Essays exploring a wide array of sources that show the importance of Christian ideas and influences in Anglo-Saxon England. A unique and important contribution to both teaching and scholarship. Professor Elaine Treharne, Stanford University. This is a collection of essays exploring a wide array of sources that show the importance ofChristian ideas and influences in Anglo-Saxon England. The range of treatment is exceptionally diverse. Some of the essays develop new approaches to familiar texts, such as Beowulf, The Wanderer and The Seafarer; others deal with less familiar texts and genres to illustrate the role of Christian ideas in a variety of contexts, from preaching to remembrance of the dead, and from the court of King Cnut to the monastic library. Some of the essays are informative, providing essential background material for understanding the nature of the Bible, or the distinction between monastic and cleric in Anglo-Saxon England; others provide concise surveys of material evidence orgenres; others still show how themes can be used in constructing and evaluating courses teaching the tradition. Contributors: GRAHAM CAIE, PAUL CAVILL, CATHERINE CUBITT, JUDITH JESCH, RICHARD MARSDEN, ELISABETH OKASHA, BARBARA C. RAW, PHILIPPA SEMPER, DABNEY BANKERT, SANTHA BHATTACHARJI, HUGH MAGENNIS, MARY SWAN, JONATHAN M. WOODING.

Alfred's life, work and influence studied through writings of his age. Alfred and the great achievements of his reign are once more at the centre of scholarly discussion, and the studies in this collection make a significant contribution to the continuing debate. Focusing particularly on the writingsof Alfred's age, the contributions, by leading scholars in the field, examine Alfred's life, work and influence: there are accounts of law and morality; examinations of translations and their sources; and investigations of wordsand events, throwing new light on all major aspects of Alfred's reign. As a whole, the volume is an appropriate tribute to Janet Bately, whose writings on the age of Alfred are known and admired by both historians and literary scholars throughout the world. Professor JANE ROBERTS teaches in the Department of English, King's College, London; Professor JANET L. NELSON, Director of the Centre for Late Antiques and Medieval Studies, teaches in the Department of History, King's College, London; Professor MALCOLM GODDEN is Rawlinson and Bosworth Professor of Anglo-Saxon at the University of Oxford. Contributors and contents: ANDREW BREEZE, J.E. CROSS, ANDREW HAMER, ROBERTA FRANK, ALLEN J. FRANTZEN, M.R. GODDEN, WALTER GOFFART, LYNNE GRUNDY, CYRIL HART, JOYCE HILL, SIMON KEYNES, ANN KNOCK, BRUCE MITCHELL, JANET L. NELSON, BARBARA RAW, JANE ROBERTS, D.G. SCRAGG, ALFRED B. SMYTH, E.G. STANLEY, PAULE. SZARMACH, PATRICK WORMALD

This book is a study of the theology of the Trinity as expressed in the literature and art of the late Anglo-Saxon period. It examines the meaning of the representations of the Trinity in tenth- and eleventh-century English manuscripts and their relationship to Anglo-Saxon theology, and to earlier debates about the legitimacy of representations of the divine. The book's unifying theme is that of the image: the image of the Trinity in the human soul; Christ, the perfect image and visible form of the invisible God; redemption as the restoration of the imperfect human image to its original likeness through contemplation of its divine archetype; prayer as an anticipation of the contemplation of heaven, and art as a form of contemplation. The book, which contains a selection of black and white illustrations, will be of interest to art historians, theologians and literary scholars alike.

This book is a study of the theology of the Trinity as expressed in the literature and art of the late Anglo-Saxon period. It examines the meaning of the representations of the Trinity in tenth- and eleventh-century English manuscripts and their relationship to Anglo-Saxon theology, and to earlier debates about the legitimacy of representations of the divine. The book's unifying theme is that of the image: the image of the Trinity in the human soul; Christ, the perfect image and visible form of the invisible God; redemption as the restoration of the imperfect human image to its original likeness through contemplation of its divine archetype; prayer as an anticipation of the contemplation of heaven, and art as a form of contemplation. The book, which contains a selection of black and white illustrations, will be of interest to art historians, theologians and literary scholars alike.