'Still an acknowledged masterpiece and a model for historical fiction ... sympathetic and intensely involving: a great feat of imagination' Hilary Mantel Bringing to life the intrigue of ancient Rome, Robert Graves's I, Claudius is one of the most celebrated, gripping historical novels ever written Despised for his weakness and regarded by his family as little more than a stammering fool, the nobleman Claudius quietly survives the bloody purges and mounting cruelty of the imperial Roman dynasties. In I, Claudius he watches from the sidelines to record the reigns of its emperors: from the wise Augustus and his villainous wife Livia to the sadistic Tiberius and the insane excesses of Caligula. Written in the form of Claudius' autobiography, this is the first part of Robert Graves's brilliant account of the madness and debauchery of ancient Rome. With an introduction by Barry Unsworth 'An imaginative and hugely readable account of the early decades of the Roman Empire ... racy, inventive, often comic' Daily Telegraph

Continuing the saga begun in I, Claudius, Robert Graves's Claudius the God is a compelling fictional autobiography of the Roman emperor, published with an introduction by Barry Unsworth in Penguin Modern Classics. Claudius has survived the murderous intrigues of his predecessors to become, reluctantly, Emperor of Rome. Here he recounts his surprisingly successful reign: how he cultivates the loyalty of the army and the common people to repair the damage caused by Caligula; his relations with the Jewish King Herod Agrippa; and his invasion of Britain. But the growing paranoia of absolute power and the infidelity of his promiscuous young wife Messalina mean that his good fortune will not last forever. In this second part of Robert Graves's fictionalized autobiography, Claudius - wry, rueful, always inquisitive - brings to life some of the most scandalous and violent times in history. If you enjoyed Claudius the God, you might like Marguerite Yourcenar's Memoirs of Hadrian, also available in Penguin Modern Classics. 'I, Claudius and Claudius the God are an imaginative and hugely readable account of the early decades of the Roman Empire ... racy, inventive, often comic' Daily Telegraph 'One of the really remarkable books of our day, a novel of learning and imagination, fortunately conceived and brilliantly executed' The New York Times 'Graves made Roman history funny and familiar' Guardian

Through the story of an 18th century slave ship, this novel explores moral choices, the corruptions of greed and material gain, and men's behaviour "in extremis". It also articulates current concerns of corruption and distress. The author was awarded the 1992 Booker Prize for this novel.

It is the spring of 1767, and the vengeful Erasmus Kemp has had the mutinous sailors of his father's ship brought back to London to stand trial on piracy charges. Much to Kemp's dismay, the Irish fiddler Sullivan has escaped, and retrieving him proves too much in the midst of overseeing the dramatic legal case and a new business venture in the northern coal and steel industries of Thorpe. But the two men's paths are about to collide once again, for Sullivan is also on his way to Thorpe to fulfill the dying wish of his shipmate.
With historical sweep and deep pathos, Unsworth explores the struggles of the downtrodden against the rich and the powerful.

When two men disembark from the same boat in Greece, their lives accidentally and frighteningly intersect.

Kennedy, an opportunist, orchestrates a scam that will have some intended and some thoroughly unintended consequences. For Mitsos, an unresolved family tragedy awakens again, along with his need to avenge his parents' deaths. With utterly convincing characterizations, Barry Unsworth brings us the underbelly of the forge of Western civilization.

It was a big day for Cuthbertson's Regional School, and it would go off like a bomb.

Donald Cuthbertson prided himself on being a model for his students and teachers, but he had lately begun to lose his focus. Degree Day is approaching, along with a birthday party for his wife, Lavinia, who is not going quietly into middle age. Her lavish costume party provides the revelers with a darkly comic resolution to romantic dalliance and political intrigue.

Booker Prize-winning author Barry Unsworth's first novel, published for the first time in the United States.

Foley and Moss are partners in a successful small business, making plaster pixies for the tourist trade. Foley is the artistic member of the partnership; he thinks up the ideas and designs and has pretensions to even greater artistry in his cherub lamps and fixtures. Moss, the seemingly quiet one who supplied the capital for the venture, manufactures them. Barry Unsworth sets his scene magnificently—a Cornish village, Lanruan, thriving on specious tourism, and its local characters: Graham, the primitive painter; Bailey, the loud-mouthed Northerner who comes to Lanruan to make his fortune; Barbara, the nearest thing the village possesses to a bad girl; and above all Gwendoline, who, inadvertently, begins the rift in the partnership between Foley and Moss.

The Partnership is a disquieting, darkly funny tale about hidden desires and the unspoken attachments we have for one another.

"Stunningly original. . . . Pulpy and juicy, full of wisdom and horror." —Los Angeles Times Book Review

Losing Nelson is a novel of obsession, the story of Charles Cleasby, a man unable to see himself separately from the hero—Lord Horatio Nelson—he mistakenly idolizes. He is, in fact, a Nelson biographer run amok. He is convinced that Nelson, Britain's greatest admiral, who lost his own life defeating Napoleon in the Battle of Trafalgar, is the perfect hero. However, in his research he has come upon an incident of horrifying brutality in Nelson's military career that simply stumps all attempts at glorification.

"Books about the sea and those who sail it are much in vogue. This seems to have been set off by the surprising and much deserved popularity of Sebastian Junger's The Perfect Storm, not to mention the Aubrey/Maturin novels of Patrick O'Brian. . . . [Losing Nelson is] the best book of the lot."—Jonathan Yardley, Washington Post Book World (1999 Critic's Choice). A Publishers Weekly Best Book of 1999; A New York Times Notable Book of 1999.

Reading group guide available

Unable to work on his novel about Liverpool's slave trade, Benson is teaching creative writing and wandering the city. The pupils who bring him their fantasies are a sad, dispossessed group with varying degrees of literary talent. Caught up in a series of bizarre events, Benson nevertheless finds his own imagination sparked by an encounter with two old army colleagues: Thompson, down-and-out and homeless; and Slater, a fabulously wealthy entrepreneur. In trying to heal old wounds, Benson unleashes a plan that just may blow up in his face. "There is a violent resolution to this obsessive and provocative novel that examines the abscesses and abysses beneath the violence of urban life and offers a quixotic personal answer." - The Times [London] "Fine descriptive writing and spirited humanity." - The Guardian Published for the first time in the United States Booker Prize-winning author of Sacred Hunger

From the Booker Prize-winning author of Sacred Hunger, "a vivid, sinuous, profound, and entirely beguiling venture." Richard Eder, Los Angeles Times. Set in the beautiful landscape and rich history of Umbria, Italy, Booker Prize-winning author Barry Unsworth has written a witty and illuminating work of contemporary manners and morals. The region where Hannibal defeated the Romans is now prey to a different type of invasion: outsiders buying villas with innocent and not so innocent dreams. Among those clustered along one hillside road are the Greens, a retired American couple seeking serenity; the Chapmans, whose dispute over a wall escalates into a feud of operatic proportions; and Fabio and Arturo, a gay couple who, searching for peace and self-sufficiency, find treachery instead. Add to this mix a wily and corrupt British "building expert," and a lawyer who practices subterfuge and plans his client's actions like military strategy, and you have a sharp, entertaining, and satisfyingly bittersweet work."

"[The Hide] has it all: imagination, character, dialogue and above all, plot. . . . It's a scary book, written by a master tale-teller."—Susan Salter Reynolds, Los Angeles Times Book Review

This early work by the Booker Prize-winning author Barry Unsworth chronicles one of his literary obsessions the corruption of innocence and forms it into a compelling contemporary narrative set in the rambling, overgrown grounds of an English estate. There, relying on his rich sister Audrey's beneficence, Simon obsessively digs a secret system of tunnels from which to spy on others. When Josh, a good-looking naïf, becomes a gardener at Audrey's home, the two women of the household, Audrey and her distant relative and housekeeper, Marion, find Josh's strength and seeming innocence a potent spell, and his response escalates unacknowledged tensions between them. Meanwhile, Simon, worried about Josh, takes steps to prevent the exposure of his underground labyrinth. The explosive chemistry between the characters will eventually rip apart and rearrange all their lives.

"Bristling with menace, The Hide is a superbly modulated study of the blighting of an innocent."—Anthony Quinn, New York Times Book Review

"[A] black comedy about the quintessentially human act of observation. . . . Caustic and hilarious."—Drew Limsky, Washington Post Book World

"A masterful tale of treachery and duplicity. . . . Spellbinding."--New York Times

The year is 1908, the place, a small Greek island in the declining days of the crumbling Ottoman Empire. For twenty years Basil Pascali has spied on the people of his small community and secretly reported on their activities to the authorities in Constantinople. Although his reports are never acknowledged, never acted upon, he has received regular payment for his work. Now he fears that the villagers have found him out and he becomes engulfed in paranoia. In the midst of his panic, a charming Englishman arrives on the island claiming to be an archaeologist, and charms his way into the heart of the woman for whom Pascali pines. A complex game is played out between the two where cunning and betrayal may come to haunt them both. Pascali's Island was made into a feature film starring Ben Kingsley and Helen Mirren.

"Darkly ironic. . . . Offers an almost Conradian richness."—The New Yorker

"A compelling portrait of a schemer whose shabby amorality scarcely ensures his survival in a world where treachery is the rule."—Boston Sunday Globe

In this edgy and masterfully written novel, Booker Prize-winning author Barry Unsworth explores the themes of the corruption of innocence and the complications of lust.

Farnaby, a young Englishman in Istanbul researching a thesis on Ottoman fiscal policy, is nervous at his reunion with the celebrated Mooncranker who once so fatefully influenced and disturbed his life. Mooncranker, a famous intellectual, is now a pitiful alcoholic deserted by his secretary and lover Miranda—the woman Farnaby secretly loved with the violence of youth. Mooncranker sends him to find Miranda at a notorious Turkish spa on the grounds of an ancient city where sex is known to come along with the price of the room. There Farnaby tries to understand Mooncranker's gift to him as a boy of thirteen, which has tainted his life ever since, as he finds himself a pivotal figure in the eccentric destinies of the other residents of the spa.

"Intricately wrought story with abundant, often strikingly beautiful, use of symbols.. . . The progress of the book is tumescent, gathering sexual pace, and reaching a climax."—London Times Literary Supplement

"A novel of revelation . . . haunting." —The New Yorker

It is May 1908 and the Ottoman world is crumbling. Robert Markham, an Englishman in Constantinople, is newly posted to the British legation with his imperious wife and overly curious son. Markham's hidden life is about to make itself known as he forgets familial and patriotic ties in order to absolve a deep-seated guilt. Twelve years before, he had been involved with an Armenian woman. On the evening of their engagement, the Armenian massacres erupted. Saved by his British citizenship, he witnessed the brutal rape and murder of his fiancee. Amid the breakdown of the Turkish empire, he now seeks revenge.

In its romantic and dangerous tour of history, Barry Unsworth's Stone Virgin rivals A. S. Byatt's Possession.

A mysterious sculpture of a beautiful and erotic Madonna holds the key to the Fornarini family's secrets. When Raikes, a conservation expert, tries to restore her, he is swept under the statue's spell and swept under the spell of the seductive Chiara Litsov, a member of the Fornarini family now married to a famous sculptor. Raikes finds himself losing all moral grounding as his love for statue and woman intertwine in lust and murder.

"No brief synopsis could suggest the sinuous intricacy of Stone Virgin or the adroitness with which Barry Unsworth manipulates the weighty mysteries of love, death, creation, faith, evil and the lure of history." —Amanda Heller, Boston Globe