This book explores the intersections of gender with class and race in the construction of national and imperial ideologies and their fluid transformation from the Romantic to the Victorian period and beyond, exposing how these cultural constructions are deeply entangled with the family metaphor. For example, by examining the re-signification of the "angel in the house" and the deviant woman in the context of unstable or contingent masculinities and across discourses of class and nation, the volume contributes to a more nuanced understanding of British cultural constructions in the long nineteenth century. The central idea is to unearth the historical roots of the family metaphor in the construction of national and imperial ideologies, and to uncover the interests served by its specific discursive formation. The book explores both male and female stereotypes, enabling a more perceptive comparison, enriched with a nuanced reflection on the construction and social function of class.

This book explores the intersections of gender with class and race in the construction of national and imperial ideologies and their fluid transformation from the Romantic to the Victorian period and beyond, exposing how these cultural constructions are deeply entangled with the family metaphor. For example, by examining the re-signification of the "angel in the house" and the deviant woman in the context of unstable or contingent masculinities and across discourses of class and nation, the volume contributes to a more nuanced understanding of British cultural constructions in the long nineteenth century. The central idea is to unearth the historical roots of the family metaphor in the construction of national and imperial ideologies, and to uncover the interests served by its specific discursive formation. The book explores both male and female stereotypes, enabling a more perceptive comparison, enriched with a nuanced reflection on the construction and social function of class.

Gathers together Hogg's writing for magazines beyond Scotland Beginning with the short story 'The Long Pack', first published in a London miscellany in 1809, and concluding with 'The Rose of Plora', a poem printed posthumously in a New York eclectic magazine in 1841, the collection spans the full period of Hogg's life as a professional writer. Several pieces are reprinted in this book for the first time. A detailed introduction explores Hogg's complex relationship to the periodicals market in Scotland and overseas, while an extensive Appendix records the many hundreds of reprints of his work in newspapers and magazines around the world. Each text is introduced and fully annotated, and its publication history accounted for. A glossary aids readers unfamiliar with the Scots language.