This stimulating anthology, prepared by the great folklorist, B.A. Botkin, is comprised of the traditional songs, stories, customs, and beliefs which have been handed down, by word of mouth, for so long that they seem to have a life of their own. For Botkin, they are at the core of peoplehood.

When one thinks of American folklore one thinks not only of the folklore of American life, the traditions that have sprung up on American soil, but also of the literature of folklore, the migratory traditions that have found a home in the New World. Here are the pioneer heroes, legendary and real: the boasters, liars, bad men, good people, and strong people. There are anecdotes, tall tales, cross talk, and jests, full of vigorous good humor. There is a selection of the classic ballads of sailors, miners, cowboys, lumberjacks, and hoboes. Relations between men and women, slave songs of the black people, work songs connected with union struggles, are all herein covered. In The American People, the people speak and are allowed to tell their own story in their own way.

The volume is graced by a personal memoir by Louis Filler. The reader learns the background that made Botkin an integral voice in the reconstruction of American folklore. Here, one can read the actual tales of Davy Crockett, Buffalo Bill, Casey Jones, Johnny Appleseed, The Arkansas Traveler, Paul Bunyan, and countless other figures from the past- real and mythic.

This stimulating anthology, prepared by the great folklorist, B.A. Botkin, is comprised of the traditional songs, stories, customs, and beliefs which have been handed down, by word of mouth, for so long that they seem to have a life of their own. For Botkin, they are at the core of peoplehood.When one thinks of American folklore one thinks not only of the folklore of American life, the traditions that have sprung up on American soil, but also of the literature of folklore, the migratory traditions that have found a home in the New World. Here are the pioneer heroes, legendary and real: the boasters, liars, bad men, good people, and strong people. There are anecdotes, tall tales, cross talk, and jests, full of vigorous good humor. There is a selection of the classic ballads of sailors, miners, cowboys, lumberjacks, and hoboes. Relations between men and women, slave songs of the black people, work songs connected with union struggles, are all herein covered. In The American People, the people speak and are allowed to tell their own story in their own way.The volume is graced by a personal memoir by Louis Filler. The reader learns the background that made Botkin an integral voice in the reconstruction of American folklore. Here, one can read the actual tales of Davy Crockett, Buffalo Bill, Casey Jones, Johnny Appleseed, The Arkansas Traveler, Paul Bunyan, and countless other figures from the past- real and mythic.

In the 1930's, the last decade when many men and  women who were born under slavery and freed by the  Emancipation Proclamation.still lived, the New  Deal's Federal Writing Project made an extraordinary  and important decision. It sent interviewers to  ask these African-American survivors : What does  it mean to be free? Even more, how does it  feel?



"Does I remember much 'bout  slavery times? Well, there is  no way for me to disremember unless I  die."



B.A. Botkin compiled nearly three hundred of  these narratives to create a rich, unvarnished  portrait of lives lived half slave, half free. In  it, people who experienced the seasonal rhythms of  plantation life . . .who were eyewitnesses to  Lincoln, Douglas, and Tubman . . .who had their  conciousness shaped by bondage . . .and who felt the  anguish of the lash have their memories brought to  life again. Their voices reach out across the  decades and teach us what they know -- our history and  our legacy in their telling of an indelible truth.

Named by the Library of Congress in a 2012 exhibit as among the top "100 Books that Shaped America," this two-volume set contains 500 stories and 100 songs collected from the author's time as national folklore editor for the Federal Writer's Project (1938-39) as well as his work as archivist of folksongs at the Library of Congress. As Carl Sandburg writes in his foreword, "So here we have nothing less than an encyclopedia of the folklore of America. An encyclopedia is where you get up into box car numbers...besides giving you the company of nice, darnfool yarn spinners, it will give you something of the feel of American history, of the gloom chasers that moved many a good man who fought fire and flood, varmints and vermin, as region after region filled with settlers and homesteaders."