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Showing 1 - 4 of 4 matches in All Departments
Four estranged friends reunite for a motorcycle trip up the Isle of Skye, in the hope of coming to terms with how their lives have splintered since a transformative ride in Northern India fourteen years earlier. In their fumbling attempts to spiritually reconnect, expectant father Raj, recently widowed Vidushei, always youthful Liam and perpetually fragile Bobby test the limits of their friendship around campfires, on twisty roads, in unexpected Ayahuasca ceremonies, and against discussions of belonging, race, and identity. A novel about youth, the spectres of friendship, and colonial legacies in a small but fiercely proud nation, New Skin for the Old Ceremony spans India and Skye, seeing past ghosts exorcised in order to face the present.
This book provides a critical study of the relationship between Robert Burns and the United States of America, c.1786-1866. Though Burns is commonly referred to as Scotland's "National Poet", his works were frequently reprinted in New York and Philadelphia; his verse mimicked by an emerging canon of American poets; and his songs appropriated by both abolitionists and Confederate soldiers during the Civil War era. Adopting a transnational, Atlantic Studies perspective that shifts emphasis from Burns as national poet to transnational icon, this book charts the reception, dissemination and cultural memory of Burns and his works in the United States up to 1866.
This book provides a critical study of the relationship between Robert Burns and the United States of America, c.1786-1866. Though Burns is commonly referred to as Scotland's "National Poet", his works were frequently reprinted in New York and Philadelphia; his verse mimicked by an emerging canon of American poets; and his songs appropriated by both abolitionists and Confederate soldiers during the Civil War era. Adopting a transnational, Atlantic Studies perspective that shifts emphasis from Burns as national poet to transnational icon, this book charts the reception, dissemination and cultural memory of Burns and his works in the United States up to 1866.
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