Nominated for the 2022 Olivier Award for Outstanding Achievement in Affiliate Theatre You see we are prisoners of a corrupt country that is our own making. But don't pretend you don't participate. You do. Of course you do. American banker Nick Bright knows that his freedom comes at a price. Confined to a cell in rural Pakistan, every second counts. Who will decide his fate? His captors, or the whims of the market? Ayad Akhtar is a Pulitzer Prize-winner, two-time Tony Award-nominee and winner of the Award in Literature from the American Academy of Arts and Letters. This newly revised edition of The Invisible Hand is published to coincide with the first major revival at London's Kiln Theatre in July 2021.

Hayat Shah was captivated by Mina long before he met her: his mother's beautiful, brilliant, and soulfully devout friend is a family legend. When he learns that Mina is leaving Pakistan to live with the Shahs in America, Hayat is thrilled.
Hayat's father is less enthusiastic. He left the fundamentalist world behind with reason. What no one expects is that when Mina shows Hayat the beauty and power of the Quran, it will utterly transform the boy.
Mina's real magic may be that the Shah household, always contentious and sad, becomes a happy one. But when Mina finds her own path to happiness, the ember of jealousy in Hayat's heart is enflamed by the community's anti-Semitism-and he acts with catastrophic consequences for those he loves most.

“A continuously engaging, vitally engaged play about thorny questions of identity and religion in the contemporary world, with an accent on the incendiary topic of how radical Islam and the terrorism it inspires have affected the public discourse.” The New York Times New York. Today. Corporate lawyer Amir Kapoor is happy, in love, and about to land the biggest career promotion of his life. But beneath the veneer, success has come at a price. When Amir and his artist wife, Emily, host an intimate dinner party at their Upper East Side apartment, what starts out as a friendly conversation soon escalates into something far more damaging. Winner of the Pulitzer Prize for Drama, 2013, Disgraced premiered in Chicago before transferring to New York’s Lincoln Center in 2012. This new Modern Classics edition features an introduction by J.T. Rogers.

"Sparkling and combustible" (Bloomberg Businessweek), "DISGRACED rubs all kinds of unexpected raw spots with intelligence and humor" (Newsday). "In dialogue that bristles with wit and intelligence, Akhtar puts contemporary attitudes toward religion under a microscope, revealing how tenuous self-image can be for people born into one way of being who have embraced another.... Everyone has been told that politics and religion are two subjects that should be off-limits at social gatherings. But watching these characters rip into these forbidden topics, there's no arguing that they make for ear-tickling good theater" (New York Times). "Add a liberal flow of alcohol and a couple of major secrets suddenly revealed, and you've got yourself one dangerous dinner party" (Associated Press).

A Yale Drama Series-winning play about self-defense, desire, and healing in the aftermath of a college rape Seven college students gather for a DIY self-defense workshop after a sorority sister is raped. They practice using their bodies as weapons. They wrestle with their desires. They learn the limits of self-defense. This new play by writer, director, actor, and community builder Liliana Padilla explores the intersection of sex, community, and what it means to heal in a violent world. Padilla shows how learning self-defense becomes a channel for these college students' rage, anxiety, confusion, trauma, and desire. The play examines what one wants, how to ask for it, and the ways rape culture threatens one's body and sense of belonging. It is the thirteenth winner of the Yale Drama Series prize and the second one chosen by Pulitzer Prize-winning playwright Ayad Akhtar.

This "beautiful novel . . . has echoes of The Great Gatsby": an immigrant father and his son search for belonging--in post-Trump America, and with each other (Dwight Garner, New York Times). One of the New York Times 10 Best Books of the Year One of Barack Obama's Favorite Books of 2020 A Best Book of 2020 * Entertainment Weekly * Washington Post * O Magazine * New York Times Book Review * Publishers Weekly * NPR * The Economist * Shelf Awareness * Library Journal * St. Louis Post-Dispatch * Slate Finalist for the 2021 Andrew Carnegie Medal for Excellence in Fiction A deeply personal work about identity and belonging in a nation coming apart at the seams, Homeland Elegies blends fact and fiction to tell an epic story of longing and dispossession in the world that 9/11 made. Part family drama, part social essay, part picaresque novel, at its heart it is the story of a father, a son, and the country they both call home. Pulitzer Prize-winning author Ayad Akhtar forges a new narrative voice to capture a country in which debt has ruined countless lives and the gods of finance rule, where immigrants live in fear, and where the nation's unhealed wounds wreak havoc around the world. Akhtar attempts to make sense of it all through the lens of a story about one family, from a heartland town in America to palatial suites in Central Europe to guerrilla lookouts in the mountains of Afghanistan, and spares no one--least of all himself--in the process. "Passionate, disturbing, unputdownable." --Salman Rushdie

A NEW YORK TIMES, WASHINGTON POST AND ECONOMIST BOOK OF THE YEAR 'I read it in a fever, swept up in the kind of rapture you fall into when your most audacious friend kicks off on a hilarious, outrageous, but deeply sincere rant' Torrey Peters, Guardian Books of the Summer 'A beautiful novel about an American son and his immigrant father that has echoes of THE GREAT GATSBY' New York Times A deeply personal novel of identity and belonging in a nation coming apart at the seams, HOMELAND ELEGIES blends fact and fiction to tell an epic story of belonging and dispossession in the world that 9/11 made. Part family drama, part satire, part picaresque, at its heart it is the story of a father and son, and the country they call home. Ranging from the heartland towns of America to palatial suites in Europe to guerrilla lookouts in the mountains of Afghanistan, Akhtar forges a narrative voice that is original as it is exuberantly entertaining. This is a world in which debt has ruined countless lives and the gods of finance rule, where immigrants live in fear and the unhealed wounds of 9/11 continue to wreak havoc. HOMELAND ELEGIES is a novel written in love and anger, which spares no one, least of all the author himself.

THE EXPLOSIVE NOVEL FROM PULITZER PRIZE WINNER AYAD AKHTAR 'Terrific' The Times 'Extraordinary' Sunday Express 'A great American story' Metro HOW OFTEN DOES SOMEONE YOU MEET TRANSFORM YOUR LIFE? Hayat Shah was captivated by Mina long before he met her: his mother's beautiful, brilliant friend is a family legend. When he learns that Mina is leaving Pakistan to live with the Shahs in America, Hayat is thrilled. Hayat's father is less enthusiastic. Ever wary of fundamentalism, he doesn't relish the idea of Mina's fervid devotion under his roof. What no one expects is that when Mina shows Hayat the beauty of the Quran, it will utterly transform him. Mina's real magic may be that the Shah household becomes a happy one. But when Mina catches the eye of a Jewish doctor and family friend, Hayat's jealousy is inflamed by the community's anti-Semitism - and he acts with catastrophic consequences for those he loves most. A DEVASTATINGLY MOVING NOVEL FROM ONE OF AMERICA'S MOST EXCITING WRITERS A Kirkus Reviews Best Book of the Year A Globe and Mail Best Book of the Year A Shelf Awareness Best Book of the Year An O, the Oprah Magazine Book of the Year