In this collection, scholars from diverse geographical locations revisit a cluster of five biblical texts: Ruth, Song of Songs, Qoheleth (Ecclesiastes), Lamentations and Esther. The volume presents various viewpoints and contexts-geographical, communal, religious, social, economical and ethical. Matching scholarship with social awareness, the contributors keep asking themselves and their readers a dual-faced question: how does our life context influence our scholarly and non-scholarly readings of the Bible, and how does reading the Bible critically influence our life? To answer this question and to show it at work the contributors employ a range of contextual lenses. Geography is a major factor of the contributors' contexts - with contributors from South Africa, Argentina, Israel, the Pacific Islands - but not the only one to influence their readings. Issues of society, culture and community are at the foreground for all contributors and their reading agendas with specific focus on the AIDs crisis in Africa, issues of migration and asylum, and feminist approaches to biblical texts.

Memory-'authentic', manufactured, imagined, innocent or deliberate-becomes remembrance through its performance, that is, through being narrated orally or in writing. And when it is narrated, memory becomes a shaper of identities and a social agent, a tool for shaping a community's present and future as much as, if not more so, than a near-simplistic recording of past history and a sense of belonging. In this volume, various aspects of narrated 'memories' in the Bible and beyond it are examined for their literary and sociological charge within biblical literature as well as in its cultural afterlives-Jewish, Christian and 'secular'. From inner-biblical memory shaping claims to contemporaneous retellings, the shifts of tradition to story are explored for ways, means and aims that, authorially intentional or otherwise, become influential in adapting the Bible for the postmodern scene and adapting the postmodern scene to the Bible. This compilation of articles is the result of a collective research project with participants from the University of Amsterdam and Utrecht University (The Netherlands), Tel Aviv University and Haifa University (Israel), Poznan University (Poland), Bowdoin College and Brite Divinity School (USA). This is Volume 3 in the subseries Amsterdam Studies in the Bible and Religion.

Biblical humor about women and gender remains elusive for many readers, for its recognition may imply the realization that itGCOs a cruel and disrespectful humor, ridicule rather than good-natured fun. But viewing humor as social critique, as is largely done in the essays in this volume, with respect to both the texts read and their actual or implied author, may be fun as well as significant for understanding the biblical worlds. As most of the essays show, writing about women is writing about men as well. In other words, it is writing about gender roles. The critique of women, womanhood and femaleness implied by biblical and related texts serves, in equal measure, as a critique of men, manhood and maleness in the texts, of the texts authors, and of the textsGCO commentators and readers. Contributors include Scott Spencer, Mary Shields, Kathleen OGCOConnor, Toni Craven, Kathy Williams, Athalya Brenner, Gale Yee, Amy-Jill Levine, and Esther Fuchs.

This volume brings together fourteen essays by Israeli, European and American scholars honouring the distinct contribution of Yairah Amit to the literary study of the Hebrew Bible and to her public role, fostering especially the place of the Hebrew Bible in Israeli education. In biblical studies she has made significant contributions to the study of redactional and editorial activity, which she has always viewed from a rhetorical and literary point of view. These aspects were uniquely developed in her work on the books of Judges and Chronicles, in which literary considerations always lead to the recognition of the ideology behind the redactor's work. Another key theme of hers has been overt and hidden polemics expressed or suggested by the narrative text. The studies assembled in the present volume deal with the many aspects of Amit's work, from the biblical and post-biblical down to the mediaeval and the modern period. Central fields are the art of the redactor and inner-biblical polemics (Diana Edelman, Cynthia Edenburg, Nadav Na'aman, Meira Polliack, Dalit Rom-Shiloni), literary scrutiny (Ed Greenstein, Lillian Klein Abensohn, Frank Polak), ideology in social and religious contexts (Ehud Ben Zvi, Israel Knohl), and feminist and cultural studies in a wider sense (Athalya Brenner, Cheryl Exum, Yael Feldman, Shulamit Valler).

In this volume scholarly voices from diverse contexts and social locations are gathered together to bring new or unfamiliar facets of biblical texts to light, focusing on issues of intertextuality. Samuel, Kings and Chronicles I sheds light from new perspectives on themes in these so-called historical books including Asian American and Chinese readings, issues of land, genealogy and maleness. The authors challenge us to consider how we deal with cultural distances between ourselves and these ancient writings - and between one another in the contemporary world. These goal of these essays is de-centre the often homogeneous first-world orientation of much biblical scholarship and open to up new possibilities for discovery of meaning and method.

The Texts @ Contexts series gathers scholarly voices from diverse contexts and social locations to bring new or unfamiliar facets of biblical texts to light. Exodus and Deuteronomy focuses attention on two books of the Torah that share themes of journey and of diverse experiences in or upon the land; the echoes of the exodus across time, space, and culture; of different understandings of (male and female) leadership; and of the promise, and problem, posed by various aspects of biblical law. These essays de-center the often homogeneous first-world orientation of much biblical scholarship and open up new possibilities for discovery.

This volume brings together disparate views about biblical texts in the books of Samuel, Chronicles and Ezra-Nehemiah and examines their influence in the life of contemporary communities, demonstrating how today's environments and disorders help readers to acquire new insights into such texts. The contributing scholars hail from different continents - from East Asia to the United States to Europe to South Africa and Israel - and count themselves as members of various Jewish and Christian traditions or secularist ways of life. But, in spite of their differences in location and community membership, and perhaps in the spirit of the times (2020 and its global discontents), they share preoccupations with questions of ethics in politics and life, 'proper' death, violence and social exclusion or inclusion. This volume offers readers a better understanding of how politics and faith can be melded, both in ancient and contemporary contexts, to serve the interests of certain classes and societies, often at the expense of others.

This valuable resource both presents and demonstrates the numerous developments in feminist criticsm of the Bible and the enormous rage of influence that feminist criticism has come to have in biblical studies.
The purpose of the book is to raise issues of method that are largely glossed over or merely implied n most non-feminist works on the Bible. The editors hve inclded broadly theoretical essays on feminist methods and the various roels they may play in research and pedagogy, as well as non-feminist essays that hae direct bearing on the methods or subject matter that feminists use, as well as reading that illustrate the variety of methodological strategies adopted by feminist scholars.
Some 30 scholars, from North America and Europe, have contributed to this Companion.

The Texts @ Contexts series gathers scholarly voices from diverse contexts and social locations to bring new or unfamiliar facets of biblical texts to light. Joshua and Judges focuses attention on themes and tensions at the beginning of Israel's story in the Bible. How do these books represent conquest, war, trauma, violence against women and their marginalization? How does God appear to relate to these realities? And what do contemporary men and women do with biblical ambivalence? Like other volumes in the Texts @ Contexts series, these essays de-center the often homogeneous first-world orientation of much biblical scholarship and open up new possibilities for discovery.

The Texts @ Contexts series gathers scholarly voices from diverse contexts and social locations to bring new or unfamiliar facets of biblical texts to light. Leviticus and Numbers focuses attention on practices and ideals of behavior in community, from mourning and diet to marriages licit and transgressive, examining all of these from a variety of global perspectives and postcolonial and feminist methods. How do we deal with the apparent cultural distances between ourselves and these ancient writings; what can we learn from their visions of human dwelling on the earth? Like other volumes in the Texts @ Contexts series, these essays de-center the often homogeneous first-world orientation of much biblical scholarship and open up new possibilities for discovery.

A Feminist Companion to Tobit and Judith extends the work of the hugely influential and respected Feminist Companion series, which continues to set the standard for feminist approaches to the Hebrew Bible and related texts. In the present volume Athalya Brenner-Idan (with Helen Efthimiadis-Keith) draws together a range of scholarly commentators and addresses the core issues relating to feminist interpretations of the two texts at hand. The volume examines attitudes to gender, identities, exile, social mores, beliefs, clothing, food and drink, personal relationships, and biblical reception. The contributors are: Beverly Bow and George Nickelsburg, Athalya Brenner-Idan, Ora Brison, Helen Efthimiadis-Keith, Renate Egger-Wenzel, Beate Ego, Emma England, Jennifer Glancy, Jan Willem van Henten, Naomi Jacobs, Amy-Jill Levine, Pamela Milne, and Barbara Schmitz.

2021 Catholic Media Association Award third place award in academic studies Qoheleth, also called Ecclesiastes, has been bad news for women throughout history. In this commentary Lisa Wolfe offers intriguing new possibilities for feminist interpretation of the book's parts, including Qoheleth's most offensive passages, and as a whole. Throughout her interpretation, Wolfe explores multiple connections between this book and women of all times, from investigating how the verbs in the time poem in 3:1-8 may relate to biblical and contemporary women alike, to noting that if 11:1 indicates ancient beer making it thus reveals the women who made the beer itself. In the end, Wolfe argues that, by struggling with the perplexing text of Qoheleth, we may discover fruitful, against-the-grain reading strategies for our own time.

In this volume scholarly voices from diverse contexts and social locations are gathered together to bring new or unfamiliar facets of biblical texts to light, focusing on issues of intertextuality. Samuel, Kings and Chronicles I sheds light from new perspectives on themes in these so-called historical books including Asian American and Chinese readings, issues of land, genealogy and maleness. The authors challenge us to consider how we deal with cultural distances between ourselves and these ancient writings - and between one another in the contemporary world. These goal of these essays is de-centre the often homogeneous first-world orientation of much biblical scholarship and open to up new possibilities for discovery of meaning and method.

The format of the new The Bible in the 21st Century series reflects an international dialogue between experts and graduate students. In this book, experts on Bible translations present essays on the practices of translating the Bible for the present and the future, through Christian and Jewish approaches, in Western Europe and North America as well as in the former Eastern Bloc and in Africa. Each paper is paired with a response. The international contributors here include Adele Berlin, John Rogerson, Robert Carroll, Mary Phil Korsak, Everett Fox, Jeremy Punt and Athalya Brenner, and the debate is prefaced with an introduction by the Editors.>

The authoritative status of 'Prophecy' in the Bible poses a challenge to the feminist readers. This challenge is sharpened by the widespread symbolism in prophetic discourse of woman, wife, mother, harlot and the use of what the volume call 'pornoprophetics'. In this collection it is the book of Hosea that attracts special attention, but there are also articles on sexual violence and an introductory essay on prophecy itself as a literary phenomenon. This Feminist Companion offers a sharp confrontation between the voice of the prophetic male and the resistance of the feminist reader.

Athalya Brenner presents fictionalized "autobiographies" of a dozen women and women groups in the Hebrew Bible, and also lets them share a conversation session. This allows her to include how these women have been interpreted - not only in the Bible itself, but also in Jewish and Christian traditions and by modern commentators. The result is a thoroughly engaging and insightful look at women, from a leading biblical interpreter who has a very creative edge to all her work.

Biblical humor about women and gender remains elusive for many readers, for its recognition may imply the realization that it's a cruel and disrespectful humor, ridicule rather than good-natured fun. But viewing humor as social critique, as is largely done in the essays in this volume, with respect to both the texts read and their actual or implied author, may be fun as well as significant for understanding the biblical worlds. As most of the essays show, writing about women is writing about men as well. In other words, it is writing about gender roles. The critique of women, womanhood and femaleness implied by biblical and related texts serves, in equal measure, as a critique of men, manhood and maleness in the texts, of the texts authors, and of the texts' commentators and readers. Contributors include Scott Spencer, Mary Shields, Kathleen O'Connor, Toni Craven, Kathy Williams, Athalya Brenner, Gale Yee, Amy-Jill Levine, and Esther Fuchs.

The feminist Companion to the Bitle (second series) This sparkling new collection of studies covers topics such as the Queen of Heaven, Saying No to a Prophet, Circumcision of the Prostitute, with the section on Daniel addressing, among other things, the wise queen mother of Daniel 5, and the Obtuse Foreign Ruler. This sparkling new collection of studies includes a reassessment of previous feminist exegesis, reconsiders women as prophets and takes a new look at goddesses. In particular, it looks more closely at the 'porno-prophetic' marriage metaphor. Essays include Judith Hadley on the Queen of Heaven, Mary Shields on 'Circumcision of the Prostitute', Julia M. O'Brien on 'Saying "No" to a Prophet', and articles by Esther Fuchs, Renat Jost and Rainer Kessler. The section on Daniel comprises A. Brenner on the 'Obtuse Foreign Ruler' in the Hebrew Bible, H. van Deventer on Women's Wisdom in Daniel 5, and an essay by Emily Sampson.

The studies in this collection, reflecting recent developments in feminist exegesis in Europe and the United States, comprise three 'revisits': the first, to Exodus and Moses, includes Susanne Scholz on a literary feminist reading of Exodus, Harold Washington on Exodus and Zora Neale Hurston's 'Moses, Man of the Mountain', Ilona Rashkow on 'Oedipus Wreckes: Moses and God's Rod', and 'Divine Puppeteer: Yahweh of Exodus' by Cheryl Kirk-Duggan. The second revisit, to Miriam, comprises 'Miriam' by Phyllis Silverman Kramer, 'Miriam Re-Imagined, and Imaginary Women of Exodus in Musical Settings' by Helen Leneman, Alice Bach, 'Dreaming of Miriam's Well' and Irmtraud Fischer on 'The Authority of Miriam'. The third revisit is to Daughters, where Tal Ilan writes on the daughters of Zelophehad and Leila Bronner on' Serah and the Exodus'.

This collection of studies, reflecting developments in feminist exegesis over the last few years in Europe and the United States, includes treatments of key female figures ('Tamar and the Coat of Many Colours' by Adrien Janis Bledstein; 'Michal, the Barren Wife' by Lillian R. Klein; 'On Centering a Fringe Figure: The Wife of Jeroboam in 1 Kings 14:1-18' by Uta Schmidt; 'The Widow of Zarephath and the Great Woman of Shunem: A Comparative Analysis of Two Stories' by Jopie Siebert-Hommes), and a new examination of a biblical threesome, 'Saul, David and Jonathan: The Story of a Triangle? A Contribution to the Issue of Homosexuality in the First Testament' by Silvia Schroer and Thomas Staubli.

The ten essays in this volume, the majority specially written, engage with questions of voice (whose?) and interplay (what kind?) between received interpretation and resisting female reader, and venture into methodological territory familiar and unfamiliar to biblical scholars, including autobiographical criticism. Among earlier readers invoked in these pages are Jerome, Rashi and Fray Luis de LTon, who brush pages with Haitian prostitutes. The three sections of this fresh, colourful and adventurous journey into love, sex, allegory and self inside the Most Sublime Song are: Feminist Appropriations; Specific Readings: Allegories and Feminists; and The Song of Songs Personalized.

The second series of Feminist Companions moves beyond the confines of sex- and gender-specific issues and studies of biblical women. Biblical feminist critics now address contemporary life situations, marginalization and a range of questions once not thought accessible to such critique. Feminist theory has also continued a rapid evolution. Among the topics included in this volume are composition, Torah, Ruth-the-Cat, female networking-together with much else to inform and stimulate female (and male) biblical scholars and non-scholars.