In this magnificent, lavishly illustrated book, renowned art historian B. N. Goswamy opens readers' eyes to the wonders of Indian painting, and shows them new ways of seeing art. An illuminating introductory essay, `A Layered World', explains the themes and emotions that inspired famous painters, the values and influences that shaped their work, and the unique ways in which they depicted Time and Space. It describes, too, the different regional styles, the relationship between patrons and painters, the tools and techniques the painters used and the milieu in which they created their works. The second part of this book, `Close Encounters with 101 Works', presents paintings carefully selected by Professor Goswamy, spanning nearly a thousand years and ranging from Jain manuscripts and Rajasthani, Mughal, Pahari and Deccani miniatures, to Company School paintings. His description and analysis of these works unlock the treasures that lie within them and show us how to `read' each painting as he pours out its finest features, explains its visual vocabulary and symbolism, and recounts the story, legend or event that inspired it. Combining deep scholarship with great storytelling, this is a book of enduring value that will both educate and delight the reader.

From India's greatest art historian, B.N. Goswamy, comes the definitive book on understanding and appreciating Indian painting. Featuring an illuminating introductory essay that explains the themes and emotions that inspired Indian painters, and the values and influences that shaped their work, this book will both educate and delight the reader. Containing 101 great works, carefully selected by Professor Goswamy and spanning nearly a thousand years, it unlocks the treasures that lie within them and shows us how to read each painting, recounting the story, legend or event that inspired it. Both educating and delighting the reader, this is destined to become a classic.

The little-known paintings to which this volume serves as a catalogue once belonged to the Sarabhai family. The works collected by the Sarabhais reflect great discrimination and aesthetic sensibility. This remarkable collection offers a well-rounded view of the broad historical development of Indian painting. There are works here that come from as early as the 11th century and as late as the 19th; small Pala works on palm-leaf jostle against some of the earliest works done on paper when that material came into use; Mughal works like those from some of the most celebrated series like the Hamza Nama or the Padshahnama stand close to dazzling folios from the so-called 'Palam' Bhagavata; and, the painter Chokha of Deogarh figures in the collection as much as the great Nainsukh of Guler does.

Pahari painting - 'Painting from the Hills', often subsumed under the broad head, Rajput Painting - has long been acknowledged as one of the great achievements of India in the realm of art. For too long, however, the Pahari painter, the maker of these images, has continued to be seen as belonging to an indeterminate, anonymous group of craftsmen wh Pahari painting - 'Painting from the Hills', often subsumed under the broad head, Rajput Painting - has long been acknowledged as one of the great achievements of India in the realm of art. For too long, however, the Pahari