Quyen Van Minh (b. 1954) is not only a jazz saxophonist and lecturer at the prestigious Vietnam National Academy of Music, but he is also one of the most preeminent jazz musicians in Vietnam. Considered a pioneer in the country, Minh is often publicly recognized as the "godfather of Vietnamese jazz." Playing Jazz in Socialist Vietnam tells the story of the music as it intertwined with Minh's own narrative. Stan BH Tan-Tangbau details Minh's life story, telling how Minh pioneered jazz as an original genre even while navigating the trials and tribulations of a fervent socialist revolution, of the ideological battle that was the Cold War, of Vietnam's war against the United States, and of the political changes during the Doi Moi period between the mid-1980s and the 1990s. Minh worked tirelessly and delivered two breakthrough solo recitals in 1988 and 1989, marking the first time jazz was performed in the public sphere in the socialist state. To gain jazz acceptance as a mainstream musical art form, Minh founded Minh Jazz Club. With the release of his debut album of original compositions in 2000, Minh shaped the nascent genre of Vietnamese jazz. Minh's endeavors kickstarted the momentum, from his performing jazz in public, teaching jazz both formally and informally, and contributing to the shaping of an original Vietnamese voice to stand out among the many styles in the jazz world. Most importantly, Minh generated a public space for musicians to play and for the Vietnamese to listen. His work eventually helped to gain jazz the credibility necessary at the national conservatoire to offer instruction in a professional music education program.

As industrialized nations look into emerging new technologies focusing on renewable or efficient energy use — along with the move towards Sustainable Development Goals — challenges related to achieving low carbon economy projects have gained much attention. This book explores various initiatives and potential methods to achieve net zero carbon targets and issues.Life Cycle Assessment (LCA) will play an important role as an effective and comprehensive method to analyse potential greenhouse gas emissions and other environmental impacts of a technology or system. LCA is a holistic and system-wide scientific method that can be used to quantify impact metrics chosen to evaluate any emerging Net Zero Carbon technologies of interest, and reveal environmental trade-offs or further research opportunities that are required for balancing CO2 emissions. LCA perspectives of Net Zero Carbon Technologies can also be used to outline decision making strategies for a nation's shift towards low carbon economic development.

The book represents the revelation of a jazz culture which has been almost completely neglected in jazz studies. A major contribution to the New Jazz Studies’ enlargement of the focus beyond the US in recognizing jazz as a global phenomenon Written ‘from the inside’ – by local teachers, scholars and practitioners

In the history of human progress, the most fruitful developments take place at the intersection of different lines of thoughts. The timeless topic of leadership has for centuries always been dominated by the ideas and philosophies of Western thinkers, business executives and academics. For far too long, the voice from the East has been deafeningly silent. As Asia rises in the global economy, a question that begs an answer is, "What is the leadership tradition of the East and how will it play out globally?" Leadership consultant BH Tan has written an outstanding exposition of the Asian perspective on leadership. He has drawn upon his deep appreciation of Daoist principles to propose a complementary approach to the Western-centric leadership mindset. A lifelong student of Eastern and Western thinking and leadership, he challenges some of our most cherished truths and perspectives. "Either-or" is out. The "both-and" philosophy will lead us to a better future in this complex, chaotic yet interconnected world. This is the essence of leadership paradoxes. When we integrate both streams of thinking, we transcend contradictions and tap into greater possibilities for progress and creativity. This can only help us lead more wisely and courageously. Each of the 25 chapters is fabulously written, easy to read, with plenty of real-life cases drawn from the author's many decades of experience working alongside leaders around the world. This is the author's third book on leadership.

The book represents the revelation of a jazz culture which has been almost completely neglected in jazz studies. A major contribution to the New Jazz Studies' enlargement of the focus beyond the US in recognizing jazz as a global phenomenon Written 'from the inside' - by local teachers, scholars and practitioners

Life cycle assessment (LCA) is internationally accepted as a core topic in the field of environmental management in various industries for obtaining a complete picture of the environmental impacts of products or processes. In contrast to other types of environmental management tools or sustainability assessment methods, LCA methodologies take a holistic approach to include all relevant processes starting from the extraction of natural resources to various manufacturing stages that lead to the final product.Following an evidence-approach, LCA is underpinned by quantitative methodologies to study real-world problems and uncover 'hidden' impacts beyond the conventional boundary of a single-stage manufacturing system, to develop sustainable strategies that consider regional or global production chains.This book offers multi-disciplinary perspectives of new LCA developments and applications, spanning from data variability to ecosystem services, plus the evaluation of the net greenhouse gas from Carbon Capture and Utilization (CCU) methods and waste management. Perspectives of green chemistry principles via LCA, combined with life cycle atom economy approaches are explored. Industrial symbiosis concepts, LCA as an Entrepreneurial Tool for Business Management and Green Innovations, and blockchain-enabled LCA are also presented.

One-dimensional structured (1D) nanofibre materials have attracted great interest over the past decade because they can potentially address many advanced applications involving dimensionality and size-confined quantum phenomena. They are expected to play a crucial role as interconnects and functional units in fabrication of lab-in-chip, electronics, electrochemical, optoelectronic and electromechanical devices with a nanoscale dimension. This book discusses the recent advances in synthesis and development of nanofibre materials and the potential applications of these 1D nanostructured materials.

Quyen Van Minh (b. 1954) is not only a jazz saxophonist and lecturer at the prestigious Vietnam National Academy of Music, but he is also one of the most preeminent jazz musicians in Vietnam. Considered a pioneer in the country, Minh is often publicly recognized as the "godfather of Vietnamese jazz." Playing Jazz in Socialist Vietnam tells the story of the music as it intertwined with Minh's own narrative. Stan BH Tan-Tangbau details Minh's life story, telling how Minh pioneered jazz as an original genre even while navigating the trials and tribulations of a fervent socialist revolution, of the ideological battle that was the Cold War, of Vietnam's war against the United States, and of the political changes during the Doi Moi period between the mid-1980s and the 1990s. Minh worked tirelessly and delivered two breakthrough solo recitals in 1988 and 1989, marking the first time jazz was performed in the public sphere in the socialist state. To gain jazz acceptance as a mainstream musical art form, Minh founded Minh Jazz Club. With the release of his debut album of original compositions in 2000, Minh shaped the nascent genre of Vietnamese jazz. Minh's endeavors kickstarted the momentum, from his performing jazz in public, teaching jazz both formally and informally, and contributing to the shaping of an original Vietnamese voice to stand out among the many styles in the jazz world. Most importantly, Minh generated a public space for musicians to play and for the Vietnamese to listen. His work eventually helped to gain jazz the credibility necessary at the national conservatoire to offer instruction in a professional music education program.