With an introduction by Alexander McCall Smith, author of The No. 1 Ladies' Detective Agency series. One did not drink sherry before the evening, just as one did not read a novel in the morning. In 1970s London, Edwin, Norman, Letty and Marcia work in the same office and suffer the same problem - loneliness. Lovingly and with delightful humour, Barbara Pym conducts us through their day-to-day existence: their preoccupations, their irritations, their judgements, and - perhaps most keenly felt - their worries about having somehow missed out on life as post-war Britain shifted around them. Deliciously, blackly funny and full of obstinate optimism, Quartet in Autumn shows Barbara Pym's sensitive artistry at its most sparkling. Its world is both extraordinary and familiar, revealing the eccentricities of everyday life.

‘Barbara Pym is one of my most favourite novelists. Few other writers have given me more laughter and more pleasure’ Jilly Cooper Between the amorous antique dealer Humphrey and his good-looking nephew James glides the magnificent Leonora, delicate as porcelain, cool as ice. Can she keep James in her thrall? Or will he be taken from her by a lover, like Phoebe . . . or Ned, the wicked American? ‘I'm a huge fan of Barbara Pym’ Richard Osman ‘Faultless’ The Guardian ‘Her characters are all meticulously impaled on the delicate pins of a wit that is as scrupulous as it is deadly’ The Observer ‘A coldly funny book’ The Sunday Telegraph ‘Highly distinctive . . . The critics who have recently insisted on Miss Pym’s too long neglected gifts have not been wrong’ Financial Times

'Barbara Pym is one of my most favourite novelists. Few other writers have given me more laughter and more pleasure' - Jilly Cooper, author of The Rutshire Chronicles series 'I'm a huge fan of Barbara Pym' - Richard Osman, author of The Thrusday Murder Club Barbara Pym was an incomparable chronicler of ordinary, quiet lives. With warmth, humour, precision and great vividness, she gave her best characters an independent life we recognize as totally familiar. In A Few Green Leaves, her last novel, her heroine is Emma Howick, anthropologist. Through her eyes Barbara Pym examines in her own ironic and individual style the quiet revolution in English village life, combining the rural settings of her earliest novels with the themes and characters of her later works. The result is a compelling portrait of a town that seems to be forgotten by time, but which is unmistakably affected by it. Romance shares the pages with death in this engaging novel that is the culmination of Barbara Pym's acclaimed writing career. 'I'd sooner read a new Barbara Pym than a new Jane Austen' - Philip Larkin, author of A Girl in Winter 'Barbara Pym is the rarest of treasures; she reminds us of the heart-breaking silliness of everyday life' - Anne Tyler, author of The Accidental Tourist 'A modern Jane Austen' - Alexander McCall Smith, author of The No. 1 Ladies Detective Agency series

"Excellent Women" is one of Barbara Pym's richest and most amusing high comedies. Mildred Lathbury is a clergyman's daughter and a mild-mannered spinster in 1950s England. She is one of those "excellent women," the smart, supportive, repressed women who men take for granted. As Mildred gets embroiled in the lives of her new neighbors--anthropologist Helena Napier and her handsome, dashing husband, Rocky, and Julian Malory, the vicar next door--the novel presents a series of snapshots of human life as actually, and pluckily, lived in a vanishing world of manners and repressed desires.

‘Barbara Pym is one of my most favourite novelists. Few other writers have given me more laughter and more pleasure’ Jilly Cooper ‘I'm a huge fan of Barbara Pym’ Richard Osman ‘Could one write a book based on one’s diaries over thirty years? I certainly have enough material,’ wrote Barbara Pym. This book, selected from the diaries, notebooks and letters of this much-loved novelist to form a continuous narrative, is indeed a unique autobiography, providing a privileged insight into a writer’s mind. Philip Larkin wrote that Barbara Pym had ‘a unique eye and ear for the small poignancies of everyday life’. Her autobiography amply demonstrates this, as it traces her life from exuberant times at Oxford in the Thirties, through the war when, scarred by an unhappy love affair, she joined the WRNS, to the published novelist of the Fifties. It also deals with the long period when her novels were out of fashion and no one would publish them, her rediscovery in 1977, and the triumphant success of her last few years. It is now possible to describe a place, situation or person as ‘very Barbara Pym’. A Very Private Eye, at once funny and moving, shows the variety and depth of her own story. Praise for A Very Private Eye: ‘It increases the understanding and enjoyment of her novels enormously’ Auberon Waugh, Daily Mail ‘The perfect complement to the fiction’ Paul Bailey, The Observer ‘Her sharp and very private eye never failed her’ Victoria Glendinning, The New York Times

Owing a debt to Jane Austen's Pride and Prejudice, Barbara Pym's An Unsuitable Attachment is an elegant and witty comedy of manners from an acclaimed author who Philip Larkin called 'the most underrated novelist of the century'. 'I'm a huge fan of Barbara Pym' - Richard Osman, author of The Thursday Murder Club 'The day comes in the life of every single man living alone when he must give a dinner party.' The parish of St Basil, on the fringes of North Kensington, is all of a flutter due to the arrival of Rupert Stonebird, a most eligible bachelor, in the neighbourhood. The local matchmakers are sure he will make a suitable husband for the vicar's wife's sister, Penny, or perhaps for local librarian Ianthe Broome? But Ianthe is in danger of forming a most unsuitable attachment to her new library assistant, John, a man of questionable background with not a penny to his name . . . 'Barbara Pym is one of my most favourite novelists. Few other writers have given me more laughter and more pleasure' - Jilly Cooper, author of The Rutshire Chronicles

INTRODUCED BY ALEXANDER McCALL SMITH 'I'm a huge fan of Barbara Pym' RICHARD OSMAN Mildred Lathbury is one of those excellent women who are often taken for granted. She is a godsend, 'capable of dealing with most of the stock situations or even the great moments of life - birth, marriage, death, the successful jumble sale, the garden fete spoilt by bad weather'. Her glamorous new neighbours, the Napiers, seem to be facing a marital crisis. One cannot take sides in these matters, though it is tricky, especially as Mildred has a soft spot for dashing young Rockingham Napier. This is Barbara Pym's world at its funniest and most touching. 'One of the most endearingly amusing English novels of the twentieth century' ALEXANDER MCCALL SMITH 'Barbara Pym is the rarest of treasures; she reminds us of the heartbreaking silliness of everyday life' ANNE TYLER 'Why shouldn't the lives of cardigan-wearing spinsters and fussy confirmed bachelors be the engines of some of the finest comic writing in English? Not only was Pym a comic genius but she was ever so wise' THE TIMES

Using the cover artwork of our much-loved Virago Modern Classics hardback range, these elegant porcelain mugs celebrate three of our most popular titles: Rebecca by Daphne du Maurier; Excellent Women by Barbara Pym and Valley of the Dolls by Jacqueline Susann. They are a must-have for all Virago fans, and are surely the most stylish way to enjoy your morning coffee! Each mug is presented in a beautiful gift-box with corresponding artwork. The mugs are dishwasher and microwave safe. Rebecca and Excellent Women feature artwork by award-winning textile designer Neisha Crosland: www.neishacrosland.com Valley of the Dolls features artwork by textile designer and founder of Biba, Barbara Hulanicki: www.barbarahulanickidesign.com

INTRODUCED BY MAVIS CHEEK 'I'm a huge fan of Barbara Pym' Richard Osman 'She is the rarest of treasures; she reminds us of the heartbreaking silliness of everyday life' Anne Tyler Together yet alone, the Misses Bede occupy the central crossroads of parish life. Harriet, plump, elegant and jolly, likes nothing better than to make a fuss of new curates, secure in the knowledge that Count Ricardo Bianco will propose to her yet again this year. Belinda, meanwhile, has harboured sober feelings of devotion towards Archdeacon Hoccleve for thirty years. Then into their quiet, comfortable lives comes a famous librarian, Nathaniel Mold, and a bishop from Africa, Theodore Grote - who each takes to calling on the sisters for rather more unsettling reasons. 'Some Tame Gazelle is my personal favourite for its sparkling high comedy and its treasury of characters . . . [Pym] makes me smile, laugh out loud, consider my own foibles and fantasies, and, above all, suffer real regret when I reach the final page. Of how many authors can you honestly say that?' MAVIS CHEEK

Using the cover artwork of our much-loved Virago Modern Classics hardback range, these elegant notebooks celebrate three of our most popular titles: Rebecca by Daphne du Maurier; Excellent Women by Barbara Pym and Valley of the Dolls by Jacqueline Susann. They are a must-have for all Virago fans, and are surely the most stylish way of collecting notes on your favourite books. Or maybe it will inspire you to write a novel of your own . . . Each notebook features a ribbon bookmark, high-quality paper and matching endpapers. Rebecca and Excellent Women feature artwork by award-winning textile designer Neisha Crosland: www.neishacrosland.com Valley of the Dolls features artwork by textile designer and founder of Biba, Barbara Hulanicki: www.barbarahulanickidesign.com

Shortlisted for the 1977 Booker Prize
This is the story of four people in late middle-age - Edwin, Norman, Letty and Marcia - whose chief point of contact is that they work in the same office and they suffer the same problem - loneliness. Lovingly, poignantly, satirically and with much humour, Pym conducts us through their small lives and the facade they erect to defend themselves against the outside world. There is nevertheless an obstinate optimism in her characters, allowing them in their different ways to win through to a kind of hope. Barbara Pym's sensitive wit and artistry are at their most sparkling in "Quartet in Autumn."
"An exquisite, even magnificent work of art" - "Observer"
"'Barbara Pym has a sharp eye for the exact nuances of social behaviour" - "The Times"
"The wit and style of a twentieth century Jane Austen" - "Harpers & Queen"
"Barbara Pym's unpretentious, subtle, accomplished novels are for me the finest examples of high comedy to have appeared in England during the past 75 years ...spectacular" - "Sunday Times"
"Very funny and keenly observant of the ridiculous as well as the pathetic in humanity" -" Financial Times"

BY THE NEW YORK TIMES BESTSELLING AUTHOR INTRODUCED BY JILLY COOPER 'I'm a huge fan of Barbara Pym' RICHARD OSMAN 'I devoured all her books, but Jane and Prudence remains my favourite' JILLY COOPER 'Barbara Pym is the rarest of treasures; she reminds us of the heartbreaking silliness of everyday life' ANNE TYLER If Jane Cleveland and Prudence Bates seem an unlikely pair to be walking together at an Oxford reunion, neither of them is aware of it. They couldn't be more different: Jane is a rather incompetent vicar's wife, who always looks as if she is about to feed the chickens, while Prudence, a pristine hothouse flower, has the most unsuitable affairs. With the move to a rural parish, Jane is determined to find her friend the perfect man. She learns, though, that matchmaking has as many pitfalls as housewifery. 'This comedy of manners is a salutary reminder of just how good Barbara Pym was . . . This book is a gem' THE TIMES

Cover design by Orla Kiely Mildred Lathbury is one of those 'excellent women' who is often taken for granted. She is a godsend, 'capable of dealing with most of the stock situations of life - birth, marriage, death, the successful jumble sales, the garden fete spoilt by bad weather'. As such, though, she often gets herself embroiled in other people's lives - and especially those of her glamorous new neighbours, the Napiers, whose marriage seems to be on the rocks. One cannot take sides in these matters, though it is tricky, especially when Mildred, teetering on the edge of spinsterhood, has a soft spot for dashing young Rockingham Napier. This is Barbara Pym's world at its funniest and most touching.

INTRODUCED BY SALLEY VICKERS 'I'm a huge fan of Barbara Pym' RICHARD OSMAN 'She is the rarest of treasures; she reminds us of the heart-breaking silliness of everyday life' ANNE TYLER Catherine Oliphant is a writer and lives with handsome anthropologist Tom Mallow. Their relationship runs into trouble when he begins a romance with student Deirdre Swann, so Catherine turns her attention to the reclusive anthropologist Alaric Lydgate, who has a fondness for wearing African masks. Added to this love tangle are the activities of Deirdre's fellow students and their attempts to win the competition for a research grant. The course of true love or academia never did run smooth. 'Her best [novels] are sheer delight, and all of them companionable. Quiet, paradoxical, funny and sad, they have the iron in them of permanence too' JOHN UPDIKE, NEW YORKER 'She can be seriously, hilariously funny - no other novelist has celebrated our national silliness with such exuberance' KATE SAUNDERS

INTRODUCED BY PAUL BINDING 'I'm a huge fan of Barbara Pym' Richard Osman 'I'd sooner read a new Barbara Pym than a new Jane Austen' Philip Larkin Dulcie Mainwaring is always helping others, but never looks out for herself - especially in the realm of love. Her friend Viola is besotted by the alluring Dr Aylwin Forbes, so surely it isn't prying if Dulcie helps things along? Aylwin, however, is smitten with Dulcie's pretty, young niece. And perhaps Dulcie herself, however ridiculous it might be, is falling, just a little, for Aylwin. Once life's little humiliations are played out, maybe love will be returned, and fondly, after all . . . 'One of her very best - comic, heartrending, brave; in short, like life itself' Shirley Hazzard 'No novelist brings more telling observation or more gentle pleasure' Jilly Cooper

WITH A NEW INTRODUCTION BY CLARE CHAMBERS 'I'm a huge fan of Barbara Pym' RICHARD OSMAN 'The subtlest of her books . . . the sparkle on first acquaintance has been succeeded by the deeper brilliance of established art' PHILIP LARKIN Wilmet Forsyth is well dressed, well looked after, suitably husbanded, good-looking and fairly young - but very bored. Her sober husband Rodney, who works at the Ministry, is slightly balder and fatter than he once was. Wilmet would like to think she has changed rather less. Her interest wanders to the nearby church, where she can neglect her comfortable household in the more serious-minded company of three unmarried priests, and, of course, Piers Longridge, a man of an unfathomably different character altogether. 'My favourite writer . . . I pick up her books with joy, as though I were meeting an old, dear friend who comforts me, extends my vision and makes me roar with laughter' JILLY COOPER 'Barbara Pym is the rarest of treasures' ANNE TYLER

INTRODUCED BY KATE SAUNDERS 'I'm a huge fan of Barbara Pym' RICHARD OSMAN 'My favourite writer . . . I pick up her books with joy' JILLY COOPER In a provincial university town, Caro Grimstone, a dissatisfied faculty wife, becomes the unwilling accomplice to her husband Alan's ambitions. When she volunteers to read to a blind, esteemed anthropologist in a nursing home, Alan seizes the opportunity to steal his papers - research that could both advance his reputation while refuting the findings of a respected colleague. A delightful comedy of manners with a touch of mystery, An Academic Question is prime Barbara Pym territory. 'She is the rarest of treasures; she reminds us of the heartbreaking silliness of everyday life' ANNE TYLER 'Beneath the gentle surfaces of her novels is a slow-building comedy, salt wit in a saline drip' NEW YORK TIMES

INTRODUCED BY HAZEL HOLT 'I'm a huge fan of Barbara Pym' Richard Osman 'I'd sooner read a new Barbara Pym than a new Jane Austen' Philip Larkin When Barbara Pym died in 1980, she left a considerable amount of unpublished material. This volume contains an early novel, Civil to Strangers, three novellas and an autobiographical essay, 'Finding a Voice', Pym's only written comment on her writing career. In Civil to Strangers, the lives of a young couple, Cassandra Marsh-Gibbon and her self-absorbed writer husband Adam, are thrown into upheaval when a mysterious Hungarian arrives in their village. 'A sublime social comedy . . . It exists inside the Pym Eden of safety, silliness and a kind of subdued hilarity. Look out for one of her best curates - the starchy, spinster-dodging Mr Paladin - and a typically deliciously insensitive vicar' KATE SAUNDERS, THE TIMES 'Brilliant, hilarious, poignant and so very, very English' TIME

INTRODUCED BY LOUIS DE BERNIERES 'I'm a huge fan of Barbara Pym' RICHARD OSMAN 'I'd sooner read a new Barbara Pym than a new Jane Austen' PHILIP LARKIN Formidable Miss Doggett fills her life by giving tea parties for young academics and acting as watchdog for the morals of North Oxford. Anthea, her great-niece, is in love with a dashing undergraduate with political ambitions. Of this, Miss Doggett thoroughly approves. However, Anthea's father, an Oxford don, is carrying on in the most unseemly fashion with a student - they have been spotted together at the British museum! But the only liaison Miss Doggett isn't aware of is taking place under her very own roof: the lodger has proposed to her paid companion Miss Morrow. She wouldn't approve of that at all. 'Brilliant, hilarious and so very, very English' DAILY MAIL 'My favourite writer . . . I pick up her books with joy' JILLY COOPER

'Barbara Pym is one of my most favourite novelists. Few other writers have given me more laughter and more pleasure.' Jilly Cooper 'Could one write a book based on one's diaries over thirty years? I certainly have enough material,' wrote Barbara Pym. This book, selected from the diaries, notebooks and letters of this much loved novelist to form a continuous narrative, is indeed a unique autobiography, providing a privileged insight into a writer's mind. Philip Larkin wrote that Barbara Pym had 'a unique eye and ear for the small poignancies of everyday life'. Her autobiography amply demonstrates this, as it traces her life from exuberant times at Oxford in the thirties, through the war when, scarred by an unhappy love affair, she joined the WRNS, to the published novelist of the fifties. It also deals with the long period when her novels were out of fashion and no one would publish them, her rediscovering in 1977, and the triumphant success of her last few years. It is now possible to describe a place, situation or person as 'very Barbara Pym'. A Very Private Eye, at once funny and moving, shows the variety and depth of her own story.

'Barbara Pym is one of my most favourite novelists. Few other writers have given me more laughter and more pleasure.' Jilly Cooper Barbara Pym was an incomparable chronicler of ordinary, quiet lives. With warmth, humour, precision and great vividness, she gave her best characters an independent life we recognise as totally familiar. In A Few Green Leaves, her last novel, her heroine is Emma Howick, anthropologist. Through her eyes Barbara Pym examines in her own ironic and individual style the quiet revolution in English village life, combining the rural settings of her earliest novels with the themes and characters of her later works. The result is a compelling portrait of a town that seems to be forgotten by time, but which is unmistakably affected by it. Romance shares the pages with death in this engaging novel that is the culmination of Barbara Pym's acclaimed writing career. 'I could go on reading her for ever' A L Rowse, Punch 'A vivid sense of how we live now' New Statesman 'Her sense of brilliant comedy is a direct inheritance from Jane Austen' Hibernia 'A beautifully written, very delicate comedy' The Times Literary Supplement

Life has a certain reassuring if not terribly exciting rhythm for the residents of North Oxford. Miss Morrow is content in her position as spinster companion to Miss Doggett, even if her employer and the woman's social circle regard her as a piece of furniture. Stephen Latimer, the new cleric and Miss Doggett's dashing new tenant, upsets the balance for Miss Morrow by proposing the long discounted possibility of marriage. Miss Doggett's nephew, Mr. Francis Cleveland, is a handsome, middle-aged professor not destined for greatness in his field. He has a complaisant wife and an adoring pupil, a dangerous midlife combination. The town gossips witness an impulsive declaration of love between Francis Cleveland and Miss Bird and conclude that Mr. Cleveland is willing to sacrifice marriage and respectability for the sake of passion. Caught in a potentially compromising situation with Miss Morrow, Mr. Latimer clumsily refers to a nonexistent town: Crampton Hodnet. His lie is harmless. In this town appearances are much more deceiving. Barbara Pym began writing Crampton Hodnet in 1939. It was first published posthumously in 1987, thanks to her friend and biographer, Hazel Holt.

Thanks to his wife's money, Adam Marsh-Gibbon leads a charmed life writing poetry and novels celebrated mostly by his fellow residents in the town of Up Callow in Shropshire, England. His lovely wife Cassandra caters to his every whim, although perhaps not as enthusiastically as five years earlier, when she first married her handsome yet difficult and unappreciative husband. Into their lives steps Mr. Stefan Tilos, the new tenant of Holmwood, a dashing Hungarian who puts the whole town in a flutter. How alarming then, that he should become so visibly enamoured of Cassandra. Mrs. Marsh-Gibbon is certainly above reproach. Or is she? Barbara Pym wrote Civil to Strangers in 1936. It was first published posthumously in 1987, thanks to her friend and biographer Hazel Holt.

Caro is the wife of Dr. Alan Grimstone, a lecturer at a provincial university in a West Country town in England. She knows her circle believes that she should be doing more with her life. She is the mother of a young daughter but relieved to be able to leave the girl in the care of an au pair. Her one selfless act--reading aloud to a former missionary at a rest home--is sullied when she allows her husband to 'borrow' some of the old gentleman's papers in order to get the better of a colleague. Caro's sister is a social worker disinclined towards marriage and children, but is she happy? Despite appearances, Caro is content enough. Until she learns that that her husband Alan has a wandering eye. What is happiness? The knowledge that one is loved? Academic renown? Or is it friendship with eccentric friends and the sight of the first crocuses of spring or the Virginia creeper in autumn? Barbara Pym completed the first draft of her satirical "Academic Novel" in 1970, ten years before her death. It was first published posthumously in 1986, thanks to her friend and biographer Hazel Holt.

Barbara Pym's early novel takes us into 1950s England, where life revolved around the village green and the local church-as seen through the funny, engaging, yearning eyes of a restless housewife Wilmet Forsyth is bored. Bored with the everyday routine of her provincial village life. Bored with teatimes filled with local gossip. Bored with her husband, Rodney, a military man who dotes on her. But on her thirty-third birthday, Wilmet's conventional life takes a turn when she runs into the handsome brother of her close friend. Attractive and enigmatic, Piers Longridge is a mystery Wilmet is determined to solve. Rather than settling down, he lived in Portugal, then returned to England for a series of odd jobs. Driven by a fantasy of romance, the sheltered, naive Englishwoman sets out to seduce Piers-only to discover that he isn't the man she thinks he is. As cozy as sharing a cup of tea with an old friend, A Glass of Blessings explores timeless themes of sex, marriage, religion, and friendship while exposing our flaws and foibles with wit, compassion, and a generous helping of love. "The most underrated novelist of the century . . . The subtlest of her books-the sparkle on first acquaintance has been succeeded by the deeper brilliance of established art." -Philip Larkin " Pym] makes me smile, laugh out loud, consider my own foibles and fantasies, and above all, suffer real regret when I reach the final page. Of how many authors can you honestly say that?" -Mavis Cheek "Barbara Pym is the rarest of treasures." -Anne Tyler "My favorite writer . . . I pick up her books with joy, as though I were meeting an old, dear friend who comforts me, extends my vision and makes me roar with laughter." -Jilly Cooper Barbara Pym (1913-1980) was a bestselling and award-winning English novelist. Her first book, Some Tame Gazelle (1950), launched her career as a writer beloved for her social comedies of class and manners. Pym is the only author to be named twice in a Times Literary Supplement list of "the most underrated novelists of the century." She produced thirteen novels, the last three published posthumously. Her 1977 novel Quartet in Autumn was shortlisted for the Booker Prize."