This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Taking as its point of departure the alleged inaccuracy of the chronicles of Matthew Paris, "Hubert's Arthur" presents an alternative retelling of English history from the point of view of Hubert de Burgh. In Hubert's narrative, which begins with an account of the struggle for succession in the wake of King Richard Lionheart's death, young Duke Arthur of Brittany does not die at the hands of King John, but instead ascends to the throne. Hubert relates Arthur's adventures as he combats the wily John, fights in the Crusades, and wages battle against the treacherous Simon de Montfort, before facing perhaps his greatest challenge when his reign is threatened by the crucifixions of young Christian boys.

Penned by the brilliant but eccentric Frederick Rolfe (who styled himself Baron Corvo) whilst he was starving and homeless in a self-imposed exile in Venice, "Hubert's Arthur," first published posthumously in 1935, is one of the strangest and most remarkable novels of the twentieth century. Filled with action and suffused throughout with Rolfe's characteristic humor, the novel is notable for its blatant homoeroticism, its savage anti-Semitism, and its shockingly graphic violence. This edition features a new scholarly introduction by Kristin Mahoney, who also provides detailed annotations to help guide readers through Rolfe's labyrinth of historical and literary references and his unique vocabulary of archaic words, some of which have not been used since the sixteenth century.

"Mahoney's introduction to "Hubert's Arthur" is excellent advocacy for the virtues and importance of the work. With notes in the text up to this standard, the edition will not only contribute importantly to scholarship on Rolfe, but also help forge new understanding of the values of his age." - Prof. Edmund Miller, Long Island University

Frederick Rolfe, who early in his career also published under the name "Baron Corvo," became famous for his "Hadrian the Seventh" (1904), in which an Englishman is unexpectedly elected Pope, and later became infamous for his writings on his love for Venetian boys. But it was with the "Toto" stories, first published in John Lane's fin de siecle literary journal "The Yellow Book," that Corvo achieved his first and most widespread authorial success. In these tales, an Italian peasant youth ingenuously recounts to his English master six poignant and often funny stories dealing with Heaven, saints, morality, and religion. First published in volume form in 1898 and long out of print, "Stories Toto Told Me" remains one of the most remarkable achievements of one of the strangest and most talented of English writers. This edition includes a new introduction and extensive annotations by Edmund Miller."

The author of this unusual work was one of the most enigmatic, eccentric of English writers. He lived and died in poverty, and was as unscrupulous in grasping for money as were the Borgias he wrote about in their grasping for power. He spent his adult life eluding bill collectors and landlords, begging money from friends or strangers, composing fanatically belligerent notes to publishers demanding funds they had allegedly promised him, and extorting money from hapless benefactors whose faith in him proved most often to be unfounded. Nevertheless, he produced several books of superior quality which are sui generis in their vitality, color, and individuality. The present work is an example. It is by no means a work of objective, rigorously documented scholarship; it teems with Corvo's personal hypotheses, prejudices, and grudges. It steadfastly examines every accusation that has ever been made against the Borgias. Yet it conjures up a picture of Renaissance Italy which may not be historically accurate in every detail, but which vibrates with the spirit of the age. The book is broad in scope, relating to the movements of the Borgia Family during the whole of its career as the ruling house of Italy. In a style that is by turn lyric, dramatic, humorous, sonorous and epigrammatic, Corvo traces the lives of Alonso Borgia (who became Pope Calixtus III), Roderigo Borgia (later Pope Alexander VI), the redoubtable Cesare Borgia and his heralded sister Lucrezia, and other lesser known but equally interesting figures of the Borgia clan. The narrative is spiced with illuminating anecdotes, curious lore, and little-known sidelights in connection with the people and events of that incomparable era.Some of the most absorbing passages are those in which Corvo interrupts the narrative to reflect on such matters as calumny (all charges against the Borgias come under this heading), the loneliness of the popes, the classic learning of the Renaissance, the superiority of the 16th-century methods and mores to 20th-century ones, and many other subjects he feels constrained to remark upon. Perhaps the most engrossing chapter of all is the one which examines the matter of poisoning in the light of the superstitions that were still alive during the Borgia era.