In the last few decades, all major presidential candidates have openly discussed the role of faith in their lives, sharing their religious beliefs and church commitments with the media and their constituencies. And yet, to the surprise of many Americans, God played almost no role in the 2012 presidential campaign. During the campaign, incumbent Barack Obama minimized the role of religion in his administration and in his life. This was in stark contrast to his emphasis, in 2008, on how his Chicago church had nurtured him as a person, community organizer, and politician, which ultimately backfired when incendiary messages preached by his liberationist pastor Jeremiah Wright went viral. The Republican Party faced a different kind of problem in 2012, with the increasing irrelevance or absence of founders of the Religious Right such as Pat Robertson or Jerry Falwell. Furthermore, with Mormon Mitt Romney running as the GOP candidate, party operatives avoided shining a spotlight on religion, recognizing that vast numbers of Americans remain suspicious of the Church of Jesus Christ of Latter-day Saints. The absence of God during the 2012 election reveals that the United States is at a crossroads with regards to faith, even while religion continues to play a central role in almost every facet of American culture and political life. The separation of church and state and the disestablishment of religion have fostered a rich religious marketplace characterized by innovation and entrepreneurship. As the generation that launched the culture wars fades into history and a new, substantially more diverse population matures, the question of how faith is functioning in the new millennium has become more important than ever. In Faith in the New Millennium historians, sociologists, and religious studies scholars tackle contemporary issues, controversies, and policies ranging from drone wars to presidential campaigns to the exposing of religious secrets in order to make sense of American life in the new millennium. This melding of past and present offers readers a rare opportunity to assess Americans' current wrestling with matters of faith, and provides valuable insight into the many ways that faith has shaped and transformed the age of Obama and how the age of Obama has shaped American religious faith.

Three episodes from the animated children's series following the adventures of the reptilian martial arts heroes. This collection showcases some of the best moments from the bo-wielding turtle Donatello (voice of Barry Gordon). The episodes are: 'Shredded and Splintered', 'Donatello's Duplicate' and 'Night of the Dark Turtle'.

Three episodes from the animated children's series following the adventures of the reptilian martial arts heroes. This collection showcases some of the best moments from the ninjato-wielding turtle Leonardo (voice of Cam Clarke). The episodes are: 'Hot Rodding Teenagers from Dimension X', 'Unidentified Flying Leonardo' and 'Leonardo Cuts Loose'.

David MacKenzie directs this British drama in which a troubled teenager and his father bond in the unusual surroundings of a prison. 19-year-old Eric (Jack O'Connell) has had an extremely difficult childhood. Taken into care after the death of his mother and the sentencing of his father (Ben Mendelsohn), Eric's subsequent struggles with authority are highlighted by the fact that he has been 'starred up' from juvenile prison to the real thing, despite his tender years. Eric is happy with the outcome, though, as it gives him a chance to reconnect with his father and to demonstrate his toughness. However, with certain prison wardens not averse to using extreme violence to enforce order and protect others, Eric may have to tread carefully and pay attention to the calming words of his father if he is to make it out of the facility in one piece.

There are a lot of personality and intelligence tests out there designed to label you and put you in a particular box. But Dr. Caroline Leaf says there's much more to you than a personality profile can capture. In fact, you cannot be categorized!

In this fascinating book, she takes readers through seven steps to rediscover and unlock their unique design--the brilliantly original way each person thinks, feels, relates, and makes choices--freeing them from comparison, envy, and jealousy, which destroy brain tissue. Readers learn to be aware of what's going on in their own minds and bodies, to lean in to their own experience rather than trying to forcefully change it, and to redefine what success means to them. Released from the suffocating box of expectations, they'll embrace their true identity and develop a clear sense of divine purpose in their lives.

Knowing and understanding our identity empowers our choices. Unlocking one's you quotient is not optional--it is essential.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.