Children's fantasy drama series in which a boy with secret powers finds himself forced to confront an alien invasion of Earth. To the outside world Tom Clarke (Scott Haran) appears to be an ordinary boy. He loves football and lives with his father (Michael Higgs) and grandmother (Annette Badland). However, Tom and his family are actually wizards and are gravely threatened by the arrival on Earth of the alien race Nekross, who, under the command of the Nekross King (voice of Brian Blessed), seek to acquire the planet's magic for themselves. Can Tom and his friends fight them off and protect their magical abilities?

This range of two-part audio dramas stars Tom Baker reprising his most popular role as the Fourth Doctor (from 1974 - 1981) with a number of his original TV companions. This fourth series reunites the Doctor with savage warrior Leela (Louise Jameson) for adventures across Time and Space! The fourth series in a Big Finish range which is hugely popular with fans of the classic TV series Doctor Who. Annette Badland is familiar to fans of the 2005 series of Doctor Who as Blon Fel-Fotch Passameer-Day Slitheen. As well as Doctor Who, Louise Jameson has been seen in Bergerac, Eastenders, and many other UK shows. Katy Wix is well known from BBC's Not Going Out hit comedy series, as well as Torchwood series Children of Earth. CAST: Tom Baker (The Doctor), Louise Jameson (Leela), Katy Wix (Belinda), Raymond Coulthard (Ralph), Annette Badland (Thelma).

Margaret Blaine is the Mayor of Cardiff. She’s also an alien who’ll do anything to get off the planet Earth. When a spaceship crashes outside Cardiff, it seems like the answer to her prayers. Only she’s not only person at the crash site. Suzie Costello works for Torchwood, but strictly to her own agenda. When a spaceship crashes outside Cardiff, it seems like the answer to her prayers. Only she’s not the only person at the crash site. Bonded by an alien device, Margaret and Suzie find themselves on the run from Torchwood, the police, and six warp missiles that’ll destroy them, Cardiff, and most of the Western Hemisphere. Torchwood contains adult material and may not be suitable for younger listeners Cast: Indira Varma (Susie Costello), Annette Badland (Margaret Blaine), Raj Ghatak (Pilot). Other parts played by members of the cast.

Badlands' long lost, third and final album, Dusk isn't really an album at all, but a batch of demos recorded between 1991 and 1992 for the group's then label, Atlantic, which first rejected them, then dropped the band, already mired in personal strife since the troubled sessions for their commercially disappointing second album, Voodoo Highway. Accordingly, the tracks that would eventually surface as Dusk were circulated as bootlegs and would have likely been mostly forgotten if not for the AIDS-related death of singer Ray Gillen, in December 1993, and the subsequent rise of the worldwide web -- both of which undoubtedly helped stimulate interest in the recordings. This led, in time, to their "official" release in 1998 by the Pony Canyon label, but it hardly altered the fact that Dusk's ten tracks were mostly one-take jobs, reportedly cut by Gillen, guitarist Jake E. Lee, bassist Greg Chaisson, and drummer Jeff Martin in just six-to-eight hours. So although the musicianship was impressively solid and the sound acceptable enough, Dusk's songs lacked the usual refinements of a final album mix, and some lyrics were even ad-libbed, resulting in a rather uniform set, devoid of the characteristic variety and bombast heard on Badlands' first two albums. Instead, most cuts might accurately be described as competent blues metal (not unlike previous efforts, just duller), with rare standouts like foreboding opener "Healin'," the distinctively brash "Walking Attitude," and the notably funky "Ride the Jack," still draped under a mantle of weary resignation, reflective of the band's dispirited frame of mind at the time. Also worth mention, though are "The River" and "Lord Knows" -- two promising sketches that may, with additional studio seasoning, have been transformed into powerful, slow-burning blues rockers; as well as the Eastern-flavored "Sun Red Sun," which contained intriguing traces of Alice in Chains, then on the rise along with the entire grunge nation. But, as mentioned earlier, all of the material collected on Dusk was far too raw and undeveloped for proper mainstream consumption, making its commercial existence justifiable only as a parting treasure for avowed Badlands aficionados. ~ Eduardo Rivadavia