Money, Warfare and Power in the Ancient World offers eleven papers analysing the processes, consequences and problems involved in the monetization of warfare and its connection to political power in antiquity. The contributions explore not only how powerful men and states used money and coinage to achieve their aims, but how these aims and methods had often already been shaped by the medium of coined money – typically with unintended consequences. These complex relationships between money, warfare and political power – both personal and collective – are explored across different cultures and socio-political systems around the ancient Mediterranean, ranging from Pharaonic Egypt to Late Antique Europe. This volume is also a tribute to the life and impact of Professor Matthew Trundle, an inspiring teacher and scholar, who was devoted to promoting the discipline of Classics in New Zealand and beyond. At the time of his death, he was writing a book on the wider importance of money in the Greek world. A central piece of this research is incorporated into this volume, completed by one of his former students, Christopher De Lisle. Additionally, Trundle had situated himself at the centre of a wide-ranging conversation on the nature of money and power in antiquity. The contributions of scholars of ancient monetization in this volume bring together many of the threads of those conversions, further advancing a field which Matthew Trundle had worked so tirelessly to promote.

Depictions of the ancient world on the stage and in art have always competed with a scholarly approach to the reconstruction of the past. The rise of cinema and television has heightened the difficulty in distinguishing between 'elite' and 'popular' culture. On American TV, "Buffy the Vampire Slayer" has incorporated aspects of the classical within the high school horror genre. In art cinema, the films of Theo Angelopoulos seek to reclaim Greek myth from academia and claim its recognition as part of a living modern culture. Alexander the Great has been recreated in an animated Japanese television series, not as the western conqueror who spread Hellenistic values through Asia, but as a figure of destruction and renewal. Heroic male values may be reasserted in cinema as part of a conservative agenda that relies on the cultural capital of the past, or subjected to humorous critique or feminist reinterpretation in TV series such as "Hercules" and "Xena". "Then it was Destroyed by the Volcano", by studying the multiple depictions of the ancient world on screen, emphasises its continuing importance for the re-evaluation of the present.