Gottfried Helnwein is known for his hyper-realistic images and his photo portraits of celebrities such as Mick Jagger, Michael Jackson, Andy Warhol, Arnold Schwarzenegger, Marilyn Manson and the band Rammstein. In his provocative images, he articulates themes of violence and abuse in ways that are as compelling as they are shocking. In particular, children, whose innocence, naivety and tenderness he brings into focus, are projection surfaces for him. From Wagner and Nietzsche, a stringent arc develops to Hitler's propaganda machinery, the staged epic mass marches of the SS, and leads in Helnwein's case not least to his great Carl Barks admiration, whereby he himself fits Mickey Mouse into the context of Nazi rule. This book is dedicated for the first time to this level of reflection in Helnwein's work and first summarises those dark paintings in which the image is developed out of blackness and deep blue (as a romantic keynote) and leads over to the atrocities of the Nazi regime, in that in particular the experiments on imprisoned persons and those segregated into psychiatric wards underpin the racial ideology. Text in English and German.

The art of Boris Lurie (* 1924, Leningrad) and Wolf Vostell (* 1932, Leverkusen) is determined by the break in civilization in Germany in 1933, which made the German genocide of German and European Jews (the Shoah) possible. Both artists make the Shoah the subject of their work in a radical way. They work - initially independently of one another - with the means of painting and during the 1950s they resort to the stylistic devices of the first avant-garde: Cubism, Dadaism, Surrealism. They strategically employ collage and assembly techniques. Vostell later develops the subject further in the media of happening and video art while Lurie takes up writing. In 1964 the artists met in New York and entertained a lifelong friendship.

The Chinese artist Deng Guo Yuan has spent his entire life dealing with the theme of the garden. He interprets this theme against the background of the knowledge of the Chinese tradition. In the Chinese philosophy of Daoism it is regarded as a 'way', 'method' or 'principle'. It is the highest reality and the highest mystery, the primordial unity, the cosmic law and the absolute. Text in English and German.

The Haukohl Family stands in the wake of a lasting tradition of European and American collecting practices for the benefit of future generations. Published to accompany an exhibition at the Luxembourg National Museum of Art, October 2018 to February 2019. For six generations the Haukohls have collected art, rare books, drawings, sculpture and textiles. It has been the fulfilling result of a Milwaukee-based American Midwestern family who has had equal determination and always with an eye towards acquiring fine art for the benefit of the future generations. This book presents masterworks of Italian painting and sculpture from the 16th through 18th centuries drawn from the largest private American collection of Florentine Baroque painting, featuring works by key artists such as Cesare Dandini, Jacopo da Empoli, and Francesco Furini.

The work of the prize winning Peruvian American light artist Grimanesa Amoros is characterised by organic forms and an instinctive approach. The basis of her fascinating sculptures lies, however, in the natural sciences, social history and critical theory. Research and feeling establish a form of communication in her works. The expansive sculptures and video installations of Grimanesa Amoros have already been shown all over the world: from Mexico to Tel Aviv and from Beijing to Times Square in New York. She presented her latest works, "OCUPANTE" and "GOLDEN SECRET ROOM", In the Ludwig Museum Koblenz. The artist creat es playful light installations which are so enigmatic that they permit interpretations on different levels. Together with an overview of her work, this volume reproduces the works in large format illustrations, thereby reproducing their fluidity and luminosity.

Sean Scully (* 1945 in Dublin) is considered one of the most significant abstract painters of our time. For decades he has produced a wealth of variations on his core theme of lines and stripes, creating works with a fascinating range of tone and expression from the romantic to the melancholic. Early on in his ca­reer Scully did figural work, to which he still feels in­debted; “To this day my paintings retain a sense of the body, and the feeling of a physical relationship with the world.” He considers German Expressionism one of his sources of inspiration and specifically cites the influence of artists André Derain, Henri Matisse, Karl Schmidt-Rottluff, and Ernst Ludwig Kirchner. The stroke of the brush is a visible component of his paint­erly abstractions. The edges of his fields of color are delineated by hand, which lends his compositions a haptic quality. Presenting surprising new perspec­tives on the artist’s work, this publication is the first study on the interplay between figuration and ab­straction in Scully’s oeuvre. Ausstellungen/Exhibitions: Ludwig Museum im Deutschherrenhaus Koblenz 31.8.–16.11.2014 | Kunsthalle Rostock | Crawford Art Gallery, Cork