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"An exploration of the role of emotion and affect in contemporary
documentary film, arguing that analysis of the sociality of the
emotions is integral to advancing our understanding of the
formulation of selfhood in documentary. Belinda Smaill also
examines documentary's political function, looking at issues such
as gender, ethnicity and class"--Provided by publisher.
Belinda Smaill proposes an original approach to documentary
studies, examining how emotions such as pleasure, hope, pain,
empathy, nostalgia or disgust are integral both to the
representation of selfhood in documentary, and to the way
documentaries circulate in the public sphere.
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