A significant number of Americans spend their weekends at UFO conventions hearing whispers of government cover-ups, at New Age gatherings learning the keys to enlightenment, or ambling around historical downtowns learning about resident ghosts in tourist-targeted "ghost walks". They have been fed a steady diet of fictional shows with paranormal themes such as The X-Files, Supernatural, and Medium, shows that may seek to simply entertain, but also serve to disseminate paranormal beliefs. The public hunger for the paranormal seems insatiable. Paranormal America provides the definitive portrait of Americans who believe in or have experienced such phenomena as ghosts, Bigfoot, UFOs, psychic phenomena, astrology, and the power of mediums. However, unlike many books on the paranormal, this volume does not focus on proving or disproving the paranormal, but rather on understanding the people who believe and how those beliefs shape their lives. Drawing on the Baylor Religion Survey-a multi-year national random sample of American religious values, practices, and behaviors-as well as extensive fieldwork including joining hunts for Bigfoot and spending the night in a haunted house, authors Christopher Bader, F. Carson Mencken, and Joseph Baker shed light on what the various types of paranormal experiences, beliefs, and activities claimed by Americans are; whether holding an unconventional belief, such as believing in Bigfoot, means that one is unconventional in other attitudes and behaviors; who has such experiences and beliefs and how they differ from other Americans; and if we can expect major religions to emerge from the paranormal. Brimming with engaging personal stories and provocative findings, Paranormal America is an entertaining yet authoritative look at a growing segment of American religious culture.

Paul's statement that 'letter kills but the spirit gives life' [2 Corinthians 3.6] has had an extraordinary impact on Christian thought through the ages. It has been read both as affirming the saving power of the new covenant in comparison to the old, and as a key to hidden, spiritual meanings in the text of scripture. It is, however, an ambiguous phrase, followed by a tangled story. This book explores the Pauline distinction both in its original context and in its aftermath in the early church, the Reformation and modern Biblical Studies. It then considers a postmodern reversal, where ideas of 'Spirit' are often seen as 'deadly' and the openness of the 'letter' or text as life-affirming, and draws conclusions for Spirit in the world.

The questions have been with us since the dim, dark dusk of early humanity. Who are we? How did we get here? Who is in charge? In "The Discovery of Everything, the Creation of Nothing, " author Jim Robert Bader communicates his personal philosophy on these age-old enigmas as they apply to modern society.Intended as a primer for the mind of the layman, "The Discovery of Everything, the Creation of Nothing" presents a manifesto of the soul that insists the truth is not only out there, but easily accessible to anyone. Based on years of research and observation, Bader distills the complexities and addresses relevant topics from an "everyman" perspective by pondering the nature of the universe. He reflects on the thoughts and discoveries of others to bring knowledge to the common man.In "The Discovery of Everything, the Creation of Nothing, " Bader offers a new way of understanding the world. He confronts old assumptions, and he challenges the traditional way of thinking to better cope with and comprehend the nature of the world around us.

The future of music archiving and search engines lies in deep learning and big data. Music information retrieval algorithms automatically analyze musical features like timbre, melody, rhythm or musical form, and artificial intelligence then sorts and relates these features. At the first International Symposium on Computational Ethnomusicological Archiving held on November 9 to 11, 2017 at the Institute of Systematic Musicology in Hamburg, Germany, a new Computational Phonogram Archiving standard was discussed as an interdisciplinary approach. Ethnomusicologists, music and computer scientists, systematic musicologists as well as music archivists, composers and musicians presented tools, methods and platforms and shared fieldwork and archiving experiences in the fields of musical acoustics, informatics, music theory as well as on music storage, reproduction and metadata. The Computational Phonogram Archiving standard is also in high demand in the music market as a search engine for music consumers. This book offers a comprehensive overview of the field written by leading researchers around the globe.

This book offers an overview of models, measurements, calculations and examples connecting musical acoustics and music psychology. Indeed, many mathematical formulations that explain musical acoustics can also be used to help predict human auditory perception.