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Intersectional Feminism in the Age of Transnationalism - Voices from the Margins (Paperback): Olga Bezhanova, Raysa E. Amador Intersectional Feminism in the Age of Transnationalism - Voices from the Margins (Paperback)
Olga Bezhanova, Raysa E. Amador; Contributions by Raysa E. Amador, Leslie Bary, Olga Bezhanova, …
R1,010 Discovery Miles 10 100 Ships in 12 - 17 working days

Intersectional Feminism in the Age of Transnationalism: Voices from the Margins explores the limitations of the transnationalist approach to feminism and questions the neoliberal emphasis on individual freedom and consumer choice as the central goals of feminist activism. The contributions to the volume discuss such varied topics as fiction by Edwidge Dandicat, Judith Ortiz-Cofer, and Diamela Eltit; visual art of Laura Aguilar and Maruja Mallo; films directed by Lucrecia Martel; a TV series based on a novel by Maria Duenas; the art-activism of Ani Ganzala and Zinha Franco; and the philosophical thought of Gloria Anzaldua. All chapters proceed from the belief in the continued usefulness of intersectionality as a valuable category of critical analysis that is particularly necessary at the time when the effects of neoliberal globalization are undermining many familiar categories of critical inquiry.

Intersectional Feminism in the Age of Transnationalism - Voices from the Margins (Hardcover): Olga Bezhanova, Raysa E. Amador Intersectional Feminism in the Age of Transnationalism - Voices from the Margins (Hardcover)
Olga Bezhanova, Raysa E. Amador; Contributions by Raysa E. Amador, Leslie Bary, Olga Bezhanova, …
R2,333 Discovery Miles 23 330 Ships in 12 - 17 working days

Intersectional Feminism in the Age of Transnationalism: Voices from the Margins explores the limitations of the transnationalist approach to feminism and questions the neoliberal emphasis on individual freedom and consumer choice as the central goals of feminist activism. The contributions to the volume discuss such varied topics as fiction by Edwidge Dandicat, Judith Ortiz-Cofer, and Diamela Eltit; visual art of Laura Aguilar and Maruja Mallo; films directed by Lucrecia Martel; a TV series based on a novel by Maria Duenas; the art-activism of Ani Ganzala and Zinha Franco; and the philosophical thought of Gloria Anzaldua. All chapters proceed from the belief in the continued usefulness of intersectionality as a valuable category of critical analysis that is particularly necessary at the time when the effects of neoliberal globalization are undermining many familiar categories of critical inquiry.

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