Selection from the musical writing of Bayan Northcott, one of the foremost musical critics of our time. Published in association with the Cosman Keller Art and Music Trust. Over the last forty years Bayan Northcott has established himself as one of London's leading music critics, a figure much admired by Hans Keller [1919-85] whose ideas he frequently invokes. Moving easily between the classics and the moderns, and writing with exceptional acuity, he brings a vast knowledge to bear on every issue great or small. In these years, though, he has alsodeveloped as a composer; and it is the meeting point of critic and artist that this, his first selection of essays, celebrates. The first part deals mainly with musical questions, the second with music for words, the third with agallery of composers, and the fourth with the various states of music. It is a book that will appeal to ordinary music lovers and connoisseurs alike.

A selection of the writings of Hugh Wood - composer, teacher and writer - with eight illustrations by William Scott. Ever since his early days, Hugh Wood has pursued a triple career as composer, teacher and writer: he has added to the repertory of orchestral, chamber and vocal music, he has lectured at the Universities of Glasgow, Liverpool andCambridge, and he has been involved in an endless round of articles, reviews and broadcasts. What these activities have in common is a keen interest in the highways and byways of European culture, a fastidious style, and a determination to scotch pretence wherever it appears. But behind all this lies another concern, an insatiable quest for knowledge of the territory composers stake out for themselves. This selection of writings is in three parts andshows three aspects to the quest. The first addresses his own experience; the second maps out the historical and cultural context for a number of orchestral and chamber works in a set of concert essays; and the third draws together several composer-vignettes from his recent reviews for the Times Literary Supplement. The book marks his seventy-fifth birthday and includes eight works by the British artist, William Scott.

A selection of the writings of Hugh Wood - composer, teacher and writer - with eight illustrations by William Scott. Ever since his early days, Hugh Wood has pursued a triple career as composer, teacher and writer: he has added to the repertory of orchestral, chamber and vocal music, he has lectured at the Universities of Glasgow, Liverpool andCambridge, and he has been involved in an endless round of articles, reviews and broadcasts. What these activities have in common is a keen interest in the highways and byways of European culture, a fastidious style, and a determination to scotch pretence wherever it appears. But behind all this lies another concern, an insatiable quest for knowledge of the territory composers stake out for themselves. This selection of writings is in three parts andshows three aspects to the quest. The first addresses his own experience; the second maps out the historical and cultural context for a number of orchestral and chamber works in a set of concert essays; and the third draws together several composer-vignettes from his recent reviews for the Times Literary Supplement. The book marks his seventy-fifth birthday and includes eight works by the British artist, William Scott.