"This study provides a useful survey of contemporary Palestinian culture through a reading of the relationship between literature and land. Drawing on the methods of both geography and literary criticism, it traces the evolution of what Raja Shehadeh has called a 'Palestinian "land rhetoric"' from the late 19th century through the Intifada conflict." -- Choice

"A struggle between two memories" is how Palestinian poet Mahmud Darwish describes the conflict between Palestinians and Israelis. Within this struggle, the meanings of land and home have been challenged and questioned, so that even heaps of stones become points of contention. Are they proof of ancient Hebrew settlement, or rubble from a bulldozed Palestinian village? The memory of these stones, and of the land itself, is nurtured and maintained in Palestinian writing and other modes of expression, which are used to confront and counter Israeli images and rhetoric. This struggle provides a rich vein of thought about the nature of human experience of place and the political uses to which these experiences are put.

In this book, Barbara McKean Parmenter explores the roots of Western and Zionist images of Palestine, then draws upon the work of Darwish, Ghassan Kanafani, and other writers to trace how Palestinians have represented their experience of home and exile since the First World War. This unique blending of cultural geography and literary analysis opens an unusual window on the struggle between these two peoples over a land that both divides them and brings them together.

The novella and eight short stories that constitute Year of the Elephant--an allusion to a battle described in the Qur'an--serve as an eloquent representation of life in the wake of Morocco's successful struggle for independence from French occupation. In the titular novella the protagonist, Zahra, has just returned to her hometown after being divorced by her husband for being too traditional and unable to keep up with his modern way of life. Having devoted herself, alongside her husband, to the creation of an independent Morocco, she had expected to share the fruits of independence with him, but instead she finds herself cast out into a strange world. As Zahra struggles to find a place for herself in this new Morocco, her efforts reflect Moroccan society's attempt as a whole to chart a path in the conflict between tradition and modernism.

When published in English in 1989, Year of the Elephant was the first novel by a Moroccan woman to be translated from Arabic into English. In the years since, it has become popular with readers for the unique picture it provides of Moroccan life and North African Islamic culture. This revised edition includes an introduction, which looks at the impact of the English translation since its original publication, and a study guide.

Daisy Al-Amir is one of the more visible figures in women's fiction in the Arab world today. This collection of stories, originally published in Lebanon as Ala La'ihat al-Intizar, is the most recent of her five publications. Her stories intimately reflect women's experiences in the chaotic worlds of the Lebanese civil war and the rise of Saadam Hussain as Iraq's leader. Set in Iraq, Cyprus, and Lebanon, the stories shed light on an unusual Middle East refugee experience--that of a cultural refugee, a divorced woman who is educated, affluent, and alone.

Al-Amir is also a poet and novelist, whose sensual prose grows out of a long tradition of Iraqi poetry. But one also finds existential themes in her works, as Al-Amir tries to balance what seems fated and what seems arbitrary in the turbulent world she inhabits. She deals with time and space in a minimalist, surreal style, while studying the disappointments of life through the subjective lens of memory. Honestly facing the absence of family and the instability of place, Al-Amir gives lifelike qualities to the inanimate objects of her rapidly changing world.

In addition to the stories, two examples of the author's experimental poems are included. In her introduction, Mona Mikhail places these stories and poems in the context of contemporary Islamic literature and gender studies.