In this unique memoir, now in English for the first time, Israel's first Poet Laureate Avigdor Hameiri details a trip to Europe in 1930 from the perspective of a Hungarian Jew who had served in the Habsburg Army. Upon visiting Austria, Hungary, Romania (including parts of ceded Hungarian Transylvania), and Czechoslovakia (including his Carpatho-Ruthenian homeland), he sees Europe in flux on the brink of an unknown disaster. Austria and Hungary are full of youth whose philosophy is "eat, drink and be merry; tomorrow we die." There is fear of Bolshevism from without, but the unfelt danger is German Fascism. Jews (especially in Hungary) are assimilated but cannot escape from their Jewishness: some are Zionists. Romania is corrupt and antisemitic. In Carpatho-Ruthenia, Hameiri has two premonitions warning him to return to Israel, a prediction of the destruction soon to befall Europe. Hameiri also gives accounts of the artistic and cultural scenes of 1930s Europe, as well as the world of Carpatho-Ruthenian Hasidism, which was soon to be destroyed by the Holocaust. From the growing danger and confusion surrounding inter-war Europe, in prose at once compassionate and bitingly sarcastic, comes a sweeping account of Jewish life in 1930 from one of Israel's prolific writers.

In this unique memoir, now in English for the first time, Israel's first Poet Laureate Avigdor Hameiri details a trip to Europe in 1930 from the perspective of a Hungarian Jew who had served in the Habsburg Army. Upon visiting Austria, Hungary, Romania (including parts of ceded Hungarian Transylvania), and Czechoslovakia (including his Carpatho-Ruthenian homeland), he sees Europe in flux on the brink of an unknown disaster. Austria and Hungary are full of youth whose philosophy is "eat, drink and be merry; tomorrow we die." There is fear of Bolshevism from without, but the unfelt danger is German Fascism. Jews (especially in Hungary) are assimilated but cannot escape from their Jewishness: some are Zionists. Romania is corrupt and antisemitic. In Carpatho-Ruthenia, Hameiri has two premonitions warning him to return to Israel, a prediction of the destruction soon to befall Europe. Hameiri also gives accounts of the artistic and cultural scenes of 1930s Europe, as well as the world of Carpatho-Ruthenian Hasidism, which was soon to be destroyed by the Holocaust. From the growing danger and confusion surrounding inter-war Europe, in prose at once compassionate and bitingly sarcastic, comes a sweeping account of Jewish life in 1930 from one of Israel's prolific writers.

A literary account of the author's experience in World War I. Hell on Earth is the second book written by Avigdor Hameiri (born Feuerstein, 1890-1970) about his experiences as a Russian prisoner of war during the second half of World War I. Translator Peter C. Appelbaum first became interested in Hameiri's story after learning that one quarter of the Austro-Hungarian army was captured and imprisoned, and that the horrific events that took place at this time throughout Russia and central Asia are rarely discussed in scholarly texts. Available for the first time to an English-speaking audience, this reality-driven novel is comparable to classics like All Quiet on the Western Front and The Gulag Archipelago. The text is deeply tragic, while allowing some humor to shine through in the darkest hour. The reader is introduced to a procession of complex characters with whom Hamieri comes into contact during his imprisonment. The narrator watches his friends die one by one until he is released in 1917 with the help of Russian Zionist colleagues. He then immigrates to Israel in 1921. Hameiri's perspective on the things surrounding him-the Austro-Hungarian Army, the Russian people and countryside, the geography of Siberia, the nascent Zionist movement, the Russian Revolution and its immediate aftermath-offers a distinct personal view of a moment in time that is often overshadowed by the horrors of the Holocaust. In his preface, Appelbaum argues that World War I was the original sin of the twentieth century-without it, the unthinkable acts of World War II would not have come to fruition. Hell on Earth is a fascinating, albeit gruesome, account of life in prison camps at the end of the First World War. Fans of historical fiction and war memoirs will appreciate the historic value in this piece of literature.

A literary account of the author's experience in World War I. Hell on Earth is the second book written by Avigdor Hameiri (born Feuerstein, 1890-1970) about his experiences as a Russian prisoner of war during the second half of World War I. Translator Peter C. Appelbaum first became interested in Hameiri's story after learning that one quarter of the Austro-Hungarian army was captured and imprisoned, and that the horrific events that took place at this time throughout Russia and central Asia are rarely discussed in scholarly texts. Available for the first time to an English-speaking audience, this reality-driven novel is comparable to classics like All Quiet on the Western Front and The Gulag Archipelago. The text is deeply tragic, while allowing some humor to shine through in the darkest hour. The reader is introduced to a procession of complex characters with whom Hamieri comes into contact during his imprisonment. The narrator watches his friends die one by one until he is released in 1917 with the help of Russian Zionist colleagues. He then immigrates to Israel in 1921. Hameiri's perspective on the things surrounding him-the Austro-Hungarian Army, the Russian people and countryside, the geography of Siberia, the nascent Zionist movement, the Russian Revolution and its immediate aftermath-offers a distinct personal view of a moment in time that is often overshadowed by the horrors of the Holocaust. In his preface, Appelbaum argues that World War I was the original sin of the twentieth century-without it, the unthinkable acts of World War II would not have come to fruition. Hell on Earth is a fascinating, albeit gruesome, account of life in prison camps at the end of the First World War. Fans of historical fiction and war memoirs will appreciate the historic value in this piece of literature.