Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Loustaunau and Sanchez-Bane combine their many years of association and collaboration dealing with health issues in the U.S.-Mexico border area, to bring together a series of chapters illustrating that asi es la vida, that's life, need not indicate a fatalistic acceptance that poverty, sickness, misery, and misfortune must be taken in stride. The authors of the chapters have researched, studied, worked with, or have been borderlanders themselves. The chapters focus on the impact of the social structure, and on the power and determination of people to change their conditions for the better, increasing their choices and enlarging their worlds. They look beyond political and economic barriers to find the spark in the human spirit that must be identified and nurtured to produce a better life for the benefit of peoples and nations on both sides of the border, and to nourish the third culture as a bridge between nations. The authors note the dangers and pitfalls along the way, and the need for more realistic policies and programs to empower people to define their own problems, and to participate in fashioning the solutions.

Jason Isaacs stars in this psychological thriller directed by Gore Verbinski. When an organisation receives news from their CEO saying that he has taken up residence in a remote wellness centre in rural Switzerland, a young executive (Dane DeHaan) is tasked with bringing him home after the board believe he has lost his mind. When he arrives at the centre however, the young man quickly realises that there is something rather sinister going on and when he tries to leave he finds himself lying in a bed with a broken leg and no way out. The cast also includes Celia Imrie, Jason Babinsky and Adrian Schiller.

In order to adapt to the ever-increasing demands of telecommunication needs, today 's network operators are implementing 100 Gb/s per dense wavelength division multiplexing (DWDM) channel transmission. At those data rates, the performance of fiberoptic communication systems is degraded significantly due to intra- and inter-channel fiber nonlinearities, polarization-mode dispersion (PMD), and chromatic dispersion. In order to deal with those channel impairments, novel advanced techniques in modulation and detection, coding and signal processing are needed.

This unique book represents a coherent and comprehensive introduction to the fundamentals of optical communications, signal processing and coding for optical channels. It is the first to integrate the fundamentals of coding theory with the fundamentals of optical communication.

Describes trends that signal societal changes in household composition, family structure, and women's working patterns. Interprets their implications for future policy planning and institutional accommodation.

Soviet ballet immediately following the Russian Revolution of 1917 until the advent of Stalin in the thirties is one of the most important, yet least documented, periods in ballet history. In this new study Elizabeth Souritz, former head of the Dance Section of the Moscow Institute of the History of the Arts, draws on Russian archival material, theatre literature, and reminiscences of performers, designers and choreographers to paint a powerful and colourful picture of this influential time.