Oxford held a special place in Evelyn Waugh's imagination. So formative were his Oxford years that the city never left him, appearing again and again in his novels in various forms. This book explores in rich visual detail the abiding importance of Oxford as both location and experience in his literary and visual works. Drawing on specially commissioned illustrations and previously unpublished photographic material, it provides a critically robust assessment of Waugh's engagement with Oxford over the course of his literary career. Following a brief overview of Waugh's life and work, subsequent chapters look at the prose and graphic art Waugh produced as an undergraduate together with Oxford's portrayal in Brideshead Revisited and A Little Learning as well as broader conceptual concerns of religion, sexuality and idealised time. A specially commissioned, hand-drawn trail around Evelyn Waugh's Oxford guides the reader around the city Waugh knew and loved through locations such as the Botanic Garden, the Oxford Union and The Chequers. A unique literary biography, this book brings to life Waugh's Oxford, exploring the lasting impression it made on one of the most accomplished literary craftsmen of the twentieth century.

Unintended Consequences of Electronic Medical Records: An Emergency Room Ethnography argues that, while electronic medical records (EMRs) were supposed to improve health care delivery, EMRs' unintended consequences have affected emergency medicine providers and patients in alarming ways. Higher health care costs, decreased physician productivity, increased provider burnout, lower levels of patient satisfaction, and more medical mistakes are just a few of the unintended consequences Barbara Cook Overton observes while studying one emergency room's EMR adoption. With data collected over six years, Cook Overton demonstrates how EMRs harm health care organizations and thrust providers into the midst of incompatible rule systems without appropriate strategies for coping with these challenges, thus robbing them of agency. Using structuration theory and its derivatives to frame her analysis, Cook Overton explores ways providers communicatively and performatively receive and manage EMRs in emergency rooms. Scholars of communication and medicine will find this book particularly useful.

One of the greatest American singers and actresses of her generation looks back on a magical and turbulent life spanning a half century of theatrical history from the golden age of the Broadway musical to the present day. A legend of the American theater, Barbara Cook burst upon the scene to become Broadway's leading ingenue in roles such as Cunegonde in Leonard Bernstein's Candide, Amalia Balash in Jerry Bock's She Loves Me, and her career-defining, Tony-winning role as the original Marian the librarian in Meredith Willson's The Music Man. But in the late 1960s, Barbara's extraordinary talent onstage was threatened by debilitating depression and alcoholism that forced her to step away from the limelight and out of the public life. Emerging from the shadows in the early 1970s, Barbara reinvented herself as the country's leading concert and cabaret artist, performing the songs of Stephen Sondheim and other masters, while establishing a reputation as one of the greatest and most acclaimed interpreters of the American songbook. Taking us deep into her life and career, from her childhood in the South to the Great White Way, Then and Now candidly and poignantly describes both her personal difficulties and the legendary triumphs, detailing the extraordinary working relationships she shared with many of the key composers, musicians, actors and performers of the late twentieth century, among them Sondheim, Leonard Bernstein, Elaine Stritch, and Robert Preston. Hailed by the Financial Times of London as "the greatest singer in the world", but preferring to think of herself as "a work in progress", Barbara Cook here delivers a powerful, personal tale of pain and triumph, as straight forward, unflinchingly honest, and open hearted as her singing.

For the first time, Tim Cook's sermons are now available in book form. You Hold Us While We Grow is an important celebration of Tim's significant contribution to contemplative Christianity in our era. Timely, poignant and personal, Tim's sermons and prayers are a witness to God's love and unending desire for our personal healing, growth and transformation in Christ.

We think that we experience the world objectively, but the existence of dreams, clairvoyance, out-of-body experiences, and other phenomena of parapsychology tell us we must look more deeply at what we call "reality." Barbara Cook Loy's "The Half-Remembered Reality" updates C.G. Jung's concept of synchronicity and uses it as a framework to study the very long border between the realms of psyche and nature. Her work explores ancient wisdom, modern science, world religious beliefs, philosophy, psychology, and the arts in search of the inner meaning of life, to provide a framework for spiritual healing and self-transformation. It is an intelligent, readable, and insightful guide for all of us caught up in the human predicament. About parapsychology Cook Loy concludes, "It is not that God intervenes in miraculous ways to upset the natural order, but rather that the natural order reveals itself as far richer and more mysterious than we have allowed ourselves to think." "In synchronicities," she says, "we discover a mysterious kind of activity in the world that happens at the very margins of our consciousness, like a strange sound in the night that stops as we come to wakefulness. What was that? we want to say. . . . Some half-remembered reality?" About the Author Completed in her ninetieth year, drawing on a lifetime of experience as a psychotherapist, Barbara Cook Loy's book lays out her life's work as a healer and scholar of the soul. She is a graduate cum laude of the University of Chicago and a member of Phi Beta Kappa. After raising her twin boys, she trained to be a psychotherapist at the C. G. Jung Institute in Los Angeles. Upon receiving her MFT, she practiced for many decades in Claremont, California, where she still resides. She has been an active member of the Claremont Jung Club and the Claremont Religious Society of Friends.

Viewpoints on Media Effects: Pseudo-reality and Its Influence on Media Consumers continues the ongoing research of media effects by illuminating not only the negative effects of media consumption, but also some of the pro-social aspects, with a special focus on social media. Recommended for scholars and researchers with an interest in media studies, specifically the exploration of media effects in various media. Also relevant scholars and researchers within the fields of communication studies, English, education, and sociology.

Since Silent Spring was published in 1962, the number of texts about the natural world written by women has grown exponentially. The essays in Women Writing Nature: A Feminist View argue that women writing in the 20th century are utilizing the historical connection of women and the natural world in diverse ways. For centuries women have been associated with nature but many feminists have sought to distance themselves from the natural world because of dominant cultural representations which reflect women as controlled by powerful natural forces and confined to domestic spaces. However, in the spirit of Rachel Carson, some writers have begun to invoke nature for feminist purposes or have used nature as an agent of resistance. This collection considers women's writings about the natural world in light of recent and current feminist and ecofeminist theory and finds a variety of approaches and perspectives, both by the scholars and by the authors discussed, culminating with the voices of two women, activist and scientist Joan Maloof and Irish poet Rosemarie Rowley, who both write about the natural world from a feminist perspective.

Since Silent Spring was published in 1962, the number of texts about the natural world written by women has grown exponentially. The essays in Women Writing Nature: A Feminist View argue that women writing in the 20th century are utilizing the historical connection of women and the natural world in diverse ways. For centuries women have been associated with nature but many feminists have sought to distance themselves from the natural world because of dominant cultural representations which reflect women as controlled by powerful natural forces and confined to domestic spaces. However, in the spirit of Rachel Carson, some writers have begun to invoke nature for feminist purposes or have used nature as an agent of resistance. This collection considers women's writings about the natural world in light of recent and current feminist and ecofeminist theory and finds a variety of approaches and perspectives, both by the scholars and by the authors discussed, culminating with the voices of two women, activist and scientist Joan Maloof and Irish poet Rosemarie Rowley, who both write about the natural world from a feminist perspective.