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This is an innovative study of the role of Ireland and the Irish in the British Empire which examines the intellectual, cultural and political interconnections between nineteenth-century British imperial, Irish and Indian history. Barry Crosbie argues that Ireland was a crucial sub-imperial centre for the British Empire in South Asia that provided a significant amount of the manpower, intellectual and financial capital that fuelled Britain's drive into Asia from the 1750s onwards. He shows the important role that Ireland played as a centre for recruitment for the armed forces, the medical and civil services and the many missionary and scientific bodies established in South Asia during the colonial period. In doing so, the book also reveals the important part that the Empire played in shaping Ireland's domestic institutions, family life and identity in equally significant ways.
What were the cultural factors that held the British world together? How was Britishness understood at home, in the Empire, and in areas of informal British influence? This book makes the case for a 'cultural British world', and examines how it took shape in a wide range of locations, ranging from India to Jamaica, from Sierra Leone to Australia, and from south China to New Zealand. These eleven original essays explore a wide range of topics, including images of nakedness, humanitarianism, anti-slavery, literary criticism, travel narratives, legal cultures, visions of capitalism, and household possessions. The book argues that the debates around these issues, as well as the consumer culture associated with them, helped give the British world a sense of cohesion and identity. This book will be essential reading for historians of imperialism and globalisation, and includes contributions from some of the most prominent historians of British imperial and cultural history. -- .
What were the cultural factors that held the British world together? How was Britishness understood at home, in the Empire, and in areas of informal British influence? This book makes the case for a 'cultural British world', and examines how it took shape in a wide range of locations, ranging from India to Jamaica, from Sierra Leone to Australia, and from south China to New Zealand. Eleven original essays explore a wide range of topics, including images of nakedness, humanitarianism, anti-slavery, literary criticism, travel narratives, and household possessions. The book argues that the debates around these issues, as well as the consumer culture associated with them, helped give the British world a sense of cohesion and identity. The cultural construction of the British world will be essential reading for historians of imperialism and globalisation, and includes contributions from some of the most prominent historians of British imperial and cultural history. -- .
The relationship between Ireland and the diversity of its diasporas has always been complex and multi-layered, but it is not until recently that this reality has really been acknowledged in the public sphere and indeed, amongst the scholarly community generally. This reality is partly a consequence of both "push-and-pull" factors and the relatively late arrival of globalization trends to the island of Ireland itself, situated as it is on the Atlantic seaboard between Europe and the US. Ireland is changing however, some would say at an unprecedented speed as compared with many of its neighbours, and the sense of Irish identity and connection to the home country is changing too. What is the relationship of Ireland and the Irish with its diaspora communities and how is this articulated? The voices who speak in New Perspectives on the Irish Abroad: The Silent People?, edited by Micheal O hAodha and Mairtin O Cathain, "talk back" to Ireland and Ireland talks to them, and it is in telling that we see a new story, an emerging discourse-the narratives of the "hidden" Irish, the migrant Irish, the diaspora whose voices and refrains were hitherto neglected or subject to silence.
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