The extraordinary twentieth-century writer Barbara Comyns led a life as captivating as the narratives she spun. This pioneering biography reveals the journey of a woman who experienced hardship and single-motherhood before the age of thirty but went on to publish a sequence of novels that are unique in the English language. Comyns turned her hand to many jobs in order to survive, from artist’s model to restoring pianos. Hundreds of unpublished letters reveal an occasionally desperate but resourceful and witty woman whose complicated life ranged from enduring poverty when young to mixing with spivs, spies and high society. While working as a housekeeper in her mid-thirties, Comyns began transforming the bleak episodes of her life into compelling fictions streaked with surrealism and deadpan humour. The Vet’s Daughter (1959), championed by Graham Greene, brought her fame, although her use of the gothic and macabre divided readers and reviewers. This biography not only excavates Comyns’s life but also reclaims her fiction, providing a timely reassessment of her literary contribution. It sheds new light on a remarkable author who deftly captured the complexities of human life. -- .

This new collection of essays by major scholars in the field looks at the ways in which cross-fertilization has taken place in Gothic writing from France, Germany, Britain and America over the last 200 years, and argues that Gothic writing reflects international exchanges in theme and form.

Wharton's late and critically-neglected novels are reclaimed as experimental in form and radical in content in this book, which also suggests that her portrayal of older female characters in her last six novels anticipates contemporary unease about the cultural marginalization of the older woman in Western society.

The only collection to concentrate on the European Gothic - writing in English, French, German, Russian and Spanish. Charts the rich process of cross-fertilisation, especially regarding Anglo-French exchanges in the development of the Gothic novel. Emphasises the importance of the impact of translation on the development of the Gothic novel. Uses a variety of critical perspectives to reassess the work of authors such as Clara Reeve, Sophia Lee, Charlotte Smith, Ann Radcliffe, Matthew Lewis, Charles Maturin, Coleridge, Mary Shelley, Jan Potocki, Balzac, Dostoevesky, Gaston Leroux and Djuna Barnes. Offers a fresh way of thinking about Gothic lineages and histories. -- .

This new collection of essays by major scholars in the field looks at the ways in which cross-fertilization has taken place in Gothic writing from France, Germany, Britain and America over the last 200 years, and argues that Gothic writing reflects international exchanges in theme and form.

A re-assessment of the Gothic in relation to the female, the 'feminine', feminism and post-feminism This collection of newly commissioned essays brings together major scholars in the field of Gothic studies in order to re-think the topic of 'Women and the Gothic'. The 14 chapters in this volume engage with debates about 'Female Gothic' from the 1970s and '80s, through second wave feminism, theorisations of gender and a long interrogation of the 'women' category as well as with the problematics of post-feminism, now itself being interrogated by a younger generation of women. The contributors explore Gothic works - from established classics to recent films and novels - from feminist and post-feminist perspectives. The result is a lively book that combines rigorous close readings with elegant use of theory in order to question some ingrained assumptions about women, the Gothic and identity. Key Features Revitalises the long-running debate about women, the Gothic and identity Engages with the political agendas of feminism and post-feminism Prioritises the concerns of woman as reader, author and critic Offers fresh readings of both classic and recent Gothic works

"I finished "The Heroine" last night and was very much amused by it. It diverted me exceedingly. I have torn through the third volume; I do not think it falls off. It is a delightful burlesque..." - Jane Austen

""Everybody" has read "The Heroine"]. There is no one so superlatively unhappy as not to have done this thing. But if such there be - if by any possibility such person should exist, we have only a few words to say to him. Go, silly man, and purchase forthwith '"The Heroine: or Adventures of Cherubina."' There are few books written with more tact, spirit, naivete, or grace, ...] and none more fairly entitled to rank among the classics of English literature than the Heroine of Eaton Stannard Barrett." - Edgar Allan Poe, in "The Southern Literary Messenger" (1835)

Young Cherry Wilkinson, the daughter of a farmer, has read one too many Gothic novels. And when she discovers a mysterious fragment of parchment and an antiquated portrait in her father's desk, she becomes convinced that she is a heroine and an heiress, and that the farmer is not her father, but instead an assassin with designs upon her life.

Renaming herself Cherubina, she deserts her home and sets off on a mad romp across England, determined to recover her lost domains and unravel her true parentage. But after a series of madcap and hilarious adventures, she comes to find that modern-day English law and society do not always permit a young lady to behave like a character out of a romantic tale. And when a handsome but dissolute young actor learns of Cherry's father's wealth and her mania for Gothic novels and styles himself Lord Montmorenci in an attempt to deceive her into a marriage, Cherubina will need all of her heroine's wit to defeat the nefarious plot

A brilliant comic novel that went through numerous editions in its time and earned widespread critical acclaim, "The Heroine" (1813) has recently been badly neglected and has been out of print for almost a century. This edition features a substantial new introduction by internationally known Gothic scholars Avril Horner and Sue Zlosnik, the unabridged text of the first edition, and detailed endnotes.