The Routledge Handbook of Theravada Buddhism illustrates the growth and new directions of scholarship in the study of Theravada Buddhism. An in-depth guide to the distinctive features of Theravada, the Handbook will be an invaluable resource to provide structure and guidance for scholars and students of Asian Religion, Buddhism and in particular Theravada Buddhism.

Drawing from more than a decade of field and archival research, this monograph concerns Cambodian cultural history and historiography, with an ultimate aim of broadening and deepening bases for understanding the Cambodian Theravadin politico-cultural complex. The book takes the form of an interdisciplinary analysis of performative and representational strategies for constituting social collectivities, largely developed at Angkor. The analysis involves extended close readings of a wide range of cultural artefacts including epigraphic and manuscript texts, sculpture and ritual practices. The author proposes a critical re-evaluation of dominant paradigms of Cambodian historiography in view of engendering new histories, or hybrid histories, which make room for previously absent perspectives and voices, while developing new theoretical tools engaging with and partially derived from "indigenous" narrative practices in the broadest sense. In this history-making process the historical event is shown to never be entirely separable from its aesthetic representation. Particular attention is paid to the roles of sexual difference in such (re)constructions of history. The book presents a theory of power capable of accounting for the historical phenomena by which vernacular cultures appropriate, subvert and submit to cosmopolitan forces. It charts out a novel approach to the study of classical Southeast Asian materials, and is of interest to students and scholars of Asian Art, Religion and Philosophy, Buddhism and Southeast Asian History.

Drawing from more than a decade of field and archival research, this monograph concerns Cambodian cultural history and historiography, with an ultimate aim of broadening and deepening bases for understanding the Cambodian Theravadin politico-cultural complex. The book takes the form of an interdisciplinary analysis of performative and representational strategies for constituting social collectivities, largely developed at Angkor. The analysis involves extended close readings of a wide range of cultural artefacts including epigraphic and manuscript texts, sculpture and ritual practices. The author proposes a critical re-evaluation of dominant paradigms of Cambodian historiography in view of engendering new histories, or hybrid histories, which make room for previously absent perspectives and voices, while developing new theoretical tools engaging with and partially derived from "indigenous" narrative practices in the broadest sense. In this history-making process the historical event is shown to never be entirely separable from its aesthetic representation. Particular attention is paid to the roles of sexual difference in such (re)constructions of history. The book presents a theory of power capable of accounting for the historical phenomena by which vernacular cultures appropriate, subvert and submit to cosmopolitan forces. It charts out a novel approach to the study of classical Southeast Asian materials, and is of interest to students and scholars of Asian Art, Religion and Philosophy, Buddhism and Southeast Asian History.

A crucial reference for historians of Southeast Asia and those with a serious interest in the Buddhism and Buddhist art of Southeast Asia. What explains the spread of Theravada Buddhism? And how is it entangled with the identity shifts that over the next four hundred years gave rise to the Buddhist state now called Cambodia? Early Theravadin Cambodia sheds light on one of the outstanding questions of Southeast Asian history: the nature and timing of major cultural and political shifts in the territory that was to become Cambodia, starting in the 13th century. This important collection challenges the conventional picture of Theravada as taking root in the void left by the collapse of Angkor and its Hindu-Buddhist power structure. Written by a diverse group of scholars from Cambodia, Thailand, the United States, France, Australia, and Japan, this volume is a sustained, collaborative discussion of evidence from art and archaeology, and how it relates to questions of Buddhist history, regional exchange networks, and ethnopolitical identities. Accessibly written and vividly illustrated, the book will be a crucial reference for historians of Southeast Asia and scholars of Buddhism.