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Martin Werthmann (*1982) is one of the most prominent artists
worldwide to make an intensive study of the woodcut as a genre. His
monumental colour woodcuts, executed on large widths of paper,
enchant by means of his radically new language of forms and
aesthetics, which puts the vague and diffuse in the center of
attention. Werthmann's more recent works are based on structures
and elements from photographs of attacks and acts of war. In
numerous superimposed layers he translates them into the medium of
the woodcut and thus creates pictorial spaces which are full of
tension and as they hover between beauty and violence. With a
particular focus on the SILENCE series this volume presents for the
first time a comprehensive overview of the impressive work of this
Berlin-based artist.
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