How the work of contemporary architecture practices covers far more than the design and construction of buildings – an important and thought-provoking collection of original projects by unique thinkers in the world of architecture and spatial design, such as Diller + Scofidio, David Adjaye, and Ensamble Studio Architectural practice today goes far beyond the design and construction of buildings – the most exciting, forward-thinking architecture is also found in digital landscapes, art, apps, films, installations, and virtual reality. This remarkable book features projects – surprising, beautiful, outrageous, and sometimes even frightening - that break rules and shatter boundaries. In this timely book, the work of award-winning architects, designers, artists, photographers, writers, filmmakers, and researchers – all of whom synthesize and reflect our spatial environments – comes together for the first time. Radical Architecture of the Future's featured architects include Diller Scofidio + Renfro, David Adjaye, SANAA, Amateur Architecture Studio, and Ensamble Studio. Artists, designers, filmmakers, and writers covered include Julie Mehretu, Wolfgang Tillmans, and John Gerrard.

A multifaceted look at the work of award-winning American industrial designer Stephen Burks Through essays, photo-essays, and a conversation between Black designer Stephen Burks (b. 1969) and the late cultural critic bell hooks, this book contextualizes Burks's wide-ranging work while exploring design's influence on politics, society, and culture. Burks's work is underpinned by his belief in a pluralistic vision of design that is inclusive of all cultural perspectives; the award-winning designer has been commissioned by many of the world's leading design-driven brands to develop collections that engage hand production as a strategy for innovation. The book centers the industrial design and craft collaborations within Burks's workshop-based design practice and offers an opportunity to reflect on the potential of design at a time when racial, social, and environmental justice remain in jeopardy. Topics explored in the book include an overview of the designer's practice, from the foundational architecture culture of Chicago (Burks's birthplace) to his latest speculative project; the workshop-based collaborative ethos of his studio, Stephen Burks Man Made; and the politics of design. In the conversation between bell hooks and Burks, hooks brings her critical eye to design as it relates to the broader field of African American cultural production. Distributed for the High Museum of Art Exhibition Schedule: High Museum of Art, Atlanta (September 16, 2022-March 5, 2023)

The second volume in the Beazley Designs of the Year catalogue series, offering a snapshot of the most exciting things happening in design today. Now in its twelfth year, the Design Museum's Beazley Designs of the Year award and exhibition showcase the most innovative, relevant and thought-provoking projects in contemporary design. From the first iPhone to Zaha Hadid's final building, the nominations for the award have spanned the fields of architecture, digital, fashion, graphics, product and transport. Introduced by Deyan Sudjic and Beatrice Galilee, this illustrated book brings together all the nominated designs for 2019, along with the reasons for their selection by an international group of design experts, practitioners and critics. It is the definitive record of the year in design. Past nominees and winners include: Zaha Hadid, Gucci, SpaceX, Nike, Foster + Partners, Shepard Fairey, Comme des Garcons, Apple, OMA, Barber & Osgerby, Jasper Morrison, Thomas Heatherwick, Kanye West and David Adjaye. This year's exhibition runs from 18 September 2019 to 15 January 2020.

Known for his ephemeral, interconnected installations and monumental sculpture, Argentinian artist Adrian Villar Rojas (b. 1980) transformed The Met Roof into an immersive banquet scene for the 2017 Roof Garden Commission. This book retraces the artist's process by illustrating his conversations and discoveries at The Met, which informed an installation that negotiates the museum as both a social space and a space for the display of art. Villar Rojas merges these institutional functions by framing art within the context of a party where viewers and artworks can directly interact. The publication, an integral part of Villar Rojas's installation, covers themes as diverse as museology, history, and the activation of art-offering a meditation on how museums as artifacts represent and historicize art.