This volume considers the significance of stone monuments in Preclassic Mesoamerica, focusing on the period following the precocious appearance of monumental sculpture at the Olmec site of San Lorenzo and preceding the rise of the Classic polities in the Maya region and Central Mexico. By quite literally placing sculptures in their cultural, historical, social, political, religious, and cognitive contexts, the seventeen contributors utilize archaeological and art historical methods to understand the origins, growth, and spread of civilization in Middle America. They present abundant new data and new ways of thinking about sculpture and society in Preclassic Mesoamerica, and call into question the traditional dividing line between Preclassic and Classic cultures. They offer not only a fruitful way of rethinking the beginnings of civilization in Mesoamerica, but provide a series of detailed discussions concerning how these beginnings were dynamically visualized through sculptural programming during the Preclassic period.

Based on the comprehensive study of one of the most important collections of Maya art in the United States, Ancient Maya Art at Dumbarton Oaks is a scholarly introduction to one of the great traditions of sculpture and painting in ancient America.

This volume brings together a wide spectrum of new approaches to ancient Maya studies in an innovative exploration of how the Preclassic and Classic Maya shaped their world. Moving beyond the towering temples and palaces typically associated with the Maya civilization, contributors present unconventional examples of monumental Maya landscapes. Featuring studies from across the central Maya lowlands, Belize, and the northern and central Maya highlands and spanning over 10,000 years of human occupation in the region, these chapters show how the word "monumental" can be used to describe natural and constructed landscapes, political and economic landscapes, and ritual and sacred landscapes. Examples include a massive system of aqueducts and canals at the Kaminaljuyu site, a vast arena designed for public spectacle at Chan Chich, and even the complex realms of Maya cosmology as represented by the ritual cave at Las Cuevas. By including physical, conceptual, and symbolic ways monumentality pervaded ancient Maya culture, this volume broadens traditional understandings of how the Maya interacted with their environment and provides exciting analytical perspectives to guide future study. A volume in the series Maya Studies, edited by Diane Z. Chase and Arlen F. Chase

Description of twenty six graves, grave goods, study of skeletons; comparison with other sites and deductions about the social organisation. Dates from transition between formativo Tardio y Classico Temporano'.