L'Internationale is a trans-institutional network of five major European museums and artists' archives: Moderna Galerija Ljublana, Julius Koller Society Bratislava/Vienna, MACBA Barcelona, Van Abbemusuem Eindhoven and MHKA Antwerp. With these five museums and their respective collections as a starting point, "L'Internationale: Post-War Avant-Gardes Between 1957 and 1986" presents a range of case studies and historiographical and theoretical essays that reconsider a period in art history that was dominated by the art of Western Europe and North America. The publication instead portrays a more dispersed, multi-polar and interconnected neo-avant-garde, one that existed long before it became common to think in terms of globalization or trans-nationalism. In the process, this book questions how local narratives can be brought together in a new "rhizomatic" way, one that works to reshape our ideas of translocalism and internationalism.

In Richard Deacon's solo exhibition Some Time, a refabricated version of his sculpture Never Mind takes pride of place among more than twenty-five other works. Over time, the original sculpture, made in 1993, proved to be incompatible with the natural environment of an open-air museum. Now, after a period of critical reflection and discussion with the artist himself, what he calls a 'refabrication' has taken place. Follow the artist and the museum's quest for an innovative, sustainable solution to the renewal of (or variation on) a monumental sculpture that offers a potentially new line of approach for the future. This book not only represents the Some Time exhibition, but thanks to its diversity of material, ranging from original sketches and intimate correspondence to construction photos from the workshop and installation shots, it also gives a unique insight into Deacon's working process. At the same time, it provides a moment of critical reflection from the perspectives of the various authors who have contributed to it. Text in English and Dutch.

A TLS Book of the Year 2017 In this, the first anthology of Russian contemporary art writing to be published outside Russia, many of the country's most prominent contemporary artists, writers, philosophers, curators and historians come together to examine the region's contemporary art, culture and and theory. With contributions from Ilya and Emilia Kabakov, Boris Groys, Dmitri Prigov, Anton Vidokle, Keti Chukhrov, Oxana Timofeeva, Pavel Pepperstein, Arseny Zhilyaev and Masha Sumnina amongst many others, this definitive collection reveals a compelling portrait of a vibrant and complex culture: one built on a contradicting dialectic between the material and the ideal, and battling its own histories and ideologies.