The Psychiatry of Intellectual Disability describes common clinical conditions, and offers practical treatment approaches. It clarifies a complex area of need by examining both intellectual disabilities, and associated social and economic disadvantages. It also gives an overview of the scope and role of the psychiatrist in the field with a focus on team-work and integrated service provision. Extensive use of tables and figures is made to illustrate points. Professionals working with the intellectually disabled in health and social care will find this book invaluable, as will practicing psychiatrists and psychiatrists in training. It will also be of interest to medical students.

This is the first book to concentrate on Dutch Golden Age painter Frans Hals's highly innovative approach to male portraiture. Frans Hals is one of the greatest portrait painters of all time and, together with Rembrandt, is one of the most eminent seventeenth-century Dutch artists. Published to coincide with the Wallace Collection's exhibition of the same name, Frans Hals: The Male Portrait explores the artist's highly innovative approach to male portraiture, from the beginning of his career in the 1610s until the end of his life in 1666. Through pose, expression and virtuosic painterly technique, Hals revolutionised the male portrait into something entirely new and fresh, capturing and revealing his sitters' characters like no one else before him. This book includes the first in-depth study of Hals's great masterpiece, The Laughing Cavalier, from 1624. The extravagantly dressed young man, confidently posed with his left arm akimbo in the extreme foreground of the picture and seemingly penetrating into the viewer's space, has been charming audiences for over a century. Richly illustrated, Frans Hals: The Male Portrait situates The Laughing Cavalier within the artist's larger oeuvre and demonstrates how, at a relatively early point in his career, Hals was able to achieve this great masterpiece.

The Wilton Diptych is a comprehensive account of one of England's greatest surviving medieval treasures, now in the collection of The National Gallery, London. The painting depicts King Richard II (1367-1400) being presented to the Virgin Mary and Christ by John the Baptist and two English Kings, revered as saints. The brilliant color and lavish use of gold give it the appearance of a luxury object, yet its primary function was religious, as an altarpiece for the king's private devotions. The author analyzes the iconography, historical context, style, materials, and techniques used to create this precious work, and discusses the likely identity of the artist and the possible evidence that this picture was known to and referenced by William Shakespeare in his play Richard II. Further study of the intricate detail, varied techniques, and decorative effects shows connections to French metalwork and manuscript illumination, while newly commissioned photography reveals exquisite details unseen by the naked eye. Published by National Gallery Company/Distributed by Yale University Press

A Closer Look is the new series title for the updated and refreshed National Gallery Pocket Guide range. The series has been enhanced with a stronger format, attractive design, new photography, and additional information. It is self-evident that colour is fundamental to painting, but it is not always obvious from looking at pictures what kinds of materials may be used by an artist to make colour. This Pocket Guide explains how coloured pigments are combined with a medium to form a paint layer, and how this affects our perception of the appearance of colour. It not only describes the materials of colour but also explains colour theories and examines writings about colour, including painters' treatises. Through a selection of superb pictures from the National Gallery, London, including works by Piero della Francesca, Leonardo, Titian, Caravaggio, Canaletto, Rembrandt, Velazquez, Monet, and Seurat, the authors demonstrate how painters through the centuries have exploited the characteristics of colour in paint. Published by National Gallery Company/Distributed by Yale University Press