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Box set containing two popular feature films. In 'The Princess
Diaries' (2001), San Francisco teenager Mia Thermopolis (Anne
Hathaway) just wants to get through the rigours of high school
unharmed, avoiding as many of life's petty embarassments as
possible. However, when her long-lost grandmother Clarisse (Julie
Andrews) appears out of the blue, Mia gets the surprise of her
life; it seems she is the princess of a tiny principality called
Genovia, and is in fact next in line to the throne. Angry that this
news has been kept from her, Mia nevertheless agrees to embark on a
crash course of princess lessons. But when she begins to get lost
in a comic flurry of bungled state engagements and over-eager media
attention, the prospective princess begins to wonder if the royal
life is really the right life for her. In 'The Princess Diaries 2 -
Royal Engagement' (2004), American high school graduate Mia
Thermopolis has just turned 21, and is being groomed to succeed her
grandmother as Queen of Genovia. But it materialises that an
ancient Genovian law decrees that unmarried women cannot take the
throne, and the bitter Viscount Mabrey (John Rhys-Davies) and his
cronies oppose her coronation. When Queen Clarice (Julie Andrews)
asks that Mia be given 30 days to find a husband, Mabrey is
reluctant to allow it - but little does he know that his own
nephew, the young and handsome Nicholas (Chris Pine), has caught
Mia's eye.
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Various Artists - Let Go (CD)
The Matrix, Cliff Wagness, Curt Fransca, Peter Zizzo; Performed by Avril Lavigne
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R158
Discovery Miles 1 580
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Ships in 10 - 17 working days
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Two years in the making, singer-songwriter Avril Lavigne’s fourth studio album is called Goodbye Lullaby.
Lavigne worked with longtime collaborators Deryck Whibley, Evan Taubenfeld and Butch Walker, as well as songwriter/producer Max Martin. Lavigne continues to share her personal experiences through her writing and music, and Goodbye Lullaby is a further evolution of this, propelled by a more raw and organic sound.
Among its upbeat tracks are “What the Hell,” an unabashed embrace of fun and freedom, and “Stop Standing There,” fueled by an early-‘50s girl-group feel.
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