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Nikita Gale - IN A DREAM YOU CLIMB THE STAIRS (Paperback): Nikita Gale Nikita Gale - IN A DREAM YOU CLIMB THE STAIRS (Paperback)
Nikita Gale; Edited by Zoe Whitley, Amy Jones; Text written by Hilton Als, P.Staff, …
R804 Discovery Miles 8 040 Ships in 12 - 17 working days

Chisenhale Gallery launches the second title in its Chisenhale Books series, Nikita Gale: IN A DREAM YOU CLIMB THE STAIRS. Marking the finale of Gale's Chisenhale exhibition, Gale's first artist's book contains an intergenerational conversation with conceptual artist Barbara Kruger and a short meditation by Pulitzer Prize-winning writer Hilton Als. These feature alongside contributions by artist and Chisenhale Gallery alum P. Staff and Dr. Benedicte Boisseron, author of Afro-Dog: Blackness and the Animal Question. Through the lens of a multifaceted practice, Gale examines themes of invisibility and audibility, interrogating the dynamic between performer and spectator, structure, and decay. Produced with great care, this extraordinary book is reflective of the artist's practice. Four visual essays, hand-annotated by Gale -- Absence, Ruin, Silence, Dog -- explore themes central to the work. Nikita Gale: IN A DREAM YOU CLIMB THE STAIRS deploys throw-outs, gatefolds, five different types of papers, and a subtly disruptive design to delve into Nikita Gale's art.

Barbara Kruger: Thinking of You. I Mean Me. I Mean You (Hardcover): Barbara Kruger Barbara Kruger: Thinking of You. I Mean Me. I Mean You (Hardcover)
Barbara Kruger; Edited by Peter Eleey, Robyn Farrell, Michael Govan, Rebecca Morse, …
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R1,257 Discovery Miles 12 570 Ships in 12 - 17 working days
Beyond Recognition - Representation, Power, and Culture (Paperback, 1st Paperback Ed): Craig Owens Beyond Recognition - Representation, Power, and Culture (Paperback, 1st Paperback Ed)
Craig Owens; Edited by Scott Bryson, Barbara Kruger, Lynne Tillman, Jane Weinstock; Introduction by …
R922 R767 Discovery Miles 7 670 Save R155 (17%) Ships in 12 - 17 working days

The writing of Craig Owens explored the relations among contemporary art, sexuality, race and power. During the fifteen years (1975-1990) that he lived in New York and wrote criticism for "Art in America", "October" and other publications, Owens covered a wide range of cultural practices: dance, architecture, art, literature, film, performance and theatre. Owens was trained as an art historian, but he is better described as a cultural critic and theorist, whose writings called into question established boundaries between disciplines, especially the separation of theory from practice. A major voice in postmodern culture and politics, Owens is equally well known and regarded for his contribution to debates around poststructuralism, sexual difference and gay politics.

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