order or limit, might allow useless texts to multiply and smother thought. Not everything written was destined for the archives; indeed, much was written on surfaces that allowed one to write, erase, then write again.In "Inscription and Erasure," Roger Chartier seeks to demonstrate how the tension between these two concerns played out in the imaginative works of their times. Chartier examines how authors transformed the material realities of writing and publication into an aesthetic resource exploited for poetic, dramatic, or narrative ends. The process that gave form to writing in its various modes--public or private, ephemeral or permanent--thus became the very material of literary invention. Chartier's chapters follow a thread of reading and interpretation that takes us from the twelfth-century French poet Baudri of Bourgueil, sketching out his poems on wax tablets before they are committed to parchment, through Cervantes in the seventeenth century, who places a "book of memory," in which poems and letters are to be recopied, in the path of his fictional Don Quixote.

Since the 1980s, society's wealthiest members have claimed an ever-expanding share of income and property. It has been a true counterrevolution, says Pierre Rosanvallon--the end of the age of growing equality launched by the American and French revolutions. And just as significant as the social and economic factors driving this contemporary inequality has been a loss of faith in the ideal of equality itself. An ambitious transatlantic history of the struggles that, for two centuries, put political and economic equality at their heart, The Society of Equals calls for a new philosophy of social relations to reenergize egalitarian politics. For eighteenth-century revolutionaries, equality meant understanding human beings as fundamentally alike and then creating universal political and economic rights. Rosanvallon sees the roots of today's crisis in the period 1830-1900, when industrialized capitalism threatened to quash these aspirations. By the early twentieth century, progressive forces had begun to rectify some imbalances of the Gilded Age, and the modern welfare state gradually emerged from Depression-era reforms. But new economic shocks in the 1970s began a slide toward inequality that has only gained momentum in the decades since. There is no returning to the days of the redistributive welfare state, Rosanvallon says. Rather than resort to outdated notions of social solidarity, we must instead revitalize the idea of equality according to principles of singularity, reciprocity, and communality that more accurately reflect today's realities.

First of the widely celebrated and sumptuously illustrated series, this book reveals in intimate detail what life was really like in the ancient world. Behind the vast panorama of the pagan Roman empire, the reader discovers the intimate daily lives of citizens and slaves-from concepts of manhood and sexuality to marriage and the family, the roles of women, chastity and contraception, techniques of childbirth, homosexuality, religion, the meaning of virtue, and the separation of private and public spaces. The emergence of Christianity in the West and the triumph of Christian morality with its emphasis on abstinence, celibacy, and austerity is startlingly contrasted with the profane and undisciplined private life of the Byzantine Empire. Using illuminating motifs, the authors weave a rich, colorful fabric ornamented with the results of new research and the broad interpretations that only masters of the subject can provide.

In the late seventeenth century, France prided itself for its rationality and scientific achievements. Yet it was then that Raphael Levy, a French Jew, was convicted, tortured, and executed for an act he did not commit, a fiction deriving from medieval anti-Jewish myth: the ritual murder of a Christian boy to obtain blood for satanic rituals. When Levy was accused of the ritual murder, it was the first accusation of blood libel for a century. Levy's trial, however, became a forum for anti-Jewish accusations, and although the Holy Roman Emperor and a representative of King Louis XIV both tried to intervene, they were ignored by the parliament of Metz.
Pierre Birnbaum explores the cultural, political, and personal elements that led to the accusation and shows that the importance of this story goes beyond local history: at a critical moment in the construction of the nation-state, France was unable to impose its conception of law and order on local officials. Birnbaum reveals the echoes of Levy's trial in the Dreyfus Affair and suggests that, amid the contemporary retreat of the state and the accompanying explosion of prejudice and violence, it is time to remember the tragic fate of Raphael Levy.

Archives, monuments, celebrations:there are not merely the recollections of memory but also the foundations of history. Symbols, the third and final volume in Pierre Nora's monumental Realms of Memory, includes groundbreaking discussions of the emblems of France's past by some of the nation's most distinguished intellectuals. The seventeen essays in this book consider such diverse "sites" of memory as the figures of Joan D'Arc and Decartes, the national motto of "Liberty, Equality, Fraternity", the tricolor flag and the French language itself. Pierre Nora's closing essay on commemoration provides a culminating overview of the series. Offering a new approach on history, culture, French studies and the studies of symbols, Realms of Memory reveals how the myriad meanings we attach to places and events constitute our sense of history. A monumental collective endevour by some of France's most distinguished intellectuals, Realms of Memory explores how and why certain places, events, and figures became a part of France's collective memory, and reveals the intricate connection between memory and history. Symbols, the third and final volume, is the culmination of the work begun in Conflicts and Divisions and Traditions.Pierre Nora inaugurates this final volume by acknowledging that the whole project of Realms of Memory is oriented around symbols, claiming "only a symbolic history can restore to France the unity and dynamism not recognized by either the man in the street or the academic historian." He goes on to distinguish between two very different types of symbols - imposed and constructed. Imposed symbols may be official state emblems like the tricolor flag or 'La Marsaillaise', or may be monuments like the Eiffel Tower - symbols imbued with a sense of history. COnstructes symbols are produced over the passage of time, by human effort, and by history itself.They include figures such as Joan d'Arc, Descartes, and the Gallic cock.Past I, Emblems, traces the development of four major national symbols from the time of the Revolution: the tricolor flag, the national anthem (La Marsaillaise), the motto Liberty, Equality, Fraternity" and Bastille Day. Far from having fixed identities, these representations of the French nations are shown to have undergone transformations. As French republics rose and regimes changed, the emblems of the French state - and the meanings accosiated with them - were also altered.Part II, Major Sites, focuses on those cities and structures that act as beacons of France to both Frenchman and foreigner. These essays range from the prehistory paintings in Lascaux - that cave which, though not originally French in any sense, has become the very symbol of France's immemorial national memory - to Verdun, the site of the terrible World War I battle, now a symbol of the nation's heaviest sacrifice for the "salvation of the fatehrland" and the most powerful image of French national unity.Identifications, the final section, explores the ways in which the French think of themselves. From the cock - that "rustic and quintessentially Gallic bird" - to the figures of Joan of Arc and Descartes, to the nation's twin hearts - Paris and the French language - the memory of the French people is explored.This final installment of Realms of Memory provides a major contribution not only to study the French nation and culture, but also to the study of symbols as cultural phenomena, offering, as Nora observes, "the possibility of revelation."

Many American readers like to regard Alexis de Tocqueville as an honorary American and democrat--as the young French aristocrat who came to early America and, enthralled by what he saw, proceeded to write an American book explaining democratic America to itself. Yet, as Lucien Jaume argues in this acclaimed intellectual biography, "Democracy in America" is best understood as a French book, written primarily for the French, and overwhelmingly concerned with France. "America," Jaume says, "was merely a pretext for studying modern society and the woes of France." For Tocqueville, in short, America was a mirror for France, a way for Tocqueville to write indirectly about his own society, to engage French thinkers and debates, and to come to terms with France's aristocratic legacy.

By taking seriously the idea that Tocqueville's French context is essential for understanding "Democracy in America," Jaume provides a powerful and surprising new interpretation of Tocqueville's book as well as a fresh intellectual and psychological portrait of the author. Situating Tocqueville in the context of the crisis of authority in postrevolutionary France, Jaume shows that Tocqueville was an ambivalent promoter of democracy, a man who tried to reconcile himself to the coming wave, but who was also nostalgic for the aristocratic world in which he was rooted--and who believed that it would be necessary to preserve aristocratic values in order to protect liberty under democracy. Indeed, Jaume argues that one of Tocqueville's most important and original ideas was to recognize that democracy posed the threat of a new and hidden form of despotism.

Archives, monuments, celebrations:there are not merely the recollections of memory but also the foundations of history. Symbols, the third and final volume in Pierre Nora's monumental Realms of Memory, includes groundbreaking discussions of the emblems of France's past by some of the nation's most distinguished intellectuals. The seventeen essays in this book consider such diverse "sites" of memory as the figures of Joan D'Arc and Decartes, the national motto of "Liberty, Equality, Fraternity", the tricolor flag and the French language itself. Pierre Nora's closing essay on commemoration provides a culminating overview of the series. Offering a new approach on history, culture, French studies and the studies of symbols, Realms of Memory reveals how the myriad meanings we attach to places and events constitute our sense of history.

Readers interested in history, and in the development of the modern sensibility, will relish this large-scale yet intimately detailed examination of the blossoming of the ordinary and extraordinary people of the Renaissance and the Enlightenment. This third in the popular five-volume series celebrates the emergence of individualism and the manifestations of a burgeoning self-consciousness over three centuries.

A panorama of a whole civilization, a world on the verge of cataclysm, unfolds in this magisterial work by the foremost historian of eighteenth-century France. Since Tocqueville's account of the Old Regime, historians have struggled to understand the social, cultural, and political intricacies of this efflorescence of French society before the Revolution." France in the Enlightenment" is a brilliant addition to this historical interest.

"France in the Enlightenment" brings the Old Regime to life by showing how its institutions operated and how they were understood by the people who worked within them. Daniel Roche begins with a map of space and time, depicting France as a mosaic of overlapping geographical units, with people and goods traversing it to the rhythms of everyday life. He fills this frame with the patterns of rural life, urban culture, and government institutions. Here as never before we see the eighteenth-century French "culture of appearances": the organization of social life, the diffusion of ideas, the accoutrements of ordinary people in the folkways of ordinary living--their food and clothing, living quarters, reading material. Roche shows us the eighteenth-century France of the peasant, the merchant, the noble, the King, from Paris to the provinces, from the public space to the private home.

By placing politics and material culture at the heart of historical change, Roche captures the complexity and depth of the Enlightenment. From the finest detail to the widest view, from the isolated event to the sweeping trend, his masterly book offers an unparalleled picture of a society in motion, flush with the transformation that will be its own demise.

Why was New York abstract expressionism so successful after World War II? To answer that question, Serge Guilbaut takes a controversial look at the complicated, intertwining relationship among art, politics, and ideology. He explores the changing New York and Paris art scenes of the Cold War period, the rejection by artists of political ideology, and the coopting by left-wing writers and politicians of the artistic revolt.

"Paris is firing all its ammunition into the August night. Against a vast backdrop of water and stone, on both sides of a river awash with history, freedom's barricades are once again being erected. Once again justice must be redeemed with men's blood."

Albert Camus (1913-1960) wrote these words in August 1944, as Paris was being liberated from German occupation. Although best known for his novels including "The Stranger" and "The Plague," it was his vivid descriptions of the horrors of the occupation and his passionate defense of freedom that in fact launched his public fame.

Now, for the first time in English, "Camus at 'Combat'" presents all of Camus' World War II resistance and early postwar writings published in "Combat," the resistance newspaper where he served as editor-in-chief and editorial writer between 1944 and 1947. These 165 articles and editorials show how Camus' thinking evolved from support of a revolutionary transformation of postwar society to a wariness of the radical left alongside his longstanding strident opposition to the reactionary right. These are poignant depictions of issues ranging from the liberation, deportation, justice for collaborators, the return of POWs, and food and housing shortages, to the postwar role of international institutions, colonial injustices, and the situation of a free press in democracies. The ideas that shaped the vision of this Nobel-prize winning novelist and essayist are on abundant display.

More than fifty years after the publication of these writings, they have lost none of their force. They still speak to us about freedom, justice, truth, and democracy.

Archives, monuments, celebrations:there are not merely the recollections of memory but also the foundations of history. Symbols, the third and final volume in Pierre Nora's monumental Realms of Memory, includes groundbreaking discussions of the emblems of France's past by some of the nation's most distinguished intellectuals. The seventeen essays in this book consider such diverse "sites" of memory as the figures of Joan D'Arc and Decartes, the national motto of "Liberty, Equality, Fraternity", the tricolor flag and the French language itself. Pierre Nora's closing essay on commemoration provides a culminating overview of the series. Offering a new approach on history, culture, French studies and the studies of symbols, Realms of Memory reveals how the myriad meanings we attach to places and events constitute our sense of history.