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This book provides a broad overview of the development of
Ibero-American cultural policy in an important and innovative way.
This volume brings together specialists in the field, from
different nations and disciplines, and provides the keys to
understanding the different trajectories and experiences of some
significant countries in the area on both sides of the Atlantic;
the recent developments in this domain such as urban cultural
regeneration policies and cultural development policies; and the
dynamics of policy transfers such as cultural diplomacy. The book
also contrasts the applicability and the explanatory power of the
idea of the family of nations for the analysis of cultural policy
with models inspired by the welfare regimes. This book allows
international researchers an overarching view of the peculiarities
and the latest achievements in the field of Ibero-American cultural
policy. This book was originally published as a special issue of
the International Journal of Cultural Policy.
This book provides a broad overview of the development of
Ibero-American cultural policy in an important and innovative way.
This volume brings together specialists in the field, from
different nations and disciplines, and provides the keys to
understanding the different trajectories and experiences of some
significant countries in the area on both sides of the Atlantic;
the recent developments in this domain such as urban cultural
regeneration policies and cultural development policies; and the
dynamics of policy transfers such as cultural diplomacy. The book
also contrasts the applicability and the explanatory power of the
idea of the family of nations for the analysis of cultural policy
with models inspired by the welfare regimes. This book allows
international researchers an overarching view of the peculiarities
and the latest achievements in the field of Ibero-American cultural
policy. This book was originally published as a special issue of
the International Journal of Cultural Policy.
This edited collection carries out an extensive coverage of the
sociology of arts' most characteristic thematic areas (production,
creation, the artwork, and reception) across an important range of
artistic fields, from the most traditional to the more unusual. It
makes an argument for the theoretical creativity and empirical
expansion that characterizes the study of contemporary sociology of
the arts. Such creativity is present in the increasingly
predominant approach to a sociology of the arts in action, in all
areas of inquiry within the discipline. The range of theoretical
paradigms evoked is rich, analysing several of the most important
theoretical frameworks currently handled in the discipline
(Bourdieu, Becker, Peterson, ANT), and combining them with the
works of many other influential contemporary specialists (De Nora,
Hennion, Lamont, Menger and Born et al.). The book also establishes
links to less known theoretical frameworks and some from different
fields including economic sociology,microsociology,
ethnomethodology, semiotics, and cultural history. The volume
argues that Spanish-speaking scholars are now at the forefront of
new developments in the field of the sociology of the arts, and is
the first effort to gather research by these influential
Spanish-language scholars in a single volume for an
English-language audience.
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