Architecture office 'Bovenbouw' presents its work in all of its variety and maps the rich world of references with which it designs. It provides a look inside the variety of projects and the rich world of references of the eponymous architecture office from Antwerp. The book and the exhibition act as complements to one another; autonomous, but all the richer when read together. Intuitive yet thought out, and with a measured dose of humour, it maps an extensive frame of reference.

This collection of essays by the Belgian philosopher and theorist Bart Verschaffel, address issues concerning the meaning and relevance of art today.Written over the course of his career, they cover a rich and inventive range of topics, from laughter to the artwork as gift, to splendor and modern beauty. This is the first synoptic collection of Verschaffel's work with many of the essays translated into English for the first time.

This book reveals that James Ensor did not develop his fantastic and grotesque universe of masks and skeletons out of his melancholic soul, but that he re-used and transformed an old image tradition that was collected and published by the French author and art critic Jules Champfleury in his History of Caricature. A second essay analyses how these weird creatures infiltrate the image borders and the frames of Ensor's paintings in order to disturb the 'normal' world.

An exploration of urban wildlife published by the Lilliput Press.

Wim Delvoye (b. 1965) is known for his inventive and often controversial projects, and his work has been exhibited around the world. One of a generation of Belgian artists who have revolutionized contemporary art, Delvoye explores the body and its functions, producing art that combines the attractive and the repulsive, and addresses themes including religion and politics. One of his most famous works is Cloaca, a digestion machine; another significant project involves tattooed live pigs. Coinciding with Delvoye's exhibition as guest of honor at the Louvre, Wim Delvoye Introspective is the culmination of close collaboration between the artist and distinguished scholars and critics. This publication presents a complete overview of works by the artist, demonstrating the range of media, technique, and thought-provoking subjects that defines his art. Distributed for Mercatorfonds

The work of Dutch architect Charles Vandenhove has always evinced a tension between his Modernist training and a desire to revise or even reject that heritage, but the past five years have seen him returning to his Modernist education, evolving towards a more austere formal vocabulary. "Charles Vandenhove: Recent Work 1995-2000" clearly charts this development, in such striking examples as the Staar complex in Maastricht, the renovation of the Koninklijke Schouwburg and the Huygensgracht housing development in The Hague. This monograph also addresses Vandenhove's standing as an insider-outsider who is both highly esteemed internationally and regarded as something of a maverick.