Josephine Pinckney (1895--1957) was an award-winning, best-selling author whose work critics frequently compared to that of Jane Austen, Edith Wharton, and Isak Dinesen. Her flair for storytelling and trenchant social commentary found expression in poetry, five novels -- Three O'Clock Dinner was the most successful -- stories, essays, and reviews. Pinckney belonged to a distinguished South Carolina family and often used Charleston as her setting, writing in the tradition of Ellen Glasgow by blending social realism with irony, tragedy, and humor in chronicling the foibles of the South's declining upper class. Barbara L. Bellows has produced the first biography of this very private woman and emotionally complex writer, whose life story is also the history of a place and time -- Charleston in the first half of the twentieth century.

In A Talent for Living, Pinckney's life unfolds like a novel as she struggles to escape aristocratic codes and the ensnaring bonds of southern ladyhood and to embrace modern freedoms. In 1920, with DuBose Heyward and Hervey Allen, she founded the Poetry Society of South Carolina, which helped spark the southern literary renaissance. Her home became a center of intellectual activity with visitors such as the poet Amy Lowell, the charismatic presidential candidate Wendell Willkie, and the founding editor of theSaturday Review of Literature Henry Seidel Canby. Sophisticated and cosmopolitan, she absorbed popular contemporary influences, particularly that of Freudian psychology, even as she retained an almost Gothic imagination shaped in her youth by the haunting, tragic beauty of the Low Country and its mystical Gullah culture.

A skilled stylist, Pinckney excelled in creating memorable characters, but she never scripted an individual as engaging or intriguing as herself. Bellows offers a fascinating, exhaustively researched portrait of this onetime cultural icon and her well-concealed personal life.

More than a century after Appomattox, the Civil War and the idea of the "Lost Cause" remain at the center of the southern mind. God and General Longstreet traces the persistence and the transformation of the Lost Cause from the first generation of former Confederates to more recent times, when the Lost Cause has continued to endure in the commitment of southerners to their regional culture. Southern writers from the Confederate period through the southern renascence and into the 1970s fostered the Lost Cause, creating an image of the South that was at once romantic and tragic. By examining the work of these writers, Thomas Connelly and Barbara Bellows explain why the nation embraced this image and outline the evolution of the Lost Cause mentality from its origins in the South's surrender to its role in a century-long national expression of defeat that extended from 1865 through the Vietnam War. As Connelly and Bellows demonstrate, the Lost Cause was a realization of mortality in an American world striving for perfection, an admission of failure juxtaposed against a national faith in success.

Tracing the intersecting lives of a Confederate plantation owner and a free black Union soldier, Barbara L. Bellows' Two Charlestonians at War offers a poignant allegory of the fraught, interdependent relationship between wartime enemies in the Civil War South. Through the eyes of these very different soldiers, Bellows brings a remarkable, new perspective to the oft-told saga of the Civil War. Recounted in alternating chapters, the lives of Charleston natives born a mile a part, Captain Thomas Pinckney and Sergeant Joseph Humphries Barquet, illuminate one another's motives for joining the war as well as the experiences that shaped their worldviews. Pinckney, a rice planter and scion of one of America's founding families, joined the Confederacy in hope of reclaiming an idealized agrarian past; and Barquet, a free man of color and brick mason, fought with the Union to claim his rights as an American citizen. Their circumstances set the two men on seemingly divergent paths that nonetheless crossed on the embattled coast of South Carolina. Born free in 1823, Barquet grew up among Charleston's tight-knit community of the ""colored elite."" During his twenties, he joined the northward exodus of free blacks leaving the city and began his nomadic career as a tireless campaigner for black rights and abolition. In 1863, at age forty, he enlisted in the 54th Massachusetts Volunteer Infantry- the renowned ""Glory"" regiment of northern black men. His varied challenges and struggles, including his later frustrated attempts to play a role in postwar Republican politics in Illinois, provide a panoramic view of the free black experience in nineteenth-century America. In contrast to the questing Barquet, Thomas Pinckney remained deeply connected to the rice fields and maritime forests of South Carolina. He greeted the arrival of war by establishing a home guard to protect his family's Santee River plantations that would later integrate into the 4th South Carolina Cavalry. After the war, Pinckney distanced himself from the racist violence of Reconstruction politics and focused on the daunting task of restoring his ruined plantations with newly freed laborers. The two Charlestonians' chance encounter on Morris Island, where in 1864 Sergeant Barquet stood guard over the captured Captain Pinckney, inspired Bellows' compelling narrative. Her extensive research adds rich detail to our knowledge of the dynamics between whites and free blacks during this tumultuous era. Two Charlestonians at War gives readers an intimate depiction of the ideological distance that might separate American citizens even as their shared history unites them.