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Showing 1 - 19 of
19 matches in All Departments
'Lyrical' Daily Mail 'Beautiful' Spectator 'Skilled' Financial
Times 'Vulnerable' Guardian 'Deft' Independent 'Profound' Observer
'The beginning of summer. Perhaps it crosses my mind even now while
I wait for news of Amy that something is coming towards us. Like
sighting the first slow swell of a wave.' Years ago, in an almost
accidental moment of heroism, Ed saved Amy from drowning. Now, in
his thirties, he finds himself adrift. He's been living in London
for years - some of them good - but he's stuck in a relationship he
can't move forward, has a job that just pays the bills, and can't
shake the sense that life should mean more than this. Perhaps all
Ed needs is a moment to pause. To exhale and start anew. And when
he meets Amy again by chance, it seems that happiness might not be
so far out of reach. But then tragedy overtakes him, and Ed must
decide whether to let history and duty define his life, or whether
he should push against the tide and write his own story. Filled
with hope and characteristic warmth, Undercurrent is a moving and
intimate portrait of love, of life and why we choose to share ours
with the people we do.
The brilliant new novel from the author of the award-winning FIVE
RIVERS MET ON A WOODED PLAIN. 'Courageous...memorable...moving' -
Guardian 'One of our most exciting young writers' - The Times
'Life-affirming, beautiful and achingly poignant' - Donal Ryan
'Isn't the life of any person made up out of the telling of two
tales, after all? People live in the space between the realities of
their lives and the hopes they have for them. The whole world makes
more sense if you remember that everyone has two lives, their real
lives and their dreams, both stories only a tape's breadth apart
from each other, impossibly divided, indivisibly close.' Every
year, Robert's family come together at a rambling old house to
celebrate his birthday. Aunts, uncles, distant cousins - it has
been a milestone in their lives for decades. But this year Robert
doesn't want to be reminded of what has happened since they last
met - and neither, for quite different reasons, does his
granddaughter Kate. Neither of them is sure they can face the
party. But for both Robert and Kate, it may become the most
important gathering of all. As lyrical and true to life as Norris's
critically acclaimed debut Five Rivers Met on a Wooded Plain, which
won a Betty Trask Award and was shortlisted for the Ondaatje Prize
and Debut of the Year at the British Book Awards, this is a
compelling, emotional story of family, human frailty, and the marks
that love leaves on us.
I wish there could be a day where families came together and just
said it all to each other. Because then everyone would know it all,
and there'd be nothing left to hurt anyone. Sussex. London.
Wiltshire. Northamptonshire. Wales. Over three decades, a family
spreads across the country, and the chord they made together starts
to fray, the distance between them changing the music of their
lives. Barney Norris's We Started to Sing is a love song to the
people who raised him, and a hymn to the bravery of our brief
lives. The play premiered at the Arcola Theatre, London, in May
2022.
'Shot through with compassion . . . this dreamlike, winding tale is a
joy.' A. L. KENNEDY
'Moving and unconventionally wise' Guardian
This was how I heard the most important story of my life, the thing
that decided me, the story that determined who I was in the end.
At a hotel bar in a quiet English town, two strangers meet by chance
and share their stories. Hers is of an inconspicuous life, shaken by
heartbreak and scattered with unfulfilled dreams. His is a dizzying
tale of an unending quest for someone he lost in his youth.
From the blustery cliffs of Dover to the confines of a dark prison
cell; from the courtroom witness box to the West End stage, we join him
as he slips through time.
Extraordinary though his story is, what she has to reveal is even more
surprising, and will take them to a place neither of them – or you –
expected.
From the bestselling author of FIVE RIVERS MET ON A WOODED PLAIN comes
this captivating novel about love, abandonment, and the power of
stories to help us find meaning in a confusing world – a world that can
sometimes threaten to overwhelm us, but one that is rich with
possibility, and always full of wonder.
Wiltshire. 1915. As the shadow of war falls over the Wiltshire
landscape, a young couple find themselves caught in the turmoil of
troubled times. For generations, John and Anna's families have made
a living working the land. Growing up in back-to-back cottages,
everyone expects them to marry. Now, with nearly half a million
young soldiers pouring into the county, the world seems so much
bigger than they had ever imagined, and the future far from
certain.
Eddie and Carol were lovers once, but their lives went in different
directions. Now they meet again on a park bench in a town full of
memories, and find something still burns between them. On the
country's southern margin where the towns give way to the English
Channel, both search for the centre of their lives. Will they find
a way to let go of the past for the sake of their futures?
A love song, an elegy, a celebration - Eventide tells the story of
three people whose worlds are disappearing. John is a landlord
forced to sell up; Liz is a church organist who can't get a gig;
Mark takes what work he can just to pay the rent. Their tales
unfold round the back of a pub hidden deep in the heart of the
Hampshire countryside. But is that heart still beating?
'Lyrical' Daily Mail 'Beautiful' Spectator 'Skilled' Financial
Times 'Vulnerable' Guardian 'Deft' Independent 'Profound' Observer
'The beginning of summer. Perhaps it crosses my mind even now while
I wait for news of Amy that something is coming towards us. Like
sighting the first slow swell of a wave.' Years ago, in an almost
accidental moment of heroism, Ed saved Amy from drowning. Now, in
his thirties, he finds himself adrift. He's been living in London
for years - some of them good - but he's stuck in a relationship he
can't move forward, has a job that just pays the bills, and can't
shake the sense that life should mean more than this. Perhaps all
Ed needs is a moment to pause. To exhale and start anew. And when
he meets Amy again by chance, it seems that happiness might not be
so far out of reach. But then tragedy overtakes him, and Ed must
decide whether to let history and duty define his life, or whether
he should push against the tide and write his own story. Filled
with hope and characteristic warmth, Undercurrent is a moving and
intimate portrait of love, of life and why we choose to share ours
with the people we do.
Three short plays from the multi-award-winning writer of Visitors
At First Sight: Two young people meet and spend a New Year together
in Salzburg. Holly is there on holiday with her parents; Jack plays
piano in the hotel bar. Their story is told through a collage of
exchange and recollection. At First Sight toured the UK and ended
at the Latitude Festival, 2011. Winner of the Drama Association of
Wales One Act Play Competition. Fear Of Music: Luke is the first in
his family to go to university, and he's determined to stop his
irritating fireball of a brother from following in their father's
footsteps by joining the army. Vivid, detailed and often hilarious,
Fear of Music time-bends between 1987 and 1993, piecing together
the prelude and aftermath of a tragedy that sees history repeating
itself. Every You Every Me: Every You Every Me is a play about
coping, Kurt Cobain, rebellion, revolution, opening your A-level
results, choosing your life and the pressure of systems on kids. A
new play exploring teenagers' mental health issues, performed at
the Salisbury Playhouse Salberg Studio.
On a farmhouse at the edge of Salisbury Plain, a family is falling
apart. Stephen can't afford to put his mother into care; Arthur
can't afford to stop working and look after his wife. When a young
stranger with blue hair moves in to care for Edie as her mind
unravels, the family are forced to ask: are we living the way we
wanted? Visitors is a haunting, beautiful look at the way our lives
slip past us. Critics Circle Award 2014 for Most Promising
Playwright. Winner of the Best New Play Award at the Off West End
Theatre Awards 2014. Shortlisted for the Evening Standard Theatre
Award for Most Promising Playwright and the Writers Guild of Great
Britain 2014 award for Best Play.
A Times bestseller 'Wonderful...I was hooked from the first page.
It's the real stuff.' - Michael Frayn 'Deeply affecting' - Guardian
'Superb' - Mail on Sunday 'Barney Norris is a rare and precious
talent' - Evening Standard 'There exists in all of us a song
waiting to be sung which is as heart-stopping and vertiginous as
the peak of the cathedral. That is the meaning of this quiet city,
where the spire soars into the blue, where rivers and stories weave
into one another, where lives intertwine.' One quiet evening in
Salisbury, the peace is shattered by a serious car crash. At that
moment, five lives collide - a flower seller, a schoolboy, an army
wife, a security guard, a widower - all facing their own personal
disasters. As one of those lives hangs in the balance, the stories
of all five unwind, drawn together by connection and coincidence
into a web of love, grief, disenchantment and hope that perfectly
represents the joys and tragedies of small town life. Barney
Norris's third novel, The Vanishing Hours, will be published in
July 2019.
'Shot through with compassion . . . this dreamlike, winding tale is
a joy.' A. L. KENNEDY 'Moving and unconventionally wise.' Guardian
________________________ This was how I heard the most important
story of my life, the thing that decided me, the story that
determined who I was in the end. As snow begins to fall outside,
two strangers meet by chance in a bar. She is trying to make sense
of a life shaken by heartbreak and ruined dreams. He is on a
desperate quest to find something he lost in his youth. From the
blustery cliffs of Dover to the confines of a nuclear bunker; from
the courtroom witness box to the West End stage, he flits from one
life to another, never able to stand still. Extraordinary though
his story is, the secret she is keeping is even more surprising,
and will take them to a place neither of them - or you - expected.
From the bestselling author of FIVE RIVERS MET ON A WOODED PLAIN
comes this captivating novel about love, abandonment, and the power
of stories to help us find our way in the world.
________________________ What readers are saying: ***** 'I
absolutely loved this book - it's beautifully written, very
emotional and full of wonderful flights of imagination.' *****
'Unlike anything I've read before.' ***** 'A deeply moving account
of fragile memory and lost love.' ***** 'A completely beautiful
book . . . I adored it.'
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Falling (Paperback)
Barney Norris
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The deeply moving second novel from the author of the award-winning
FIVE RIVERS MET ON A WOODED PLAIN.
'Courageous...memorable...moving' - Guardian 'One of our most
exciting young writers' - The Times 'Life-affirming, beautiful and
achingly poignant' - Donal Ryan 'Isn't the life of any person made
up out of the telling of two tales, after all? The whole world
makes more sense if you remember that everyone has two lives, their
real lives and their dreams, both stories only a tape's breadth
apart from each other, impossibly divided, indivisibly close.'
Every year, Robert's family comes together at a rambling old house
to celebrate his birthday. Aunts, uncles, distant cousins - it has
been a milestone in their lives for decades. But this year Robert
doesn't want to be reminded of what has happened since they last
met - and nor, for quite different reasons, does his granddaughter
Kate. Neither of them is sure they can face the party. But for both
Robert and Kate, it may become the most important gathering of all.
As lyrical and true to life as Norris's critically acclaimed debut
Five Rivers Met on a Wooded Plain, which won a Betty Trask Award
and was shortlisted for the Ondaatje Prize and Debut of the Year at
the British Book Awards, this is a compelling, emotional story of
family, human frailty, and the marks that love leaves on us.
On a farm outside Winchester, Ryan struggles to make a living off
the land. His sister Lou has returned home after the death of their
father to support Jenny, their formidable mother. Now, when Lou's
boyfriend Pete reappears, flush with money from his job at an oil
refinery, Jenny fights to hold her children to the life she planned
for them.
Theatre has a funny way of getting to the heart of who we are now
and - particularly in the case of Connections - who we are going to
be. Drawing together the work of nine leading playwrights, National
Theatre Connections 2018 features work by some of the most exciting
contemporary playwrights. Gathered together in one volume, the
plays offer young performers an engaging selection of material to
perform, read or study. From friends building bridges and siblings
breaking down walls; girls making their voice heard and boys
searching for home; and not forgetting a band of unlikely action
heroes taking control of the weather. The anthology contains nine
play scripts along with imaginative production notes and exercises,
as well as a short introduction to the writing process for the
tenth Connections play [ BLANK ] by Alice Birch. National Theatre
Connections is an annual festival which brings new plays for young
people to schools and youth theatres across the UK and Ireland.
Commissioning exciting work from leading playwrights, the festival
exposes actors aged 13-19 to the world of professional
theatre-making, giving them full control of a theatrical production
- from costume and set design to stage management and marketing
campaigns. NT Connections have published over 150 original plays
and regularly works with 500 theatre companies and 10,000 young
people each year.
The first collection of plays from the multi-award-winning
playwright and novelist. Introduction by Alice Hamilton. Visitors:
On a farmhouse at the edge of Salisbury Plain, a family is falling
apart. Stephen can’t afford to put his mother into care; Arthur
can’t afford to stop working and look after his wife. When a
young stranger with blue hair moves in to care for Edie as her mind
unravels, the family are forced to ask: are we living the way we
wanted? Visitors is a haunting, beautiful look at the way our lives
slip past us. Eventide: A love song, an elegy, a celebration:
Eventide tells the story of three people whose worlds are
disappearing. John is a landlord forced to sell up; Liz is a church
organist who can't get a gig; Mark takes what work he can just to
pay the rent. Their tales unfold round the back of a pub hidden
deep in the heart of the Hampshire countryside - a heart that
doesn't seem to be beating any more. While We’re Here: Eddie and
Carol were lovers once, but their lives went in different
directions. Now they meet again on a park bench in a town full of
memories, and find something still burns between them. Nightfall:
On a farm outside Winchester, Ryan struggles to make a living off
the land. His sister Lou has returned home after the death of their
father to support Jenny, their formidable mother. Not so long ago,
when a neighbour’s Labrador strayed onto the farm, their dad
reached for his shotgun. Now, when Lou’s boyfriend Pete
reappears, flush with money from his job at an oil refinery, Jenny
fights to hold her children to the life she planned for them.
Wiltshire. 1915. As the shadow of war falls over the Wiltshire
landscape, a young couple finds itself caught up in the turmoil of
troubled times. For generations, John and Anna’s families have
made a living by working the land. Growing up in back-to-back
cottages, everyone expects them to marry. Now, however, with nearly
half a million young soldiers pouring into the country, the world
seems so much bigger than they had ever imagined and the future
feels far from certain. Critics Circle and Off West End
Award-winning playwright and novelist Barney Norris has been
heralded as ‘one of our most exciting young writers’ (Times),
‘a rare and precious talent’ (Evening Standard) ‘a writer of
grace and luminosity’ (The Stage) who is ‘fast turning into the
quiet voice of Britain’ (British Theatre Guide).
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