This is an anthology of irreverence and humor in the hands of our best poets. Can serious poetry be funny? Chaucer and Shakespeare would say yes, and so do the authors of these 187 poems that address timeless concerns but that also include comic elements. Beginning with the Beats and the New York School and continuing with both marquee-name poets and newcomers, ""Seriously Funny"" ranges from poems that are capsized by their own tomfoolery to those that glow with quiet wit to ones in which a laugh erupts in the midst of terrible darkness. Most of the selections were made in the editors' battered compact car, otherwise known as the Seriously Funny Mobile Unit. During the two years in which Barbara Hamby and David Kirby made their choices, they'd set out with a couple of boxes of books in the back seat, and whoever wasn't driving read to the other. When they found that a poem made both of them think but laugh as well, they earmarked it. Readers will find a true generosity in these poems, an eagerness to share ideas and emotions and also to entertain. The singer Ali Farka Toure said that honey is never good when it's only in one mouth, and the editors of ""Seriously Funny"" hope its readers find much to share with others.

B. H. Fairchild's memory systems are the collective vision of America's despairing dreamers failed baseball players, oil field laborers, a surrealist priest, college boys at a burlesque theater, the last remaining cast members of "The Wizard of Oz." Looming over all is the fact and the mystery of our continued renewal."

Although many of the poems here unfold among the small towns, abandoned farms, and slate skies of the rural Midwest, their larger landscape is the sheer fact; geographical, psychological, metaphysical; of "absences like so many lighted windows as you walk through a strange city, wanting to fill them with imaginary lives and words and stories."

B.H. Fairchild's "The Art of the Lathe "is a collection of poems centering on the working-class world of the Midwest, the isolations of small-town life, and the possibilities and occasions of beauty and grace among the machine shops and oil fields of rural Kansas.

From Manhattan to the rural Midwest-one of our most distinguished poets offers a verbal cinema of America. Employing dramatic monologues, among other forms, Usher embraces a range of subject matter and modes, from the elegiac to the comic. At its heart, however, is the long poem "Trilogy," consisting of three interrelated dramatic monologues spoken by a circus performer, a theological student and part-time usher, and Hart Crane. A Los Angeles Times Favorite Book of 2009.