Because it is my name! Because I cannot have another in my life! Because I lie and sign myself to lies! Because I am not worth the dust on the feet of them that hang! How may I live without my name? I have given you my soul; leave me my name! In a small tight-knit community, gossip and rumour spread like wildfire, inflaming personal grievances until no-one is safe from accusation and vengeance. The Crucible is Arthur Miller's classic dramatisation of the witch-hunt and trials that besieged the Puritan community of Salem in 1692. Seen as a chilling parallel to the McCarthyism and repressive culture of fear that gripped America in the 1950s, the play's timeless relevance and appeal remains as strong as when the play opened on Broadway in 1953. This new edition includes an introduction by Soyica Diggs Colbert, that explores the play's production history as well as the dramatic, thematic, and academic debates that surround it; a must-have resource for any student exploring The Crucible.

'His drama is a piece of expert dramatic construction. Mr. Miller has woven his characters into a tangle of plot that springs naturally out of the circumstances of life today.' NEW YORK TIMES Three years on from the disappearance of his son, successful businessman Joe Keller has made a comfortable life for his family in America's Midwest: despite being accused of supplying defective aircraft equipment in World War 2, he is altogether happy. But, when a shadowy figure from Joe's past returns, his hidden truths are revealed, and the price of the American Dream is laid bare. Miller's first successful play on Broadway, All My Sons launched his career and established him as one of America's greatest dramatists, also winning him the 1946 Tony Award for Best Author. An incisive indictment of greed, capitalism and self-interest, All My Sons is remembered as one of the playwright's greatest works. This Methuen Drama Student Edition is edited by Clare Gleitman, with commentary and notes that explore the play's production history (including excerpts from an interview with director Jeremy Herrin) as well as the dramatic, thematic and academic debates that surround it.

For more than 25 years, York Notes have been helping students throughout the UK to get the inside track on the written word. Firmly established as the nation's favourite and most comprehensive range of literature study guides, each and every York Note has been carefully researched and written by experts to make sure that you get the most wide-ranging critical analysis, the most detailed commentary and the most helpful key points and checklists. York Notes Advanced offer a fresh and accessible approach to English Literature. Written by established literature experts, they introduce students to a more sophisticated analysis, a range of critical perspectives and wider contexts.

Why am I trying to become what I don't want to be ... when all I want is out there, waiting for me the minute I say I know who I am. Willy Loman is an ageing travelling salesman haunted, driven and yet held back by empty dreams of prosperity and success. Justly celebrated as one of the most famous dramatisations of the failure of the American Dream, the play's moral and political purpose is perfectly counterbalanced by a powerful and moving human drama of a man trying to make his way in the world and of the human flaws that lead to the shattering of his family and of their figurehead. Death of a Salesman is Miller's tragic masterpiece and considered one of the greatest plays of the twentieth century. Awarded the Pulitzer Prize in 1949, the play remains a classic work of literature and drama that is studied and performed around the world. This new edition includes an introduction by Claire Conceison that explores the play's production history as well as the dramatic, thematic, and academic debates that surround it; a must-have resource for any student exploring Death of a Salesman.

The final volume in Methuen Drama's acclaimed series of work by Arthur Miller who, during his lifetime, was acknowledged as "the greatest American dramatist of our age" (Evening Standard). Featuring two plays from the 1990s and his final two plays (2002 and 2004), it offers the first ever publication of Miller's final play, Finishing the Picture. Inspired by his experience during the filming of The Misfits with his then wife Marilyn Monroe, the play was completed and produced at the Goodman Theatre, Chicago, just months before the playwright's death in February 2005. Broken Glass (1994) is set in Brooklyn in 1938 and intertwines a woman's obsession with the news from Germany that government thugs are smashing Jewish stores, with her strange relationship with her husband. "It balances private lives with public morality. . . it is also an amazingly full-blooded piece, bursting with pain and passion." (Daily Telegraph). Mr Peters' Connections (1998) is an unforgettable journey through one man's mind at a time of suspended consciousness, where the living and dead intermingle in his memory. Resurrection Blues (2002) is Miller's astonishing black comedy set in a South American banana republic, that satirises global politics and the predatory nature of a media saturated culture. The volume also features a chronology of the writer's work and an introduction by Enoch Brater, professor of English Literature at the University of Michigan.

A stage adaptation of the drama "An Enemy of the People" by Henrik Ibsen in which a Norwegian doctor is shunned by the townspeople after he discovers their famous spring water is really poisoned.

Everything you need to know and do to get the grade you want! In full colour and a great student-friendly size, York Notes for GCSE is easy to use and easy to follow, so it's easier than ever to get top marks. Written by examiners and teachers to give you an expert understanding of the text, York Notes has the most in-depth coverage and analysis of everything from themes and contexts to characters, plots and language. You'll get the low-down on everything you'll need to demonstrate how well you understand the text and write the best essays. There are sample answers, essay plans and specialist guidance on understanding the questions you'll be asked in an exam, together with an array of handy quotes, checklists, study tips, grade boosters and revision activities to help you learn, revise efficiently and remember everything you'll need to write the very best answers. It's the ultimate guide to revision and exam success. For over 25 years, York Notes has been helping GCSE students just like you achieve the very best grade they can in their exam. So if you're looking for straightforward, easy-to-use advice on how to boost your grades to the next level, York Notes for GCSE is the only guide you're going to need.

The law is nature. The law is only a word for what has a right to happen. When the law is wrong it's because it's unnatural, but in this case it is natural and a river will drown you if you buck it now. Let her go. And bless her. Set among Italian-Americans on the Brooklyn waterfront, A View from the Bridge is the story of longshoreman Eddie Carbone. When his wife's cousins arrive as illegal immigrants from Italy, he is honoured to take them into his house. But when his niece begins to fall in love with one of them, Eddie grows increasingly suspicious, eventually precipitating his violation of the moral and cultural codes of his community and leading to the play's tragic finale. With its examination of the themes of sexuality, responsibility, betrayal and vengeance, A View from the Bridge is Miller at his best and a modern classic. This new edition includes an introduction by Julie Vatain-Corfdir that explores the play's production history as well as the dramatic, thematic, and academic debates that surround it; a must-have resource for any student exploring A View from the Bridge.

Arthur Miller's play A View from the Bridge is a tragic masterpiece of the inexorable unravelling of a man, set in a close-knit Italian-American community in 1950s New York. Eddie Carbone is a longshoreman and a straightforward man, with a strong sense of decency and of honour. For Eddie, it's a privilege to take in his wife's cousins, Marco and Rodolpho, straight off the boat from Italy. But, as his niece Catherine begins to fall for one of them, it's clear that it's not just, as Eddie claims, that he's too strange, too sissy, too careless for her, but that something bigger, deeper is wrong - and wrong inside Eddie, in a way he can't face. Something which threatens the happiness of their whole family. This Penguin Classics edition includes an introduction by the author and a new foreword by actor Philip Seymour Hoffman.

Winner of the Pulitzer Prize, Tennessee Williams's A Streetcar Named Desire is the tale of a catastrophic confrontation between fantasy and reality, embodied in the characters of Blanche DuBois and Stanley Kowalski. This Penguin Modern Classics edition includes an introduction by Arthur Miller. 'I have always depended on the kindness of strangers' Fading southern belle Blanche DuBois is adrift in the modern world. When she arrives to stay with her sister Stella in a crowded, boisterous corner of New Orleans, her delusions of grandeur bring her into conflict with Stella's crude, brutish husband Stanley Kowalski. Eventually their violent collision course causes Blanche's fragile sense of identity to crumble, threatening to destroy her sanity and her one chance of happiness. Tennessee Williams's steamy and shocking landmark drama, recreated as the immortal film starring Marlon Brando, is one of the most influential plays of the twentieth century. Tennessee Williams (1911-1983) was born in Columbus, Mississippi. When his father, a travelling salesman, moved with his family to St Louis some years later, both he and his sister found it impossible to settle down to city life. He entered college during the Depression and left after a couple of years to take a clerical job in a shoe company. He stayed there for two years, spending the evenings writing. He received a Rockefeller Fellowship in 1940 for his play Battle of Angels, and he won the Pulitzer Prize in 1948 and 1955. Among his many other plays Penguin have published The Glass Menagerie (1944), The Rose Tattoo (1951), Cat on a Hot Tin Roof (1955), Sweet Bird of Youth (1959), The Night of the Iguana (1961), and Small Craft Warnings (1972). If you enjoyed A Streetcar Named Desire, you might like The Glass Menagerie, also available in Penguin Modern Classics. 'Lyrical and poetic and human and heartbreaking and memorable and funny' Francis Ford Coppola, director of The Godfather 'One of the greatest American plays' Observer

"Listen to the dialogue: no other American dramatist has this feel for the ordinary talk of ordinary people, or the knowledge of what they do. This is more than a writer's craft, it is a psychological and moral openness to humanity, an act not of imitating, but of sharing". Sunday Times This fourth anthology features Arthur Miller's two early plays, The Golden Years, a historical tragedy about Montezuma's destruction at the hands of Cortez, and The Man Who Had All the Luck, a fable about human freedom and individual responsibility, are brought together in this volume. It also features two of his contemporary shorter plays, I Can't Remember Anything and Clara, first presented on a double bill as Danger! Memory. The latter focus on the importance and dangers of remembering the past, while the early plays, written at the time of the Second World War, mark the emergence of a drama in which public issues are rooted in private anxieties and chart the beginning of Miller's career that was one of the most distinguished in dramatic history. First produced in 1944 and revived in London in 2008, The Man Who Had All the Luck is a mesmerising drama in which the author's brilliance and characteristic qualities are already evident: The fourth volume of Miller's plays has been reissued with a new cover and features an introduction by the author and a chronology of his work.

'Much like Mr. Miller, Quentin is a witness to alarming public and personal catastrophes: the stock market crash, the Holocaust, the McCarthy witchhunts and the self-destruction of a show business idol to whom he is married.' NEW YORK TIMES Haunted by past romantic failures, Quentin, a New York City Jewish intellectual, retreats into his mind as he debates marrying for a third time: as he revisits past loves and losses, his mind and memory fragments under philosophical questions; are our failures really just our own? Or is possible to hide away from the mistakes of the past? One of Miller's most personal plays, After the Fall takes place almost entirely inside the mind of the play's protagonist, who is often read as a stand-in for the playwright himself. Touching on themes of the Holocaust, McCarthyism and inherited sin, the play is one of the most discussed within Miller's canon. This Methuen Drama Student Edition is edited by Ramon Espejo-Romero, with commentary and notes that explore the play's production history (including excerpts from an interview with Michael Blakemore, former Associate Director of the Royal National Theatre,) as well as the dramatic, thematic and academic debates that surround it.

"It's moral vision, as well as the Miller voice, which remains as strong and unrelenting as a prophet's, that distinguish Broken Glass." - The New York Times When Sylvia Gellburg, a young Jewish woman living in Brooklyn, becomes partially paralyzed from the waist down, her husband Phillip is shocked: what could've caused this sudden condition? The answer is Kristallnacht, the horrific, anti-Semitic event occurring halfway around the world. As the Gellburgs reckon with this pogrom and with the breakdown of their own marriage, a terrifying thought emerges: will the Jewish people ever be able to avoid persecution? Broken Glass is one of Miller's most moving and personal works, touching on themes of Jewish identity and anti-Semitism, winning him the Olivier Award for Best New Play in 1994. This Methuen Drama Student Edition is edited by Ambika Singh, and Nupur Tandon, with commentary and notes that explore the play's production history (including excerpts from an interview with director David Thacker,) as well as the dramatic, thematic and academic debates that surround it.

'Mr. Miller knows his audience... he is letting us know, the devil will have his due.' NEW YORK TIMES When insurance agent Lyman Felt is hospitalised following a near-fatal car crash, both of his wives show up at his bedside and his duplicitous bigamy is revealed. As his shocked spouses - the prim Theo and the assertive Leah - reel from this revelation and their husband's hypocrisy, an outrageous question is presented: is marriage actually easier this way? Touching on themes of betrayal, crisis and reconciliation, The Ride Down Mt. Morgan is one of Miller's more controversial works, and was nominated for the Tony Award for Best Play in 1991. This Methuen Drama Student Edition is edited by Thiago Russo, with commentary and notes that explore the play's production history (including excerpts from an interview with director David Esbjornson) as well as the dramatic, thematic and academic debates that surround it.

"The greatest American dramatist of our age." (Evening Standard) In this collected works, five of Arthur Miller's most-produced and popular plays are brought together in a new edition, alongside an exclusive introduction by Ivo van Hove, the celebrated contemporary director of Miller's works. All five plays were written by Miller within a ten-year period which began with his first Broadway hit, All My Sons, in 1947 which led Brooks Atkinson of the New York Times to state that 'theatre has acquired a genuine new talent.' This was followed in 1949 by his exploration of the American Dream in Death of a Salesman, which went on to win the Tony Award for Best Play and the Pulitzer Prize for Drama. The Crucible followed in 1953, produced during the McCarthy era and becoming a parable of the witch-hunting practices of a government determined to root-out Communists. A View from the Bridge, originally performed in 1955, concerns the lives of longshoremen in the Brooklyn waterfront and has remained one of Miller's most produced plays. Originally presented as a one-act companion piece to A Memory of Two Mondays, both plays explore the dreams and working lives of ordinary Americans in the early decades of the 20th century. Freshly edited and featuring a bold new design, this updated edition of Arthur Miller Plays 1 is a must-have for theatre fans and students alike.

Arthur Miller's classic parable of mass hysteria draws a chilling parallel between the Salem witch-hunt of 1692 - 'one of the strangest and most awful chapters in human history' - and the American anti-communist purges led by Senator McCarthy in the 1950s. The story of how the small community of Salem is stirred into madness by superstition, paranoia and malice, culminating in a violent climax, is a savage attack on the evils of mindless persecution and the terrifying power of false accusations.

A depiction of innocent men and women destroyed by malicious rumour, The Crucible is also a powerful indictment of McCarthyism and the 'frontier mentality' of Cold War America.

It is a very short list of 20th-century American plays that continue to have the same power and impact as when they first appeared-57 years after its Broadway premiere, Tennessee Williams' A Streetcar Named Desire is one of those plays. The story famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Streetcar launched the careers of Marlon Brando, Jessica Tandy, Kim Hunter and Karl Malden, and solidified the position of Tennessee Williams as one of the most important young playwrights of his generation, as well as that of Elia Kazan as the greatest American stage director of the '40s and '50s. Who better than America's elder statesman of the theater, Williams' contemporary Arthur Miller, to write as a witness to the lightning that struck American culture in the form of A Streetcar Named Desire? Miller's rich perspective on Williams' singular style of poetic dialogue, sensitive characters, and dramatic violence makes this a unique and valuable new edition of A Streetcar Named Desire. This definitive new edition will also include Williams' essay "The World I Live In," and a brief chronology of the author's life.