A special agency of censors was also organized for the purpose of enforcing the regulations concerning the sanctity of animal life and the observance of filial piety, in the most extended sense. These officers were expressly enjoined to concern themselves with all sects, and with every class of society, not excluding the royal family, while separate officials were charged with the delicate duty of supervising female morals. In practice, this system must have led to much espionage and tyranny] from Chapter VII: Asoka Maurya and His Successors First published in 1906, this classic nine-volume history of the nation of India places it among the storied lands of antiquity, alongside Egypt, China, and Mesopotamia. Edited by American academic ABRAHAM VALENTINE WILLIAMS JACKSON (18621937), professor of Indo-Iranian languages at Columbia University, it offers a highly readable narrative of the Indian people and culture through to the time of its publication, when the nation was still part of the British Empire. Volume II, From the Sixth Century B.C. to the Mohammedan Conquest, Including the Invasion of Alexander the Great, by British scholar VINCENT ARTHUR SMITH (1848-1920), features entertaining and enlightening treatments of: the dynasties before Alexander Alexanders Indian campaign imperial monarch Asoka Maurya the Indo-Greek and Indo-Parthian dynasties the Gupta Empire and the white Huns the reign of Harsha the medieval kingdoms of the north and much more. This beautiful replica of the 1906 first edition includes all the original illustrations.

Music in Religious Cults of the Ancient Near East presents the first extended discussion of the relationship between music and cultic worship in ancient western Asia. The book covers ancient Israel and Judah, the Levant, Anatolia, Mesopotamia, Elam, and ancient Egypt, focusing on the period from approximately 3000 BCE to around 586 BCE. This wide-ranging book brings together insights from ancient archaeological, iconographic, written, and musical sources, as well as from modern scholarship. Through careful analysis, comparison, and evaluation of those sources, the author builds a picture of a world where religious culture was predominant and where music was intrinsic to common cultic activity.

Articles on English music, from the medieval period to the present day, centred on four of the major areas of scholarly enquiry. The major themes of the essays in this collection reflect the work of the distinguished scholar John Caldwell, professor of music at Oxford University and a composer in his own right. There is a strong focus on early music, with contributions considering the medieval carol, sources for seventeenth- and eighteenth-century harpsichord music, and the transmission of fifteenth-century English music to the Continent; but they range right up to the twentieth century, with an examination of music in Oxford. All are concerned in one way or another with themes which recur in Professor Caldwell's scholarship: sources; style; performance; and historiography. Contributors: SALLY HARPER, DAVID HILEY, EMMA HORNBY, HARRY JOHNSTONE, MARGARET BENT, DAVID MAW, MATTHIAS RANGE, REINHARD STROHM, PETER WRIGHT, MAGNUS WILLIAMSON, JOHN HARPER, SIMON MCVEIGH, CHRISTOPHER PAGE, OWEN REES, SUSAN WOLLENBERG, JOHN ARTHUR SMITH, BENNETT ZON, DAVID MAW. To subscribe to the Tabula Gratulatoria for this volume, CLICK HERE