A tale of grinding poverty and struggle, A Child of the Jago follows Dicky Perrott - a boy who wishes to escape London's impoverished and corruption-riddled East End for a better life. First published at the end of the 19th century when industrialised London was in a state of dire impoverishment, the story is not a typical rags to riches tale - the Perrott family, and their friends and enemies, must struggle for their very survival in the harsh environment they live within. Tension and desperation amid the crime and roughness is constant in the overcrowded slums of the East End, with fortune hard to come by and danger ever present. The novel opens with a vivid and stark image of a hot midsummer's day - the residents of the Jago sleeping outside in the roads to avoid the heat and stench of their own homes. Illustrating the desperate situation, a robbery promptly occurs in which the victim is relieved of the very clothes on his back.

The Shadows Around Us - Authentic Tales of the Supernatural The incidents set forth in the ensuing pages are as completely testified to as written facts well may be-that is to say, infinitely more care has been taken to verify and substantiate them than is taken to authenticate the matter-of-fact news published in a daily newspaper and accepted by everybody without question. For several of the cases the compiler is indebted to the investigations of the Society for Psychical Research. THE VAULT AT AHRENSBURG, THE LICHWAKE AT MONIFIETH, THE STRANGE EXPERIENCE OF MR. ROBERT BRUCE, THE WRAITH OF FRANCIS TANTUM, THE APPARITION OF LIEUTENANT COLT, THE STRANGE CASE OF ESTHER T--, THE POLTERGEIST OF LEIGNITZ CASTLE, THE BINSTEAD MYSTERY, THE TRANSLATION OF MAURICE TULLING, THE HAUNTED HOUSE AT WILLINGTON, NO. 15 ST. SWITHIN'S LANE, THE STRANGE CASE OF EMELIE SAGEE, THE HAUNTING OF WILLIAM MOIR, CURIOUS INCIDENT AT BEAUMARIS, A DOUBLE CASE

Old Jago is tucked away in the East End of London, conveniently placed so the wealthy and the fortunate can forget all about it and its unlucky residents. Dicky Perott does not have the luxury of forgetting about the ugly truth of Old Jago, because he and his family barely can afford the single-room home they live in, fighting off robbers, fleas, and the cold. Though he is just a young boy, Dicky already dreams of the day he can leave the slum forever, but first, he has to find out how. Roaming the streets daily, Dicky begs and steals to survive, and is always looking for an opportunity to improve himself. As a riveting narration paints a portrait of life in Old Jago, Dicky comes of age while believing that if he works hard and hopes even harder, he will make it out of Old Jago alive. First published in 1896, A Child of the Jago earned Arthur Morrison considerable fame and commercial success. Quickly becoming a bestseller, this 19th century drama is now considered to be Arthur Morrison's best work. Often praised for the authenticity in his portrayal of London's working class, Arthur Morrison provides a devastating portrayal of life in a London slum in A Child of the Jago. Through an incredibly visceral depiction of the setting and characters, A Child of the Jago is unapologetically honest and gripping. With themes of class, coming-of-age, and societal injustice, Morrison offers modern readers a rare portrayal of the poorest class in 19th century London, without omitting a single detail. With relatable characters that demand empathy and a setting that steals attention, A Child of the Jago remains on the mind long after the novel's conclusion. This edition of A Child of the Jago by Arthur Morrison now features an eye-catching new cover design and is printed in a font that is both modern and readable. With these accommodations, this edition of A Child of the Jago creates an accessible and pleasant reading experience for modern audiences while restoring the original wit and intrigue of Arthur Morrison's work.

Comprised of six short works of fiction, The Dorrington Deed-Box follows a London-based private detective named Horace Dorrington. Motivated by profit, Dorrington will do whatever it takes to catch criminals-even if that means killing them. This immoral and dishonest behavior extends to his clients as well, as Dorrington will manipulate anyone he can into hiring him. Outwardly polite, even-tempered and charming, Dorrington is socially pleasant but professionally corrupt. Told through the perspective of James Rigby, Dorrington's latest client, The Dorrington Deed-Box begins when Rigby and Dorrington meet on a train. After appealing to Rigby's paranoia, Dorrington gets hired to save Rigby from a threat that the detective mostly made up. However, as Rigby's narration follows the private detective through his cases, it is impossible not to be fascinated with the way Dorrington works. As he solves crimes, recovers stolen items, outsmarts scammers and exposes crooked businesses, Dorrington is unafraid to get his hands dirty. He is willing to intimidate, steal, or dispose of anything and anyone standing in the way of a resolved case. Originally published in the midst of the detective fiction craze, spearheaded by the Sherlock Holmes creator Arthur Conan Doyle, The Dorrington Deed-Box by Arthur Morrison is a collection of work that celebrates an anti-hero detective. Featuring a variety of clever and interesting works of short fiction, The Dorrington Deed-Box adds a unique and dark twist to detective fiction. With film and television adaptations and allusions, Arthur Morrison's The Dorrington Deed-Box and its protagonist, Horace Dorrington, have earned a place in pop culture, remaining fun and riveting to contemporary audiences. This edition of The Dorrington Deed-Box by Arthur Morrison now features an eye-catching new cover design and is printed in a font that is both modern and readable. With these accommodations, this edition of The Dorrington Deed-Box creates an accessible and pleasant reading experience for modern audiences while restoring the original wit and intrigue of Arthur Morrison's work.

Comprised of six short works of fiction, The Dorrington Deed-Box follows a London-based private detective named Horace Dorrington. Motivated by profit, Dorrington will do whatever it takes to catch criminals—even if that means killing them. This immoral and dishonest behavior extends to his clients as well, as Dorrington will manipulate anyone he can into hiring him. Outwardly polite, even-tempered and charming, Dorrington is socially pleasant but professionally corrupt. Told through the perspective of James Rigby, Dorrington’s latest client, The Dorrington Deed-Box begins when Rigby and Dorrington meet on a train. After appealing to Rigby’s paranoia, Dorrington gets hired to save Rigby from a threat that the detective mostly made up. However, as Rigby’s narration follows the private detective through his cases, it is impossible not to be fascinated with the way Dorrington works. As he solves crimes, recovers stolen items, outsmarts scammers and exposes crooked businesses, Dorrington is unafraid to get his hands dirty. He is willing to intimidate, steal, or dispose of anything and anyone standing in the way of a resolved case. Originally published in the midst of the detective fiction craze, spearheaded by the Sherlock Holmes creator Arthur Conan Doyle, The Dorrington Deed-Box by Arthur Morrison is a collection of work that celebrates an anti-hero detective. Featuring a variety of clever and interesting works of short fiction, The Dorrington Deed-Box adds a unique and dark twist to detective fiction. With film and television adaptations and allusions, Arthur Morrison’s The Dorrington Deed-Box and its protagonist, Horace Dorrington, have earned a place in pop culture, remaining fun and riveting to contemporary audiences. This edition of The Dorrington Deed-Box by Arthur Morrison now features an eye-catching new cover design and is printed in a font that is both modern and readable. With these accommodations, this edition of The Dorrington Deed-Box creates an accessible and pleasant reading experience for modern audiences while restoring the original wit and intrigue of Arthur Morrison’s work.

In his acclaimed and final East End novel, Arthur Morrison returns to a slightly earlier period than that of Tales of Mean Streets and A Child of the Jago, the 1860s and 1870s.