All 15 episodes from the first season of the '70s Western TV series following the adventures of outlaws Kid Curry (Ben Murphy) and Hannibal Heyes (Pete Duel) as they try to go straight with the help of the local governor. Having to stay out of trouble to achieve amnesty, the two men change identity to avoid detection but can't seem to kick the habit. The episodes are: 'Alias Smith and Jones', 'The McCreedy Bust', 'Exit from Wickenburg', 'Wrong Train to Brimstone', 'The Girl in Boxcar #3', 'The Great Shell Game', 'Return to Devil's Hole', 'A Fistful of Diamonds', 'Stagecoach Seven', 'The Man Who Murdered Himself', 'The Root of It All', 'The Fifth Victim', 'Journey from San Juan', 'Never Trust an Honest Man' and 'The Legacy of Charlie O'Rourke'.

All 23 episodes from the second season of the '70s Western TV series following the adventures of outlaws Kid Curry (Ben Murphy) and Hannibal Heyes (Pete Duel) as they try to go straight with the help of the local governor. Having to stay out of trouble to achieve amnesty, the two men change identity to avoid detection but can't seem to kick the habit. The episodes are: 'The Day They Hanged Kid Curry', 'How to Rob a Bank in One Hard Lesson', 'Jailbreak at Junction City', 'Smiler With a Gun', 'The Posse That Wouldn't Quit', 'Something to Get Hung About', 'Six Strangers at Apache Springs', 'Night of the Red Dog', 'The Reformation of Harry Briscoe', 'Dreadful Sorry Clementine', 'Shootout at Diablo Station', 'The Bounty Hunter', 'Everything Else You Can Steal', 'Miracle at Santa Marta', '21 Days to Tenstrike', 'The McCreedy Bust: Going, Going, Gone', 'The Man Who Broke the Bank at Red Gap', 'The Men That Corrupted Hadleyburg', 'The Biggest Game in the West', 'Which Way to the O.K. Corral?', 'Don't Get Mad, Get Even', 'What's in It for Mia?' and 'Bad Night in Big Butte'.

Barry Shears examines the history and traditions of Gaelic-speaking pipers whose emigration to Nova Scotia ensured that the role and music of Highland piping not only survived, but thrived for a long time. Dance to the Piper provides historical background and provides numerous biographical sketches of key figures in the Nova Scotia tradition and analyzes why this cultural reality endured in Nova Scotia. It also examines the social, economic and cultural developments which altered the status, role and perception of the piper in society, and their eventual decline. Shears shows an abiding respect for those tradition bearers and Dance to the Piper represents more than twenty years of research, interviews and recordings of the last of the traditional-style pipers in Nova Scotia.