The ancient Greek hymnic tradition translated beautifully and accessibly.  The hymn—as poetry, as craft, as a tool for worship and philosophy—was a vital art form throughout antiquity. Although the Homeric Hymns have long been popular, other equally important collections have not been readily accessible to students eager to learn about ancient poetry. In reading hymns, we also gain valuable insight into life in the classical world. In this collection, early Homeric Hymns of uncertain authorship appear along with the carefully wrought hymns of the great Hellenistic poet and courtier Callimachus; the mystical writings attributed to the legendary poet Orpheus, written as Christianity was taking over the ancient world; and finally, the hymns of Proclus, the last great pagan philosopher of antiquity, from the fifth century AD, whose intellectual influence throughout western culture has been profound. Greek Poems to the Gods distills over a thousand years of the ancient Greek hymnic tradition into a single volume. Acclaimed translator Barry B. Powell brings these fabulous texts to life in English, hewing closely to the poetic beauty of the original Greek. His superb introductions and notes give readers essential context, making the hymns as accessible to a beginner approaching them for the first time as to an advanced student continuing to explore their secrets. Brilliant illustrations from ancient art enliven and enrichen the experience of reading these poems.  

The purpose of this book is to dispel misunderstanding about the genesis of the Homeric poems and other knotty problems in oral studies, such as the meaning of "orality," "literacy," "tradition," "memorization," and "text." The study is about the nature and history of writing--how it was used in the Ancient Near East, and especially in Greece, and its relationship to Homer. It suggests that a Semite invented the Greek alphabet, heir to an ancient bilingual Eastern tradition of recording poetry by dictation.

Professor Powell ties the origin and nature of archaic Greek literature to the special technology of Greek alphabetic writing. In building his model he presents chapters on specialized topics - text, orality, myth, literacy, tradition and memorization - and then shows how such special topics relate to larger issues of cultural transmission from East to West. Several chapters are devoted to the theory and history of writing, its definition and general nature as well as such individual developments as semasiography and logosyllabography, Chinese writing and the West Semitic family of syllabaries. He shows how the Greek alphabet put an end to the multiliteralism of Eastern traditions of writing, and how the recording of Homer and other early epic poetry cannot be separated from the alphabetic revolution. Finally, he explains how the creation of Greek alphabetic texts demoticized Greek myth and encouraged many free creations of new myths based on Eastern images.

In this new translation of Hesiod, Barry B. Powell gives an accessible, modern verse rendering of these vibrant texts, essential to an understanding of early Greek myth and society. With stunning color images that help bring to life the contents of the poems and notes that explicate complex passages, Powell's fresh renditions provide an exciting introduction to the culture of the ancient Greeks. This is the definitive translation and guide for students and readers looking to experience the poetry of Hesiod, who ranks alongside Homer as an influential poet of Greek antiquity.

Homer's Iliad is one of the foundational texts of Western Civilization. The timelessness of its story, of men battling fate amidst the horrors of war, still stirs the imaginations of readers year after year. What is offered here is the first translation by someone who is both an eminent scholar and published poet. Based on his thorough familiarity with Homeric language, Powell's free verse translation preserves the clarity and simplicity of the original, while recreating the original feel and sound of the oral-formulaic style. By avoiding the stylistic formality of earlier translations, and the colloquial and sometimes exaggerated effects of recent attempts, he deftly captures and conveys the most essential truths of this vital text. Helpfully included in this edition are a detailed introduction, illustrations, maps, and notes. Modern and pleasing to the ear while accurately reflecting the meaning of the Greek, Powell steers a middle path between the most well-known translations and adds something unique to the canon.

The ancient Greek hymnic tradition translated beautifully and accessibly. The hymn-as poetry, as craft, as a tool for worship and philosophy-was a vital art form throughout antiquity. Although the Homeric Hymns have long been popular, other equally important collections have not been readily accessible to students eager to learn about ancient poetry. In reading hymns, we also gain valuable insight into life in the classical world. In this collection, early Homeric Hymns of uncertain authorship appear along with the carefully wrought hymns of the great Hellenistic poet and courtier Callimachus; the mystical writings attributed to the legendary poet Orpheus, written as Christianity was taking over the ancient world; and finally, the hymns of Proclus, the last great pagan philosopher of antiquity, from the fifth century AD, whose intellectual influence throughout western culture has been profound. Greek Poems to the Gods distills over a thousand years of the ancient Greek hymnic tradition into a single volume. Acclaimed translator Barry B. Powell brings these fabulous texts to life in English, hewing closely to the poetic beauty of the original Greek. His superb introductions and notes give readers essential context, making the hymns as accessible to a beginner approaching them for the first time as to an advanced student continuing to explore their secrets. Brilliant illustrations from ancient art enliven and enrichen the experience of reading these poems.

Who invented the Greek alphabet and why? The purpose of this challenging book is to inquire systematically into the historical causes that underlay the radical shift from earlier and less efficient writing systems to the use of alphabetic writing. The author reaches the conclusion that a single man, perhaps from the island of Euboea, invented the Greek alphabet specifically in order to record the Iliad and the Odyssey of Homer.

Barry Powell, acclaimed translator of the Iliad (OUP, 2013) and the Odyssey (OUP, 2014) now delivers a graceful, lucid, free-verse translation of the Aeneid in a pleasant modern idiom. On-page notes explain obscure literary and historical references, while the rich visual program lightens the text and educates students in the history of Western art by presenting a single topic as represented over 2,000 years. The Aeneid's first sentence charts the poem's historical plot, taking us in one sweep of seven lines from Homer's Troy to Augustus' Rome. These two layers of time are felt all the way through the poem, from the distant past of Aeneas' heroic and quasi-mythological time, over 1100 years before Vergil, down to the "now" of Augustus' Rome, when Vergil was writing the poem between 30 and 19 BC, a period of ongoing political experimentation. The story of Aeneas-moving from one continent to another, undergoing and enforcing great transformations in the process-transplants contemporary Augustan preoccupations with transition, continuity, and change into the remote time of the poem's action. In the course of the poem we move from the East to the West, from Troy to Italy, as Aeneas moves from being a Trojan towards being something else, a kind of Roman in embryo. The poem's migratory movement, together with its wholescale assimilation of Homer, acts out another great transition, the transition of Greek culture to Italy: just as the people of ancient Italy become the inheritors of Troy, so the people of Vergil's Italy become the inheritors of Greece. The very location of the poem in time is transitional, at the pivot between myth and history: the poem's characters are moving out of the era of Homer into the era of what Vergil would have considered non-fabulous history. In all these ways the Aeneid is a great poem of history, both as lived experience and as something constructed by people responding to the needs of society. Featuring a stellar, up-to-date introduction, on-page notes, embedded illustrations, five maps, a timeline of Roman history, and a genealogical chart, Powell's Aeneid offers a full immersion into the mythological and political workings of the poem. It is a book both good to think with, and good to teach with.

In The Greeks, Ian Morris and Barry B. Powell try to see ancient Greece as a whole: not just a narrative of events or an overview of culture, but history and culture taken together. From ancient Greece comes the modern conviction that through open discussion and the exercise of reason a society of free citizens can solve the problems that challenge it. In one period of Greek history, a society just so governed produced timeless masterpieces of literature, art, and rational thought at the same time that it waged terrible wars and committed countless cruelties. If we understand the past, we can live better in the present, but the past is hard to understand. In The Greeks, Morris and Powell offer new ways of thinking about old problems.

Odysseus-soldier, trickster, and everyman-is one of the most recognizable characters in world literature. His arduous, ten-year journey home after the Trojan War, the subject of Homer's The Odyssey, is the most accessible tale to survive from ancient Greece, and its impact is still felt today across many different cultures. Barry Powell's free verse translation preserves the clarity and simplicity of the original while conveying Odysseus' adventures in an energetic, modern idiom. By avoiding the stylistic formality of earlier translations, and the colloquial and sometimes exaggerated effects of recent attempts, his translation deftly captures the most essential truths of this vital text. Due to his thorough familiarity with the world of Homer and Homeric language, Powell's introduction provides rich historical and literary perspectives on the poem. This translation also includes illustrations from classical artwork, detailed maps, explanatory notes, a timeline, and a glossary. Modern and pleasing to the ear while accurately reflecting the meaning of the Greek, this Odyssey steers a middle path between the most well-known translations and adds something truly unique and contemporary to the canon.

Fat Wally Wills, wealthy professor of Art History, is dead at the bottom of his stairs in his lakefront home. Who did it? The lurid facts emerge as his friend Professor Raymond Birch, himself under university scrutiny, delves into Wally's sordid life. Set against an academic backdrop, there is university intrigue, friendship, betrayal, drugs, and sex. We meet Wills's old friend Harvey Vanderpool, a potter; his former live-in lover, Eddy, and Eddy's new wife, Evelyn; and a hundred-year old matriarch, intimate friend of Wally Wills. Something is going on between Birch and Evelyn. There were unknown people at the house the night Wally Wills died. In all this stew, something boiled over.

Barry Powell, acclaimed translator of the Iliad (OUP, 2013) and the Odyssey (OUP, 2014) now delivers a graceful, lucid, free-verse translation of the most important books and passages of the Aeneid in a pleasant modern idiom. On-page notes explain obscure literary and historical references, while the rich visual program lightens the text and educates students in the history of Western art by presenting a single topic as represented over 2,000 years. The Aeneid's first sentence charts the poem's historical plot, taking us in one sweep of seven lines from Homer's Troy to Augustus' Rome. These two layers of time are felt all the way through the poem, from the distant past of Aeneas' heroic and quasi-mythological time, over 1100 years before Vergil, down to the "now" of Augustus' Rome, when Vergil was writing the poem between 30 and 19 BC, a period of ongoing political experimentation. The story of Aeneas-moving from one continent to another, undergoing and enforcing great transformations in the process-transplants contemporary Augustan preoccupations with transition, continuity, and change into the remote time of the poem's action. In the course of the poem we move from the East to the West, from Troy to Italy, as Aeneas moves from being a Trojan towards being something else, a kind of Roman in embryo. The poem's migratory movement, together with its wholescale assimilation of Homer, acts out another great transition, the transition of Greek culture to Italy: just as the people of ancient Italy become the inheritors of Troy, so the people of Vergil's Italy become the inheritors of Greece. The very location of the poem in time is transitional, at the pivot between myth and history: the poem's characters are moving out of the era of Homer into the era of what Vergil would have considered non-fabulous history. In all these ways the Aeneid is a great poem of history, both as lived experience and as something constructed by people responding to the needs of society. Featuring a stellar, up-to-date introduction, on-page notes, embedded illustrations, five maps, a timeline of Roman history, and a genealogical chart, Powell's Vergil's Aeneid: The Essential Books offers a full immersion into the mythological and political workings of the poem. It is a book both good to think with, and good to teach with.

In this new translation of Hesiod, Barry B. Powell gives an accessible, modern verse rendering of these vibrant texts, essential to an understanding of early Greek myth and society. With stunning color images that help bring to life the contents of the poems and notes that explicate complex passages, Powell's fresh renditions provide an exciting introduction to the culture of the ancient Greeks. This is the definitive translation and guide for students and readers looking to experience the poetry of Hesiod, who ranks alongside Homer as an influential poet of Greek antiquity.

The culmination of over 30 years of studying and thinking about Homer, world renowned scholar and accomplished poet Barry Powell has produced what one reviewer calls a "page turner, bound to become the new standard." Powell's translation renders the Homeric Greek with a simplicity and dignity reminiscent of the original. Lucid and fast, the text immediately engrosses the reader, with a tight and balanced rhythm that sings and with a closeness to the original that allows the reader to hear the incantatory repetitions in the Greek. More accessible than Lattimore, more poetic than Lombardo, and more accurate than Fagles or Fitzgerald, this translation is an excellent fit for today's students and general readers. With swift, transparent language that rings both ancient and modern, Barry Powell gives readers anew all of the rage, pleasure, pathos, and humor that are Homer's Iliad. His clever translation is simple and energetic: sometimes coarse, sometimes flowing, it is always poetically engaged. Powell lays bare the semantic background of Homer through felicitous phrasing and delivers us a Dark-Age epic, one more suggestive of Norse sagas than the cultural milieu of archaic Ionia. Both the translation and the introduction are consistently informed by the best recent scholarship. The illustrations are well chosen, the maps precise, the notes brief but helpful.