The thirteen chapters in this book are derived from the First International Conference on Jewish Humor held at Tel-Aviv University. The authors are scientists from the areas of literature, linguistics, sociology, psychology, history, communications, the theater, and Jewish studies. They all try to understand different aspects of Jewish humor, and they evoke associations, of a local-logical nature, with Jewish tradition. This compilation reflects the first interdisciplinary approach to Jewish humor.

The chapters are arranged in four parts. The first section relates to humor as a way of coping with Jewish identity. Joseph Dorinson's chapter underscores the dilemma facing Jewish comedians in the United States. These comics try to assimilate into American culture, but without giving up their Jewish identity. The second section of the book deals with a central function of humor--aggression. Christie Davies makes a clear distinction between jokes that present the Jew as a victim of anti-Semitic attacks and those in which the approach is not aggressive. The third part focuses on humor in the Jewish tradition. Lawrence E. Mintz writes about jokes involving Jewish and Christian clergymen. The last part of the book deals with humor in Israel. David Alexander talks about the development of satire in Israel.

Other chapters and contributors include: "Psycho-Social Aspects of Jewish Humor in Israel and in the Diaspora" by Avner Ziv; "Humor and Sexism: The Case of the Jewish Joke" by Esther Fuchs; "Halachic Issues as Satirical Elements in Nineteenth Century Hebrew Literature" by Yehuda Friedlander; "Do Jews in Israel still laugh at themselves?" by O. Nevo; and "Political Caricature as a Reflection of Israel's Development" by Kariel Gardosh. Each chapter in this volume paves the way for understanding the many facets of Jewish humor. This book will be immensely enjoyable and informative for sociologists, psychologists, and scholars of Judaic studies.

With an ongoing international conference, Jewish humor in recent years has been a subject of serious scholarly inquiry. Most academic publications, however, have been individual works representing a particular thesis or viewpoint, generally on literary aspects. The present collection of essays by scholars from England, France, the United States, Denmark, Israel, and Australia explores characteristics of Jewish humor from a variety of perspectives, including anthropology, literature, psychology, sociology, and religion.

Geographically, the work distinguishes between the Jewish humor of Israel and that of the diaspora; historically, it traces Jewish humor to the Bible. The linkages with Judaism and the Yiddish language are explored. Essays deal with the Jewish use of humor in stressful and tragic situations, with self-disparagement in Jewish humor, with anti-semitism and stereotyping, and with Jewish women as the objects of humor. The contributions to world culture of humorists Sholom Aleichem, Woody Allen, Philip Roth, Charlie Chaplin, and numerous contemporary performers are discussed as are the Jewish theorists of humor, including Sigmund Freud, Henri Bergson, and Arthur Koestler. An interdisciplinary book, it will be of interest to students and researchers of Jewish tradition and folklore, Jewish-American literature, American studies, and humor, popular culture, anthropology, psychology, and sociology.

This volume represents a first in its analysis of historical trends in the humor of eight Western countries: Australia, Belgium, France, Great Britain, Israel, Italy, the United States, and Yugoslavia. In each country, the authors surveyed and assessed the national humor in a way designed to facilitate comparative study. Each essay details the historical development of national humor with an emphasis on the twentieth century and contemporary trends. The survey includes traditional and popular forms of humor as well as humor in literature, the performing and visual arts, and the mass media. A bibliography suggesting materials for further study completes each chapter. Not only do the contributors present a vivid picture of traditional forms of humor such as carnivals, popular performances, and special festivities, they also examine historical changes in humor. Each author discusses the functions of humor; and as a whole, the contributors demonstrate that sexual, aggressive, social, intellectual, and defensive humor have developed differently and are appreciated differently.