Marriage today isn't what it used to be: for better, not for worse. As same-sex weddings are becoming more common, the classic love-story happy ending is taking on a decidedly new twist, everyone has a fresh role to play, and supporters and opponents of gay marriage alike are finding themselves in the midst of a revolution that's redefining marriage,both as a personal choice and as an institution,as we know it.In Here Come the Brides!, editors Audrey Bilger and Michele Kort gather together the voices of women taking part in,and shaping,this major historical shift. Representing a diversity of points of view in terms of race, class, ethnicity, and gender identification, this collection of essays, stories, and visual images takes a multidimensional look at how opening up the traditional order of man and wife" to include the possibility of wife and wife" is altering our social landscape. From wedding pictures and images of protest signs to comical anecdotes and sober philosophical analyses, Here Come the Brides! is an exploration of how the legalization of same-sex marriages has irrevocably changed the way lesbians think about their unions and their lives,and a celebration of the dream of lesbian happily-ever-afters.

An examination of comedy and feminism in the works of early women British novelists.

At a time when overt feminist statements could ruin a woman's reputation, comedy enabled certain authors to smuggle feminism into their writing. Laughing Feminism sheds light on the ways in which Frances Burney, Maria Edgeworth, and Jane Austen enlisted the power of comedy in the service of feminism, and in so doing participated in one of the most important ideological movements of the last three hundred years. It offers modern scholars a new look at feminist tactics as it brings to light a lost chapter in the history of comedy.

Perhaps the first extended non-fiction prose satire written by an English woman, Jane Collier's An Essay on the Art of Ingeniously Tormenting (1753) is a wickedly satirical send-up of eighteenth-century advice manuals and educational tracts. It takes the form of a mock advice manual in which the speaker instructs her readers in the arts of tormenting, offering advice on how to torment servants, humble companions and spouses, and on how to bring one's children up to be a torment to others. The work's satirical style, which focuses on the different kinds of power that individuals exercise over one another, follows in the footsteps of Jonathan Swift and paves the way for Jane Austen. This Broadview edition uses the first edition, the only edition published during the author's lifetime. The appendices include excerpts from texts that influenced the essay (by Sarah Fielding, Jonathan Swift, Francis Coventry); excerpts from later texts that were influenced by it (by Maria Edgeworth, Frances Burney, Jane Austen); and relevant writings on education and conduct (by John Locke, George Savile, Dr. John Gregory).