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Respect the Work describes shortcuts taken by publishers who seek
to profit from the creative work of others without demonstrating
respect for the original creative endeavor. Respect the Work was
written in the hopes that readers will identify - and avoid - poor
quality productions, and choose to support publishers who produce
quality editions that honor original authors. Books in the public
domain, no longer protected by copyright, can be published,
modified -- and given away for free or sold -- by anyone.
Organizations like Project Gutenberg digitize public domain books
and make them freely available in a variety of formats. Commercial
publishers can reproduce the books and offer them for sale.
Publishers tend to fall in one of two categories: publishers who
produce the books with the minimum possible investment, and
publishers who invest in producing a quality reproduction worthy of
the original creative work. Readers who value the creative effort
of authors to produce books worth reading can choose whether to
support organizations that make the works available for free or
publishers who demonstrate respect for original authors, and
thereby demonstrate that they Respect the Work.
Originally published in 1915, The Corner Stone is a sweet,
plainspoken story set in Kansas in the early 1900's. In it, we meet
Edith Grannell, a young woman orphaned at an early age and
abandoned to boarding school by her wealthy uncle, Samson Grannell.
Edith's uncle is more interested in prosperity than family, but
fortunes are changing for him and his neighbors. Grannell calls
Edith back with a plot in mind to increase his acreage and his
wealth. The author, Margaret Hill McCarter, has given us a
character in Edith who is a strong, self-assured, independent young
woman. We discover that Edith is compassionate and caring despite
having received scarce compassion or affection from her only living
relative, her uncle. On returning to her uncle's farm, Edith
recalls being sent away as a child, and the goodbye kiss from her
only friend growing up, Homer Helm. The tenderness of the
recollection conveys the loneliness that was her life: "The memory
of that good-bye kiss had been a sacred possession in the poverty
of a loveless childhood." However, while she was away at boarding
school, Homer, it would seem, has grown up to be something other
than the kind-hearted boy she remembers. From there the story
unfolds. At first encounter, it might seem surprising to find such
a strong, independent female protagonist in a story of this era.
However, considering the conditions of the time, and the life of
the author, perhaps it should not be a surprise to find McCarter's
protagonist to be a young woman of such strength. In addition to
being a wife and homemaker, Margaret Hill McCarter was a successful
author, having published numerous short stories, pamphlets, and
books. She was also active in the community and in politics.
McCarter had the distinction of being the first woman to speak at a
national political convention, specifically, the Republican
National Convention of 1920, two months before the passage of the
Nineteenth Amendment acknowledging women's right to vote. As many
casual students of history are aware, suffragette members of the
militant National Woman's Party protested the Convention; what may
be overlooked are the efforts of women like Margaret Hill McCarter
who worked from within the system to help achieve the same goal.
McCarter wrote of life in Kansas in the late 1800's and early
1900's with directness and fondness, providing modern readers an
authentic, plainspoken view of American history in the years of
settlement and homesteading following the Civil War. Her body of
work -- the stories she wrote and her activities in the community
and politics -- make publication of The Corner Stone an appropriate
choice to be the first in the "Quiet Voices" series -- rediscovered
works from historical authors whose voices may be newly appreciated
by contemporary readers. This edition of The Corner Stone by
Margaret Hill McCarter has been annotated to include: --
biographical information and historical context relating to the
author; -- biographical information on the illustrator; -- a
timeline of events relevant to the author's life and to events of
the story; -- maps providing geographic setting and context, with
references to online resources; and -- a brief introduction,
summary and critique of the work.
A Month in Mongolia is a photographic travelogue and reminiscence
of time spent in this fascinating country. For those who are
contemplating travel of their own to Mongolia, A Month in Mongolia
serves as companion to a guidebook such as the Lonely Planet guide
for Mongolia and a detailed topographical map. Author Barbara
Seiders has traveled around the world -- Paris, London, Geneva,
Moscow, Vienna -- during her career working in defense and arms
control. Among her favorite travels were trips that she took
between 2008 and 2010 to the capital and countryside of Mongolia.
She found the Mongolian people warm and welcoming, generous of
spirit and hospitality. The capital of Mongolia, Ulaanbaatar, is an
intriguing mixture of modern and ancient, and the countryside is
vast and magnificent. In many ways, the land resembles the area
around Denver, Colorado, where Seiders grew up, and even more so
the Columbia valley of eastern Washington, where she currently
resides. It was not surprising that in her trips to Mongolia, in
many ways, she almost felt that she was coming home.
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